Shadow Child

"I don't think there's any Shadow Child tracks that haven't used Omnisphere to be honest with you. It's so inspiring every time for me, for all sorts of reason, not just pads but basses. I can always find at least more than two or three sounds per track from Omnisphere," Shadow Child says, in this video, at 6:15.

"The UAD stuff is brilliant for [limiting]," says Shadow Child, at 12:46 in this video.

"Which gives you a real ambiance. It can be used as a kind of reverb but it just adds a kind of vibe to these drums," Shadow Child says about Ocean Way Studios, at 14:36 in this video.

"I use this to give a sound a bit of shape," Shadow Child says a bout Cooper Time Delay, at 21:07 in this video by Future Music.

In this Logic Pro Masterclass with Shadow Child at 55:37, he can be seen using Logic's built in EFM1 Synth.

When asked on Facebook: "Which UAD plug ins do you use the most?"

Shadow Child answers: "Precision maximiser ...and the space echo spring reverb is killaa"

At 7:45 Shadow Child mentions using Fab Filter Timeless on the vocals. "I love all their stuff, it feels very creative, its not just a grey box with a couple of sliders on it."

UAD Precision Maximiser can be seen at 17:51 of Shadow Child's Producer Masterclass with Future Music Magazine.

UAD Studer A800 Can be seen being used by Shadow Child at 19:30 of his Producer Masterclass with Future Music Magazine.