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The Colby Amplification Elpico 2-Channel 25-Watt 1x12" Guitar Combo is a versatile powerhouse designed for guitarists who crave both rich, vintage tones and modern versatility. This amplifier delivers a robust 25 watts of power, making it suitable for small to medium-sized venues as well as practice sessions. What sets the Elpico apart is its dual-channel capability, allowing musicians to switch seamlessly between clean and overdriven sounds, tailoring their audio landscape to fit any genre or playing style.

The Elpico Combo is equipped with a 12-inch custom speaker that ensures clarity and depth, enhancing your sound performance with every strum. The amp's intuitive control panel offers straightforward operation, featuring separate volume and tone controls for each channel, providing maximum flexibility. This model is engineered with a classic all-tube design, offering warm, organic sounds that can be pushed to a dynamic crunch when needed. The built-in reverb adds another layer of dimensionality, allowing for a range of sonic textures that can enrich any musical piece.

Perfect for both studio recording and live performances, the Colby Amplification Elpico Combo is a reliable choice for musicians seeking a blend of tradition and innovation.

Key Features:

• 25-watt output for versatile performance settings
• Dual-channel design for clean and overdriven tones
• 12-inch custom speaker for rich sound delivery
• All-tube design for authentic, warm tones
• Built-in reverb for added sonic texture
• Individual volume and tone controls per channel

The Colby Amplification Elpico 2-Channel 25-Watt 1x12" Guitar Combo is a versatile powerhouse designed for guitarists who crave both rich, vintage tones and modern versatility. This amplifier delivers a robust 25 watts of power, making it suitable for small to medium-sized venues as well as practice sessions. What sets the Elpico apart is its dual-channel capability, allowing musicians to switch seamlessly between clean and overdriven sounds, tailoring their audio landscape to fit any genre or playing style.

The Elpico Combo is equipped with a 12-inch custom speaker that ensures clarity and depth, enhancing your sound performance with every strum. The amp's intuitive control panel offers straightforward operation, featuring separate volume and tone controls for each channel, providing maximum flexibility. This model is engineered with a classic all-tube design, offering warm, organic sounds that can be pushed to a dynamic crunch when needed. The built-in reverb adds another layer of dimensionality, allowing for a range of sonic textures that can enrich any musical piece.

Perfect for both studio recording and live performances, the Colby Amplification Elpico Combo is a reliable choice for musicians seeking a blend of tradition and innovation.

Key Features:

• 25-watt output for versatile performance settings
• Dual-channel design for clean and overdriven tones
• 12-inch custom speaker for rich sound delivery
• All-tube design for authentic, warm tones
• Built-in reverb for added sonic texture
• Individual volume and tone controls per channel

Discover the Gibson EH-150, an iconic piece of musical history that remains a favorite among lap steel guitar enthusiasts. Introduced in the late 1930s, this instrument was Gibson's first production electric Hawaiian guitar and has since become a benchmark in the world of lap steels. Known for its rich tonal characteristics and historical significance, the EH-150 is perfect for musicians who appreciate both the vintage charm and the distinct sound that only a lap steel can offer.

The single-coil pickup on the EH-150, a pioneering feature at the time of its release, delivers a warm, expressive tone that is both powerful and nuanced, making it suitable for various musical genres from blues to country and beyond. The craftsmanship of the Gibson EH-150 is evident in its sturdy construction and attention to detail, providing a reliable and inspiring playing experience for musicians of all levels. Its classic design is complemented by a comfortable feel, allowing for easy navigation across the strings.

Whether you're adding a vintage touch to your recordings or performing live, the Gibson EH-150 is a testament to Gibson's legacy in crafting exceptional stringed instruments. Embrace the heritage and unique sound that only a vintage lap steel like the EH-150 can deliver, and let your music resonate with the echoes of history.

Key Features:

• Single-coil pickup for warm, expressive tones
• Historically significant as Gibson's first production electric Hawaiian guitar
• Vintage design with durable construction
• Suitable for a wide range of musical styles

Discover the Gibson EH-150, an iconic piece of musical history that remains a favorite among lap steel guitar enthusiasts. Introduced in the late 1930s, this instrument was Gibson's first production electric Hawaiian guitar and has since become a benchmark in the world of lap steels. Known for its rich tonal characteristics and historical significance, the EH-150 is perfect for musicians who appreciate both the vintage charm and the distinct sound that only a lap steel can offer.

The single-coil pickup on the EH-150, a pioneering feature at the time of its release, delivers a warm, expressive tone that is both powerful and nuanced, making it suitable for various musical genres from blues to country and beyond. The craftsmanship of the Gibson EH-150 is evident in its sturdy construction and attention to detail, providing a reliable and inspiring playing experience for musicians of all levels. Its classic design is complemented by a comfortable feel, allowing for easy navigation across the strings.

Whether you're adding a vintage touch to your recordings or performing live, the Gibson EH-150 is a testament to Gibson's legacy in crafting exceptional stringed instruments. Embrace the heritage and unique sound that only a vintage lap steel like the EH-150 can deliver, and let your music resonate with the echoes of history.

Key Features:

• Single-coil pickup for warm, expressive tones
• Historically significant as Gibson's first production electric Hawaiian guitar
• Vintage design with durable construction
• Suitable for a wide range of musical styles

The Nocturne Brain Preamp Pedal by Jr Barnyard.

