Steven Seawright

The Fender Roscoe Beck V Signature series bass is Steve's go to for live shows and studio work. While it has passive pickups, they are wired for humbucking or single coil duties.

Steven Seawright uses the TC Electronic RH750 bass amplifier head, known for its lightweight "Class D" design and 750-watt performance. This amplifier head is praised for its excellent tone, making it a staple in both live performances and studio settings as a preamp. The unit features an optional controller pedal for remote control of its three presets and mute function, along with a high-contrast tuner display. This usage is evidenced by a user-uploaded photo on Fbcdn.

In a user-uploaded photo, Steven Seawright can be seen using the Eden WTDI World Tour Direct Box and Bass Preamp. This versatile pedal, known for its warm, rounded tones and built-in compressor, is a staple in his performances, particularly with an acoustic bass.

This Fender Jazz bass is Mexican made with several modifications. The paint was striped and a custom maroon was applied with a ghost Fender Logo painted on the back. The stock pickups were replaced with Seymour Duncan "Quarter Pounder" Pickups, the back of the neck has been sanded to removed the clear coat for a more "satin" feel. Finally, the "E" string stock tuner was removed and replaced with a Hipshot "Drop D" tuner.

This beautiful bass is a Breedlove Solo Jumbo Acoustic. It's mainly used for quick rehearsals and acoustic shows. Here is more information from Breedlove. http://breedlovemusic.com/acoustic-guitars/16-solo-bass

Steven Seawright utilizes the BBE 362 Sonic Maximizer in his studio setup to enhance the depth of low-end and clarity of high-end frequencies in his recordings. This is evidenced by a user-uploaded photo on Fbcdn.

The Alesis 3630 compressor has been a staple in studios for years. Used here in a bass rig configuation, it keeps the transients from hitting hard and levels out overall volume providing more sustain.

Steven Seawright uses the Livewire 9-Outlet Power Conditioner and Distribution System in his studio setup. This equipment is crucial for safeguarding against electrical damage with its protection circuitry, while also offering a voltage readout and nine outlets, including a convenient front-panel outlet. A user-uploaded photo on Fbcdn provides visual evidence of this gear in Seawright's studio.

The Shure ULXS4 instrument system is a rock solid part of Steve's signal path, providing the freedom to move around on stage as needed with peace of mind. The ULXS4 providing a frequency agile transmitter and receiver meaning that in heavy RF environments, you will always be able to find a clear channel.

Ampeg products are used by lots of professional players today. Steve's cabinet of choice is the SVT-410HE. The SVT-410HE is versatile enough to be used by itself for smaller shows or paired with another 410HE or 115E cabinet for a full stage show. In Steve's festival and full show setup, it is paired with an SVT-115E cabinet for maximum stage volume as needed.

Ampeg products are used by professional players everywhere. Steve uses the Ampeg SVT-115E to supplement his SVT-410HE cabinet. The 115E, with its 15-inch speaker, provides extra low-end response to the already powerful sound of the SVT-410HE.

The TC Electronic BG250-112 is my go to combo amp for rehearsals and small venue gigs. It features a 250 watt amp, with 12-inch speaker and horn. The amp-head features a 3-band eq with preamp and master control, 2 "Tone Print" control slots and a precision tuner. Also features an aux input and headphone output for quick rehearsals.

In a user-uploaded photo, Steven Seawright is shown using the Shure SE535 in-ear monitors, which are known for their full, rich sound, making them ideal for both rehearsals and live performances.

Steve's Road Runner ATA 4-space effects rack contains a Livewire Power Conditioner, Alesis 3630 Compressor, BBE Sonic Maximizer 362 and the Shure ULXS4 Instrument wireless.