Gwyn Ashton's Amplifiers

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Gywn Ashton said to Australian Musician (article published 21 March 2014) "Again, I have a supply of amps – mainly vintage tweeds, depending on the gig size. I like small amps and the louder I can play, the more I bring in. I start off with one or two Fender Pro Juniors, add a 1957 Fender Deluxe, a 1956 Fender Twin Amp 40w or either one, or BOTH, of my high-power Tweed Twins from 1957 and 1959. I have an AC30, too."

A 1957 Fender Deluxe would be a 5E3.

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Gywn Ashton said to Australian Musician (article published 21 March 2014) "Again, I have a supply of amps – mainly vintage tweeds, depending on the gig size. I like small amps and the louder I can play, the more I bring in. I start off with one or two Fender Pro Juniors, add a 1957 Fender Deluxe, a 1956 Fender Twin Amp 40w or either one, or BOTH, of my high-power Tweed Twins from 1957 and 1959. I have an AC30, too."

Find it on:

Gywn Ashton said to Australian Musician (article published 21 March 2014) "Again, I have a supply of amps – mainly vintage tweeds, depending on the gig size. I like small amps and the louder I can play, the more I bring in. I start off with one or two Fender Pro Juniors, add a 1957 Fender Deluxe, a 1956 Fender Twin Amp 40w or either one, or BOTH, of my high-power Tweed Twins from 1957 and 1959. I have an AC30, too."

Find it on:

Gywn Ashton said to Australian Musician (article published 21 March 2014) "Again, I have a supply of amps – mainly vintage tweeds, depending on the gig size. I like small amps and the louder I can play, the more I bring in. I start off with one or two Fender Pro Juniors, add a 1957 Fender Deluxe, a 1956 Fender Twin Amp 40w or either one, or BOTH, of my high-power Tweed Twins from 1957 and 1959. I have an AC30, too."

A 1956 Fender Twin would be a 5E8 narrow panel Twin.

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Discography

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