Paul Landers' Effects Pedals
In an interview about his new Fly Rig, Paul says “The main [Feuer] sound is based on the SansAmp GT2, which I’ve used for a long time. I have this specific setting that I dial in and we wanted to build the same sound inside the PL1 so that I could use it for my main tone.''
“The lovely people that work there asked me if I was interested in my own custom-made Fly Rig because I’d been using Tech 21 products for a long time. I think they are a brilliant company and it must have taken us a couple of years and about six or seven different models to come up with the final version, which is completely different to any of the other Fly Rigs.” “[I]t must have taken us a couple of years and about six or seven different models to come up with the final version, which is completely different to any of the other Fly Rigs.” “There is a different engine inside it; in fact, there are two independent engines in there: one for the Feuer [dirty] sound and the other for the Wasser [clean] sound." “The main [Feuer] sound is based on the SansAmp GT2, which I’ve used for a long time. I have this specific setting that I dial in and we wanted to build the same sound inside the PL1 so that I could use it for my main tone." “The other channel [Wasser] is based on my Roland Jazz Chorus, which is what I use for my clean sound on the records, but this version has this extra bite switch which gives the clean sound that feeling of breaking up, too, especially when really start digging in. There’s also a compression switch, because I love the tone from compressed clean amps.” “Obviously in Rammstein there are two guitarists - the other guy [Richard Kruspe] was always the amp guy and I’ve always been the no-amp guy! I have never really bothered with them… whether it’s because they don’t like me or the other way round, haha! “Sonically, we as a band have always preferred that mix of amps, with one a bit more ‘live’ and the other a bit more direct. That is the recipe for the Rammstein guitar sound. “For years, I had the PSA1 and then over the last few years I’ve been using the SansAmp GT2. So with the PL1 we tried to rebuild my main sound from the GT2 with the Roland included, so I can use it for everything straight out of the box. There’s a built-in tuner and an XLR out, so I can go straight into the console for usage live in any stadium and arena we play! “The hardest thing for me is to find a good main sound: it needs to be a lovely SansAmp kind of tone. Personally, I love it, but it’s a matter of taste because what I’m looking for is actually quite different to other guitar tones. It’s not trying to emulate anyone else; it’s much more unique.”
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Discography