Ric Ocasek

"'Jimmy Jimmy' was an 8-track tape I used to listen to while I would ride around in my car. And I liked listening to it in the car I always thought, 'God, I'm just going to keep it just like this. And that was one track done." "Jimmy Jimmy" started life as a bass line played on a Korg and the tick-took of the LinnDrum machine. Ocasek says he tried adding drums to the song later, discovering instead that the monotonous click of the Linn highlighted the sparseness of the arrangement and forced more attention to the lyrics Over the Korg and Linn he next laid his vocal, followed by synth strings swelling up from his Roland Jupiter 8 synthesizer.

"I like all the new stuff that's out," he explains, "but there's really only a few things I need. Like, eighty percent of all effects work on some sort of delay system, whether it's flanged or phased or whatever. Even harmonizers work on delay principles. Then there's your synthesized keyboards. The most refined seem to be the Prophet and the Jupiter 8. I'm not into the Fairlight or the Synclavier, which are basically 16-track tape recorders and that's eight more than I need.

These days Ocasek busies himself while at home with a TEAC 88 8-track tape machine connected to a Sound Workshop 1280 B board in turn hooked up with two Orban 622B equalizers (the board is also equipped with its own parametric equalizers. For keyboards he swears by his Prophets and Roland Jupiter 8. using a Korg Lambda for orchestral coloring and often calling in an assortment of little Casiotones for reinforcement. He probably has more drum machines than anything else-both the old Linn LM-1 Drum Computer and the new LinnDrum. a Korg KR 55, five Roland units (including a TR808. CR8000 and a Dr. Rhythm), some old Univox rhythm gizmos and a drum machine yanked out of a Hammond organ "that has the Liverpool beat." the kind of insect clicking you hear in organ shops in suburban shopping malls.

At home, he uses a LinnDrum supplemented by 'a lot of cheap drum machines, which I love. I even have an old Hammond organ that has the 'Mersey Beat' on it." His keyboards are Prophet synthesizers, the Roland Jupiter B and the Memorymoog. He tapes. onto an 80M TEAC, through a Sound Workshops board with outboard processing gear that includes Roland Space Echoes, Even tide harmonizers, Marshall time modulators and the Lexicon 224 delay.

Ric used the CMI Fairlight on Heartbeat City as well as Greg Hawkes for some parts

Greg Hawkes Both Greg and Ric used the Fairlight CMI extensively on Heartbeat City, but also used the Roland Jupiter B and Vocoder, the Memorymoog, the Yamaha DX7 and DX9, the Mini-Korg, a Prophet 5 and a PPG 3.2 Wave synthesizer.