Harold Schroeder

Used during the era of The Two Who Do Duets, as described in the "Tom on Harold N’ Stuff" section of the liner notes booklet for The Lowest Form of Music. This is reported in the thesis "Los Angeles Noisescapes: Culture and Aesthetics in the Early Twenty-First Century Experimental 'Noise' Scenes." by Daniel L. Munoz.

The origins of their name came from a duo describing themselves as The Two Who Do Duets. Originally these two were Tom Recchion and Harold Schroeder and they began in March 1975. Recchion and Schroeder rented an 800 square foot office space as their studio for sixty-five dollars a month in the rundown “Raymond Building” at 35 South Raymond Avenue in Old Town Pasadena. “We were practically the only people in the deserted building, so we had the run of the place.”[201] Other artists followed suit, including Chip Chapman, Paul McCarthy, Phranc, and Anton Kaprow (Allan Kaprow’s son). Schroeder played a Steiner-Parker Synthacon synthesizer while Recchion played drums and other percussion and a newly acquired Farfisa organ.