Laura Perrudin

Slid between her harp's strings for an effect "like natural overdrive", as shown in this July 14, 2020 Instagram post by Becca Stevens, documenting the 2019 recording of "True Minds", "Feels Like This" and "Halfway".

These videos show a sliver of Laura in her element, tweaking tones with pedals, loopers and prepared/“found object” effects. (I mean why stop at having the chromatic scale at your fingertips when you can create natural overdrive with a pair of cheap chopsticks or a metal shish-kabob skewer?!)

Clipped to her harp's strings for a metallic resonance, as shown in this July 14, 2020 Instagram post by Becca Stevens, documenting the 2019 recording of "True Minds", "Feels Like This" and "Halfway".

These videos show a sliver of Laura in her element, tweaking tones with pedals, loopers and prepared/“found object” effects. (I mean why stop at having the chromatic scale at your fingertips when you can create natural overdrive with a pair of cheap chopsticks or a metal shish-kabob skewer?!)

Slid between her harp's strings to facilitate a quicker decay for percussion (particularly for Becca Stevens' "Halfway"), as shown in this July 14, 2020 Instagram post by Becca Stevens, documenting the 2019 recording of "True Minds", "Feels Like This" and "Halfway".

These videos show a sliver of Laura in her element, tweaking tones with pedals, loopers and prepared/“found object” effects. (I mean why stop at having the chromatic scale at your fingertips when you can create natural overdrive with a pair of cheap chopsticks or a metal shish-kabob skewer?!)