John Tejada

"For poly, the CODE is a great because it's a true poly, where everything is per voice and really massive sounding."

"Is your current live set-up still all Elektron pieces? Yeah, it is. When I travel, they just have this great bag where you can fit three of them in it. I don’t know if it’s because I’m doing something wrong, but I usually have to squeeze into really tight spaces at gigs."

"I’ve had different iterations over the years, but what I do now is use the Octatrack as my Ableton-esqe workstation. So starting here in the studio, I send sync to everything and use my Elektron toys to get paint-splatter writing going. It's not thinking too much, just jamming. The Octatrack is quite good at capturing things, so I don’t use my computer at all. So I capture things into the record buffers, and I assign them to tracks—just things that work together. I’ll do that for eight channels and will set it up so not everything plays at once at first—because on the Octatrack, it's not like the typical Roland, 16 patterns with banks. What you have is 16 banks and, within each of those banks, you have 16 patterns—so, each bank is essentially a song. So within a bank I can have 16 variations, and the great thing about the Elektron gear is that they do these things called parameter locks. So per line, you can copy in parameters and info, and it makes it quite easy to change parameters just for that one step."

In a user-uploaded photo from Xlr8r, John Tejada's Moog Minimoog Voyager Rack Mount Edition is visible, positioned just below the Elektron equipment.

John Tejada describes the Roland SH-7 as a comprehensive, classic Roland mono synth, reminiscent of the System-100 and the later 101 models. He notes its ability to produce spacey, Moog-like, and expansive sounds. This insight is supported by a user-uploaded photo on Xlr8r.

"The Elektron machines are really special. They take old ideas from the heritage pieces, but they are more forward-thinking. One of my favorite pieces, and it’s actually not in the studio at the moment, is still my Machinedrum. The Elektron pieces are really unique because they are multi-purpose pieces. Like the Analog Four, or Keys—they can do a lot of CV and audio processing, which is quite awesome, but I think the Machindrum still has a huge bit of magic, especially with the live re-sampling."

"Is your current live set-up still all Elektron pieces? Yeah, it is. When I travel, they just have this great bag where you can fit three of them in it. I don’t know if it’s because I’m doing something wrong, but I usually have to squeeze into really tight spaces at gigs."

"The Elektron machines are really special. They take old ideas from the heritage pieces, but they are more forward-thinking. One of my favorite pieces, and it’s actually not in the studio at the moment, is still my Machinedrum. The Elektron pieces are really unique because they are multi-purpose pieces. Like the Analog Four, or Keys—they can do a lot of CV and audio processing, which is quite awesome, but I think the Machindrum still has a huge bit of magic, especially with the live re-sampling."