M.E.S.H.

Seen on the header picture.

5th picture in the article.

Q: You've previously talked about working with presets. There's a producerly orthodoxy that you should steer clear of the presets. But that doesn't seem to worry you so much.

A: Another thing I did on this record: with Ableton Live and with Max For Live there's lots of great ways to control the parameters using different types of LFOs and randomisers and envelope followers and stuff like that.

Seen on the 3rd picture.

Seen on the 3rd picture in the article.

"Does that let you mix quicker? Does it mean you can do more extreme cuts and collisions? "

"Yeah, so with CDJ-2000s there's hot cues. So you can set a couple of points really quickly in a track."

Seen on the 3rd picture in the article.