Mark Potter

"I used it a fair bit on ‘Little Fictions’ (the track). The mayhem and craziness at the end of the song came from a wild sample that Craig found, along with me playing. I used this and a piece of hoover tubing, and the idea was to play randomly which is the most difficult thing you can do. I remember Les Dawson playing the piano badly, and later on you realise just how hard it is to actually do that! A friend said the end of the track sounds like galloping horses, and that’s something like what we were trying to get. A lot of sound creation went on in the album and the end of that track is the most obvious example of it. Everything is random on there."