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I had made Björk aware when she first contacted me that I would do the whole thing in Ableton, and I quickly got introduced to Chris, who was responsible for sending me stems as WAV files, which I imported in Ableton, in which I also worked at 96k. When I say stems I’m not generally referring to groups or submixes. I received every single sound they were working with individually. This meant that some sessions ran into 180 tracks. At times it was pretty complex, and this could be a big challenge!”

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    nighthood

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