Wax Tailor

"WT: I work with my sound engineer Laurent Collat (Laurent Garnier, Snooze, P18) for the final mixes. We both use the Universal Audio UAD-1 Ultra Paks, which allow us to upload the projects from my studio to his studio.

EQ: Which plugs from the Ultra Pak are you using most often? I noticed the nifty pans on Hope & Sorrow.

WT: Mainly the Fairchild 670 and the Pultec EQs; the LA-2A to compress the vocals, and the 1176 for single drums shots. The Cambridge EQ and the Dimension D are also pretty efficient tools for spreading the stereo image."

Here, on the right side of the screen, you can see two Numark TT500 with vinyls wich one. (at 1:47m)

"I have a Technics SL1200 turntable and a Rane Mixer that I use for vinyl sampling. Sampling is done with an Ensoniq ASR-10 sampling keyboard, and all the vocals are recorded with a Neumann TL103 running into an Avalon 737SP."

"I have a Technics SL1200 turntable and a Rane Mixer that I use for vinyl sampling. Sampling is done with an Ensoniq ASR-10 sampling keyboard, and all the vocals are recorded with a Neumann TL103 [sic] running into an Avalon 737SP."

"I have a Technics SL1200 turntable and a Rane Mixer that I use for vinyl sampling. Sampling is done with an Ensoniq ASR-10 sampling keyboard, and all the vocals are recorded with a Neumann TL103 running into an Avalon 737SP."

In this little documentary about Wax Tailor's album "In The Mood For Life", at 1:20, you can see one of Dynaudio BM6A MKII Active Studio Monitor on the left side.

In this frame, he explains how he record the real instruments for the album and we can him working on Cubase.

"I have a Technics SL1200 turntable and a Rane Mixer that I use for vinyl sampling. Sampling is done with an Ensoniq ASR-10 sampling keyboard, and all the vocals are recorded with a Neumann TL103 running into an Avalon 737SP."