Doug Fieger's Amplifiers

In this video, behind him, we can see Marshall Bluesbreaker amp.

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"Hendrix and Page were the reason I got a Supro Thunderbolt. Page also played through a Rickenbacker Transonic in the Yardbirds, so I got one of those, as well."

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"I’ve had my Marshall 100 Super Bass stack since ’68. I’ve also got a ’68 (Fender) Twin and a ’68 Bassman, both with the frame around the grillecloth. Those are Beatle amps, but they’re good; they really sound different because of the circuitry."

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"A hybrid 730 – the Revolver/Sergeant Pepper amp. There’s an AC100 that I got in ’78; I put it in a flight case and have taken it out three or four times to record with it. It looks like a time machine. Those amps were overpowered and underventilated, so they always blew up. There are probably very few examples left, let alone one that’s mint. I own AC50s, AC30s, and Super Beatles."

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Doug Fieger mentioned in an interview with Vintage Guitar® magazine that he was inspired by Hendrix and Page to acquire a Supro Thunderbolt amplifier. He noted that Page also used a Rickenbacker Transonic during his time with the Yardbirds, which led Fieger to add one to his collection as well.

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"A hybrid 730 – the Revolver/Sergeant Pepper amp. There’s an AC100 that I got in ’78; I put it in a flight case and have taken it out three or four times to record with it. It looks like a time machine. Those amps were overpowered and underventilated, so they always blew up. There are probably very few examples left, let alone one that’s mint. I own AC50s, AC30s, and Super Beatles."

Find it on:

"A hybrid 730 – the Revolver/Sergeant Pepper amp. There’s an AC100 that I got in ’78; I put it in a flight case and have taken it out three or four times to record with it. It looks like a time machine. Those amps were overpowered and underventilated, so they always blew up. There are probably very few examples left, let alone one that’s mint. I own AC50s, AC30s, and Super Beatles."

Find it on:

"A hybrid 730 – the Revolver/Sergeant Pepper amp. There’s an AC100 that I got in ’78; I put it in a flight case and have taken it out three or four times to record with it. It looks like a time machine. Those amps were overpowered and underventilated, so they always blew up. There are probably very few examples left, let alone one that’s mint. I own AC50s, AC30s, and Super Beatles."

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