Tommy Mars' Studio Equipment

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Interview with Tommy Mars: TM: It always changed. I never knew what I would get. Sometimes he wouldn't want the Hammond, sometimes not the Rhodes. Most of the time, he liked to have the CP70 piano, the Electrocomp, the Vocoder, the Mini, two sets of bass pedals. The coolest thing was the organ man when we had a voltage control so I could use two sets of Syndrums. Both keyboards had a set of Syndrums. They were wired in so that every note on the organ had a Syndrum with it. It was a totally revolutionary sound. I loved that about Frank that he was in the avant-garde and you'd never know what kind of vision would come next. Sometimes I would try to couple things and he would nurture that with me.

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