Jamie Cook

Jamie Cook uses a Roland Space Echo RE-201 during the recording of “Suck It and See” onward for live shows and recording of albums other albums. The Space Echo can be seen in “Warp Speed Chic,” the recording of the bands 6th album, “Tranquility Base Hotel And Casino” and their 5th album, “AM.”

In an interview with James Ford about the recording of “Suck It and See,” Ford gives insight on why and how Jamie’s set up incorporates the Rolland. “Cook's guitar setup revolves around a '60s Simms Watts rig and custom‑built Rosewell Bluesman, though for the Sound City sessions, he also borrowed engineer James Brown's Audio Kitchen Big Chopper amp. For more ambient sounds, he'd plug into various toys, including a WEM Copicat or Roland Space Echo, Electro‑Harmonix Holiest Grail reverb pedal and Fulltone Deja Vibe stereo phase/chorus.” These extra “Toys” expanded Cook’s sound in various different ways not seen on Arctic Monkey’s previous albums.

Ford continues, "Cookie does either the spacey, watery, roomy sounds,” says Ford, "which were vibrato and reverb and a bit of echo. Or he does the kind of heavy, single‑note type of stuff. We used the Audio Kitchen for his heavier stuff — it had a Vox AC30 sort of vibe, but with a bit more presence and clarity. His live take would be close‑miked, and then we'd bring the amp into the room and maybe double it with a distant mic, Jimi Hendrix‑style, from the other side of the room.”

In the interview shows a picture of Jamie’s set up of the Space Echo along with a WEM Copicat. Pictured is Jamie’s set up during the “Tranquility Base Hotel and Casino” tour in 2018 & 2019. The Space Echo is seen behind Jamie, on top of his Hiwatt Stage/Studio 2x12 Combo amplifier.

(Sound on Sound, James Ford: Producing Arctic Monkeys) https://www.soundonsound.com/people/james-ford-producing-arctic-monkeys

Jamie Cook uses a Watkins Electric Music Copicat Echo Unit during the recording of “Suck It and See” noted in an interview with James Ford.

In an interview with James Ford about the recording of “Suck It and See,” Ford gives insight on why and how Jamie’s set up incorporates the Copicat. “Cook's guitar setup revolves around a '60s Simms Watts rig and custom‑built Rosewell Bluesman, though for the Sound City sessions, he also borrowed engineer James Brown's Audio Kitchen Big Chopper amp. For more ambient sounds, he'd plug into various toys, including a WEM Copicat or Roland Space Echo, Electro‑Harmonix Holiest Grail reverb pedal and Fulltone Deja Vibe stereo phase/chorus.” These extras expanded Cook’s sound in such as giving his tone a more ambient sound which is different in ways that had not been seen on Arctic Monkey’s previous efforts.

Ford continues, "Cookie does either the spacey, watery, roomy sounds,” says Ford, "which were vibrato and reverb and a bit of echo. Or he does the kind of heavy, single‑note type of stuff. We used the Audio Kitchen for his heavier stuff — it had a Vox AC30 sort of vibe, but with a bit more presence and clarity. His live take would be close‑miked, and then we'd bring the amp into the room and maybe double it with a distant mic, Jimi Hendrix‑style, from the other side of the room.”

In the interview shows a picture of Jamie’s set up of the WEM Copicat along with a Rolland Space Echo. Jamie used these two plug ins into his various amps used during the recording of their album at Sound City Studios in Van Nuys in the San Fernando Valley, Los Angeles.

(Sound on Sound, James Ford: Producing Arctic Monkeys) https://www.soundonsound.com/people/james-ford-producing-arctic-monkeys