Michael Devin

Seen at 3:24 in the source, he uses the TC-Electronic Flashback Delay pedal during his bass feature in conjunction with his octave/harmoniser pedal to get a very fiddle-like sound. Was gifted to him by fellow Whitesnake member Reb Beach.

Seen at 2:43, Devin uses the MXR Bass Envelope Filter in order to get a more percussive sound out of his bass, often using it in conjunction with a looper in order to get a rhythm for his bass features in Whitesnake.

Seen in a large image in the source, he can be seen holding a Precision bass with the Precision/Jazz pickup configuration, as well as 2 control knobs. It's unknown what model this is or if it even if a production model, so it's assumed to be a custom shop model due to the atypical control scheme.

In this video, specifically at 8:40, we can see him holding his Rickenbacker 4001 Bass, which is quite roadworn and beaten. Other things to note is that he's replaced both pickups with Bartolini Rickenbacker pickups, and replaced the normally white pickguard with a reflective one. In the video, he says he only uses it for sound checks and other things, but more recently he's been seen using it on stage, seemingly becoming his main bass.

Devin owns two of these basses, both from 1971, one in a Walnut finish and the other in a Black finish. Seen clearly at 9:24 and 10:32, these, at the time of the video, are his #1 and #2 basses respectively. The only modification to these basses are replacing the stock bridge with Hipshot 2-Point Supertone bridges.

In several photos on this website, you can see Devin holding a Fender Jazz Bass. He mentions enjoying several other Fender basses, so it's unknown what model or year the Jazz Bass used is. Seen in what looks like Torino Red finish.

Seen clearly at 2:54, the EBS Dphaser Phaser pedal is noted to be used in a few songs for Whitesnake, specifically quoting "Still Of The Night" from the self-titled 1987 album and also in Devin's bass feature.

Seen at 4:12 during the video, Devin uses the Dunlop Bass Wah sparingly throughout his live sets in Whitsnake, as well as during his bass feature. Noted that this is the pedal he uses the least out of all the pedals he has on his board.

Shown at 6:18, he has 2 Ampeg SVT-2 Pro's that he uses at home, in the studio as well as live domestically. He notes that these are the premier edition, of which only 250 were made, his two being #086 and #010

Seen in a box of strings at 8:17, you can clearly see the orange labelling for Rotosound Swing Bass Strings, which he endorses and loves. Later, at 10:32, he says that he uses .105 to .045, saying that he assumes everyone uses those gauges.

Shown at 4:49, he has a Moog Sub-Phatty Analog Synthesiser that he uses to get a deep, sub-bass sound when connected to a midi controller right next to his pedalboard. Used to get a sweeping sub-bass sound to fill in space during specific songs.

Seen in a box at 8:17, mixed in with Rotosound RS66 Swing Bass strings, there are many packets of Rotosound RS88 Trubass Tapewound strings, It is unknown whta gauge they are or what bass he uses them on ( if at all ), but they are seen.

Seen at the beginning of the video, Devin uses this MIDI Controller to power a Moog Sub Phatty synthesiser, which is off stage. He has this next to his pedalboard so he can go from using pedals to using the Sub Phatty much like a Moog Taurus pedal synthesiser.

Seen at 2:18, Devin has the TC-Electronic Looper Pedal on the pedalboard ( or as he calls it, the "train-set" ) in order to loop sounds for bass solos and during his bass feature that he does with Whitesnake.

Seen at 3:02, the EBS Octabass pedal is used normally during very intense moments in the live set, quoting Devin from the source; "I usually engage it when we're all on a riff, like in Slow an' Easy". Used for beefing up his tone.

Seen at 3:41, he uses the Digitech Whammy in conjunction mainly with a delay pedal to get a fiddle-like tone during his bass feature, live with Whitesnake. Noted also to not be his, but his bass tech's pedal.

Seen at several moment during the video, but specifically at 4:26 during a wide shot of Devin's entire board, the Polytune Tuner is seen. It is of undeterminate model, as there are several models of the Polytune.

Seen at several moments in the source, but clearly at 4:26, we can see a Voodoo Labs power supply tucked behind both his Digitech Whammy pedal and his Dunlop Bass Wah, used to power his pedalboard.

In this blog post, you can see Michael Devin wearing this guitar strap, and if you click on his specific post, there's a link confirming it's this specific one.

Michael Devin is confirmed to use the Red Monkey Classic 3" Guitar Strap, as evidenced by its consistent presence in live performances and official content over the years. This strap has been a part of his gear since his time with Kenny Wayne Shepherd, proving its reliability and comfort for both studio and stage settings. The provided image, showing Devin with the strap, further substantiates this long-standing relationship.