Leon Todd

In this video, Leon Todd goes through his favorite algorithms in his Eventide H90.

In his YouTube review titled "PastFx New Division | The Clone Theory Clone," Leon Todd can be seen using the PastFx New Division chorus pedal.

In this video, Leon Todd discusses and demonstrates the Plugout FX PX-1 pedal from Boss. He says at 35:36:

It does sound really good. I think it sounds fantastic. The Slow Gear, the OC-2, I really like that they've got those effects in there. I think once they've expanded the ecosystem, and maybe if they offer a few different options in there for people to just buy it outright, then that will make people a lot happier and they'll be a lot more likely to go and buy this because it's still the classic Boss pedal form factor. it is competing with a bunch of other things at a similar price point like the Line 6 HX One for example, that offers so many effects on there and yeah, it's going to be a tough sell for some people.

I know all the boss fanatics are going to go out and buy one of these. I certainly want one just for the Slow Gear and the OC-2 on there, but I can also understand the criticism from so many users out there because I feel like stuff like this there is a precedent now where we shouldn't settle for less when it comes to effect processors. you know, look at companies like Fractal and Line 6 and the way they roll out consistent valuable updates on there.

In an Instagram post by leon_ragdoll, Leon Todd is seen using a Fender American Ultra Luxe Vintage '60s Stratocaster HSS, as evidenced by the accompanying caption "A few more raw dog @clubkabarett vibes."

In this video, Leon Todd reviews the Knife Drop from Eventide and Third Man Hardware. He says:

Oh, this is gloriously disgusting. Kind of reminds me a little bit of the old Electro-Harmonix Micro Synth, but obviously with the fuzz section in there. Tracks really, really well and you don't need an extra compressor or anything like that in front of the pedal to get it to track well, which I really like. it does come with these very cool little preset cards as well, which again, further kind of reminds me of the old Micro Synth, so there's some suggested settings on here for the primary and secondary functions, so I'm just going to quickly knock these in over there. That's your primary. That's your secondary. Once you've got that dialed in, you could add expression control to it as well. Basically, if you've got the expression pedal in the toe down position have your settings on there, I'm going to push it to the heel down position and maybe just change the cut off. Now I can morph between those two settings using the expression pedal. So in the expression pedal toe down we're going to have what's on the card. I think this one, what is this card number five? This sounds pretty wild.

I really like the expression card idea to get you started. Furthermore, kind of makes the whole thing a little more collectible on there. The overall aesthetic and the graphics I think really suit the tones you can get out of this pedal. Before we go I do want to hear it into my normal super disgusting heavy tone with some stereo detune and stereo delay. And I'm mostly going to use the synth section on here to just take that to another dimension.

Very close to the most fun that you can have with your clothes on... This one seems like the perfect pedal to replace my Micro Synth and fuzz setup that I've got on one of my boards.