Hans Joachim Irmler's Gear
I still really love the TCs [M5000 and 2290]. You can get really amazing digital feedbacks out of those. It's so astonishing because nobody is really aware that you can get something like that out of that equipment. It goes down to even Alesis [Quadraverb II and Midiverb]. Sometimes I'm using a spring system from Tapco [4400]. It's a stereo system and it uses different types of springs so the reflections are different.
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I still really love the TCs [M5000 and 2290]. You can get really amazing digital feedbacks out of those. It's so astonishing because nobody is really aware that you can get something like that out of that equipment. It goes down to even Alesis [Quadraverb II and Midiverb]. Sometimes I'm using a spring system from Tapco [4400]. It's a stereo system and it uses different types of springs so the reflections are different.
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I still really love the TCs [M5000 and 2290]. You can get really amazing digital feedbacks out of those. It's so astonishing because nobody is really aware that you can get something like that out of that equipment. It goes down to even Alesis [Quadraverb II and Midiverb]. Sometimes I'm using a spring system from Tapco [4400]. It's a stereo system and it uses different types of springs so the reflections are different.
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I still really love the TCs [M5000 and 2290]. You can get really amazing digital feedbacks out of those. It's so astonishing because nobody is really aware that you can get something like that out of that equipment. It goes down to even Alesis [Quadraverb II and Midiverb]. Sometimes I'm using a spring system from Tapco [4400]. It's a stereo system and it uses different types of springs so the reflections are different.
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I still really love the TCs [M5000 and 2290]. You can get really amazing digital feedbacks out of those. It's so astonishing because nobody is really aware that you can get something like that out of that equipment. It goes down to even Alesis [Quadraverb II and Midiverb]. Sometimes I'm using a spring system from Tapco [4400]. It's a stereo system and it uses different types of springs so the reflections are different.
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Perhaps unsurprisingly, given that he began making music in the '70s, Irmler still has a love for tape, despite the fact that he now runs Logic Studio on an Apple Mac G5. "I still love having analogue systems and digital equipment that's not part of the computer,” he says. "Logic is not too bad. I was wondering at the very beginning if this might work, so we went along both ways.
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