Thom Green

"You can actually hook this up to Ableton for example. Being able to actually play the beats live is going to open up a whole new side to the way I write electronically," Thom says in this video, about the TD-4KP.

"His snare drum is a tiny 10-inch thing" Charlie Andrew, Alt-J 's producer http://www.soundonsound.com/sos/apr13/articles/charlie-andrew.htm

The Roland SPD-SX can be seen on the left in the picture near the floor tom. He uses this both in studio and at live shows.

LONDON, UNITED KINGDOM - JANUARY 18: Thom Green, drummer of British indie rock band Alt J, photographed during a portrait shoot for Rhythm Magazine, January 18, 2013.

They're solid and very slight

"Pro-Mark 5A Nylon Tip Oak sticks"

In this video is Thom using Op-1.

"I’m using e904’s on toms, e905’s on the cow bells and everything’s close mic’d so there are no overheads. Each element has got its own mic so I can get some good separation," says Alt-J's sound engineer, about recording Thom Green's drums, in this article.

"I’m using e904’s on toms, e905’s on the cow bells and everything’s close mic’d so there are no overheads. Each element has got its own mic so I can get some good separation," says Alt-J's sound engineer Dodkin, in this article.

Used live, as mentioned by alt-J's FOH engineer Lance Reynolds on his official sE Electronics artist page.

"For alt-J, I use the sE4400a on drums. Though it may look like I'm merely mic'ing the tambourine, the 4400a offers a nice picture of the entire drum kit, adding depth and clarity with smooth high frequencies."

Used live for the glockenspiel, as mentioned by alt-J's FOH engineer Lance Reynolds on his official sE Electronics artist page.

"The toy glockenspiel is mic'd with an sE5, capturing a nice twinkle. And I'm using an sE1a on the snare bottom. A condenser may seem like an odd choice for such a loud source, but it produces an interesting voice that you wouldn't get from a dynamic mic. It does take a beating, but so far it has held up well."

Used live for the bass drum, as mentioned by alt-J's FOH engineer Lance Reynolds on his official sE Electronics artist page.

"The toy glockenspiel is mic'd with an sE5, capturing a nice twinkle. And I'm using an sE1a on the snare bottom. A condenser may seem like an odd choice for such a loud source, but it produces an interesting voice that you wouldn't get from a dynamic mic. It does take a beating, but so far it has held up well."

Used live as an overhead mic, as mentioned by alt-J's FOH engineer Lance Reynolds on his official sE Electronics artist page.

"I also keep an sEX1 in my mic box...as a sort of "Swiss Army" mic. I've used it on guitar cabs, bass cabs, drum overheads, audience...it works on just about everything."

Used live for the glockenspiel, as mentioned by alt-J's FOH engineer Lance Reynolds in this December 16, 2013 sE Electronics blog post.

The sE4 small diaphragm instrument microphone also demonstrated its value on Alt-J's U.S. jaunt in August and September. "We have a couple of toy glockenspiels, and I used two of them on those, and they were nice. I've also tried those on hats and overheads, and they're perfectly fine for those, too."

Reynolds later switched Green to the sE5.

Thom Green is 80% deaf and BC2 allows him not to have return in ears.

This webpage discusses his entire setup. (2013)

I’ve only been producing for about four years, since I got a laptop! I had wanted to do it for quite a while but I only had a phone at the time. I downloaded a couple of drum machines and really enjoyed it but it was only when I got Ableton that I realised I really loved it.