Steve Jolliffe

"I've always been a bit of a rebel, and I tend to do the opposite of what everybody else is doing. Recently I started using a Yamaha RX11 drum machine, then changed down to an RX15 because the difference wasn't all that great for the sort of music I was doing. It does help having an all-Yamaha setup with the RX15, DX7, TX7 and the QX7 sequencer, but the drum machine takes a back seat, being used more as a part of a sequence than as a drum backing. And of course the wind instruments are always there."

"I had a Roland 100 system with a sequencer, a few other keyboards and a simple recording setup. With that equipment I did some film soundtracks for experimental filmmakers and developed a lot of my own ideas about music. Around 1977 Tangerine Dream split (with the departure for New York of Peter Baumann) and Edgar Froese invited me to re-join. When I got over to Germany Edgar and myself with Chris Franke and a drummer, Klaus Krieger, set to work almost immediately on the album that was to become 'Cyclone'."

The album's an unusual one enhanced by text relating the essence of Steve's experiences. Already another album is in the pipeline and the equipment used on 'Journeys' has been replaced by some of the latest in technology — a Yamaha DX7 and Roland JX-3P permanently MIDI-linked, a TEAC 38 8-track and mixer and a selection of wind instruments — minus the Lyricon which has been retired in favour of the more traditional expression of flute and sax.

The album's an unusual one enhanced by text relating the essence of Steve's experiences. Already another album is in the pipeline and the equipment used on 'Journeys' has been replaced by some of the latest in technology — a Yamaha DX7 and Roland JX-3P permanently MIDI-linked, a TEAC 38 8-track and mixer and a selection of wind instruments — minus the Lyricon which has been retired in favour of the more traditional expression of flute and sax.

"On one track I used the arpeggiator on the Juno 6, but I play most of the keyboard parts manually. The Juno is the next stage up from the Pro One I used on Journeys — you have to work with them all the time because they don't have memories, so they're very creative. I'm trying to progress all the time with instruments to find a perfect one, and I don't think it's good policy to keep an instrument for too long. I look around every six months or so, but the DX7 has been kept for longest so far — it was one of the first ones in the country"."

"On one track I used the arpeggiator on the Juno 6, but I play most of the keyboard parts manually. The Juno is the next stage up from the Pro One I used on Journeys — you have to work with them all the time because they don't have memories, so they're very creative. I'm trying to progress all the time with instruments to find a perfect one, and I don't think it's good policy to keep an instrument for too long. I look around every six months or so, but the DX7 has been kept for longest so far — it was one of the first ones in the country".