Ian Anderson
of Jethro Tull
Ian Anderson's Flutes
"Around this time, I coveted the Shure microphones used by some of the professional bands around the Blackpool area. Trading in the Fender, I acquired the services of a Shure Unidyne Three and, to pad out the part exchange, a shiny Selmer Gold Seal flute, in neat carry case with no playing instructions; not even in Japanese."
"For a while I switched to 600 series flutes by Pearl, a Japanese company, and then more recently in the early nineties to Sankyo Silversonics and the US-made 2100 and 3100 Powell flutes. I use the Powells for recording and take a Sankyo and a Powell on tour. The intonation and sonority of the Powell is better, but the Sankyo blows more loudly and easily, especially when the player’s lips are fatigued and thus less articulate. "
"For a while I switched to 600 series flutes by Pearl, a Japanese company, and then more recently in the early nineties to Sankyo Silversonics and the US-made 2100 and 3100 Powell flutes. I use the Powells for recording and take a Sankyo and a Powell on tour. The intonation and sonority of the Powell is better, but the Sankyo blows more loudly and easily, especially when the player’s lips are fatigued and thus less articulate. "
"For a while I switched to 600 series flutes by Pearl, a Japanese company, and then more recently in the early nineties to Sankyo Silversonics and the US-made 2100 and 3100 Powell flutes. I use the Powells for recording and take a Sankyo and a Powell on tour. The intonation and sonority of the Powell is better, but the Sankyo blows more loudly and easily, especially when the player’s lips are fatigued and thus less articulate. "
"For a while I switched to 600 series flutes by Pearl, a Japanese company, and then more recently in the early nineties to Sankyo Silversonics and the US-made 2100 and 3100 Powell flutes. I use the Powells for recording and take a Sankyo and a Powell on tour. The intonation and sonority of the Powell is better, but the Sankyo blows more loudly and easily, especially when the player’s lips are fatigued and thus less articulate. "
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Discography
Album Credits
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Engineer Producer
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Divinities: Twelve Dances With God
Ian Anderson & Andrew Giddings · 1995
Producer -
Producer Programmer