Joanne Shaw Taylor

"I use three pedals from Mojo Hand FX—a Recoil Delay, a Colossus Fuzz, and a Rook Overdrive, which has replaced my Tube Screamer."

"Other than that, I have a Way Huge Aqua Puss delay, which I use for slapback, and an MXR Dyna Comp, one of the old models. These pedals give me pretty much everything I need."

"I have a ’90s Ibanez TS9 and an Ibanez TS808 modified by Robert Keeley that I use as a boost. I also used a Jim Dunlop Crybaby wah on “Heavy Heart” and a T-Rex Tremster tremolo on “Going Home.” I don’t use a lot of effects, mostly because no matter how many different things I try, I always come out sounding the same."

"I did. Mike had a bunch of toys, so it was a time of experimentation. That octave fuzz is a Death By Audio pedal called the Octave Clang, which I love. When we cut that track Mike said, “What are you thinking of for the solo?” After hearing what J.J. did on the drums, I said, “I pretty much want it to sound like guitarmageddon.” He handed me the Octave Clang and told me to plug it in. After a few notes I said, “Yeah, that’s it.”"

"Mike had an old Rat distortion pedal I used for “Maybe Tomorrow,” which has probably the weirdest solo on the album. We had a vintage Boss chorus pedal, a vintage MXR chorus pedal, and a Dimebag Darrell wah-wah—my favorite wah— hooked up for that."

"Mike had an old Rat distortion pedal I used for “Maybe Tomorrow,” which has probably the weirdest solo on the album. We had a vintage Boss chorus pedal, a vintage MXR chorus pedal, and a Dimebag Darrell wah-wah—my favorite wah— hooked up for that."

"Other than that, I have a Way Huge Aqua Puss delay, which I use for slapback, and an MXR Dyna Comp, one of the old models. These pedals give me pretty much everything I need."

"I use three pedals from Mojo Hand FX—a Recoil Delay, a Colossus Fuzz, and a Rook Overdrive, which has replaced my Tube Screamer."

"I use three pedals from Mojo Hand FX—a Recoil Delay, a Colossus Fuzz, and a Rook Overdrive, which has replaced my Tube Screamer."

"I have a ’90s Ibanez TS9 and an Ibanez TS808 modified by Robert Keeley that I use as a boost. I also used a Jim Dunlop Crybaby wah on “Heavy Heart” and a T-Rex Tremster tremolo on “Going Home.” I don’t use a lot of effects, mostly because no matter how many different things I try, I always come out sounding the same."

In a photo from Premier Guitar, Joanne Shaw Taylor's pedalboard prominently features an Ibanez TS808 Tube Screamer, highlighting its role in her setup.

In this video interview, Joanne Shaw Taylor says:

Vibe Machine I'm using on a couple of tracks because we used it on the album. One of them is the new single actually The Best Thing. Just adds a bit of vibrato, basically.

"I have a ’90s Ibanez TS9 and an Ibanez TS808 modified by Robert Keeley that I use as a boost. I also used a Jim Dunlop Crybaby wah on “Heavy Heart” and a T-Rex Tremster tremolo on “Going Home.” I don’t use a lot of effects, mostly because no matter how many different things I try, I always come out sounding the same."

In this video, Joanne Shaw Taylor says:

Supa-Trem, which is kind of new to me, but I've come back to it a bit over the years, but it is my favorite stock kinda tremolo. I mostly use it for certain rhythm songs. I don't use it too much for lead. Umm, but yeah, it just kinda adds another nice texture, particularly to rhythm, you know, for trying to fake a Leslie sound. And short of dragging a leslie around with you, if you're looking for a pedal option, that's probably one of my favorites.

At 2:04 in this video from Guitarist, Joanne Shaw Taylor discusses her JHS Pulp N' Peel V4:

Uh JHS. This is new to me. This is a delay pedal, sorry, compression pedal that we've just recently added this week. Just kind of warm up my tone a little bit, but absolutely loving it so far.