The Jr Nocturne by Jr Barnyard is an Octal Tube style Preamp based on the Gibson EH-150 / EH-185 Amplifier.
A Pre-War Hot Preamp ( 1930's-40s octal tube amp character pedal).
Inspired by my Moonshine'39 Amp a repro of the 1939 Gibson EH-150 /185 pre war tweed amp and its octal tubes.
Created was a textured hot club style preamp to garner those early Charlie Christian flutey reedy amp tones to Texas Playboys Junior Barnard and Eldon Shamblin dirty octal tube Swingin Texas blues.

Specs:

• Width: ~ 2.60 in (≈ 66 mm)
• Depth: ~ 4.80 in (≈ 122 mm)
• Height: ~ 1.38 in (≈ 35 mm)
• Circuit type: fully analog.
• True bypass switching.

Controls:

• Body depth Switch (Deep / Flat), for adjusting tonal response depending on instrument type (guitar, bass, acoustic, etc.).
• Bright Switch (on the side) to shape brightness/tone.
• Two controls/knobs: One for Volume (preamp level) and one “Blend” knob (on newer single-stomp models) to blend between a “normal/clean” channel and a “hot/mic” channel.
• Two stomp-switches: One for engaging the pedal (normal vs bypass), and one (on “double-stomp” versions) to engage the hotter / boosted channel for more texture and gain.

The Nocturne Brain Jr Barnyard is an Octal Tube style Preamp based on the Gibson EH-150 / EH-185 Amplifier.

Inspired by my Moonshine '39 amp, a repro of the 1939 Gibson EH-150 /185 pre-war tweed amp, and its octal tubes. I've created a textured hot club style preamp to garner those early Charlie Christian flutey reedy amp tones to Texas Playboys Junior Barnard and Eldon Shamblin dirty octal tube swingin' Texas blues.

Specs:

• Width: ~ 2.60 in (≈ 66 mm)
• Depth: ~ 4.80 in (≈ 122 mm)
• Height: ~ 1.38 in (≈ 35 mm)
• Circuit type: fully analog.
• True bypass switching.

Controls:

• Body depth Switch (Deep / Flat), for adjusting tonal response depending on instrument type (guitar, bass, acoustic, etc.).
• Bright Switch (on the side) to shape brightness/tone.
• Two controls/knobs: One for Volume (preamp level) and one “Blend” knob (on newer single-stomp models) to blend between a “normal/clean” channel and a “hot/mic” channel.
• Two stomp-switches: One for engaging the pedal (normal vs bypass), and one (on “double-stomp” versions) to engage the hotter / boosted channel for more texture and gain.

The Toad Germanium Fuzz & Treble Booster

It isn’t just a pedal, it’s a small celebration of tone history, a nod to Cesar Diaz’s legacy and a tribute to the timeless magic of Germanium.

Features:

• 3 x NOS Tungsram AC125 Custom-selected and Hand-matched Germanium Transistors
• NOS Vintage Panasonic Film Capacitors
• NOS Vintage Lelon or Sprague Electrolytic Capacitors
• Top Quality Vishay Ceramic Capacitors
• Lumberg & Neutrik Connectors
• True Bypass
• Battery or DC Powered (15 mA)

Though the re-release of a Bad Monkey has been loudly demanded by fans across the world, and fans would have been sufficiently satisfied by a simple reissue, the Badder Monkey™ is far more than that. The world has never seen an overdrive like the Badder Monkey™!

It not only includes a faithful reproduction of the original circuit and sound but far exceeds its predecessor in features and versatility. From its three completely independent Behaved™, Bad™, and Badder™ overdrive circuits giving you three pedals in one, to its unique parallel blending enabled by the patent-pending Barrel Control™, further enhanced by optional out-of-phase combinations, to the all-three-in-parallel Troop™mode, the Badder Monkey™ represents unheard-of variability in an affordable compact overdrive pedal!

Also included is the new patent-pending reversible StagePlate™ with both a rubber skid pad side and a “hook and loop” side for clean and convenient pedal board mounting.

Features:

• 3 independent overdrives in 1 pedal! • Replicates the original Bad Monkey™ circuit • NEW higher-gain Badder™ overdrive circuit • NEW lower-gain Behaved™ overdrive circuit • Grunt™ (Low) & Screech™ (Mid-High) cut/boost Mood™ EQ • NEW Patent-Pending Barrel Control™ for blending overdrives • Overdrives can be used independently or blended in parallel • Troop™ mode blends all 3 overdrives in parallel • Bad Monkey™ phase invert function for increased blended tonal variety • Triple-gang Bananas™ (Gain) control • Curiosity™ (Output Level) control • NEW Patent-Pending reversible StagePlate™ with skid pad on one side & hook-and-loop on the other side for clean & convenient pedal board mounting • Tri-color LED indicates blending mode • Standard +9V DC tip-negative barrel jack • Optional 9V “baddery” operation • True Bypass

Orama (Greek for vision) is our vision in gain, uniting the unmistakable growl of classic British amplification with the thick, unrelenting saturation of a thundering fuzz. It’s designed to let players explore every shade between clarity and chaos, order and noise; from articulate crunch to earth-shaking sustain. Every element of Orama was designed to feel alive under your hands: dynamic, reactive, and expressive. Whether used as two separate voices or as one unified wall of sound, it delivers the power, response, and full spectrum of rock tone. It’s a dialogue between eras and genres.

The left, AMP section takes direct inspiration from a seminal British amplifier whose roots trace back to the late 1960s and early 1970s. Over the years, countless notable guitarists across styles have relied on that unmistakable amp voice. It delivers everything from bluesy breakup and Classic Rock crunch to Britpop sizzle. For many Heavy Rock, Desert, Stoner and Doom players, it remains the ultimate choice for its colossal headroom, thick low end, and overwhelming, room-shaking authority.

Orama captures the full sweep of that circuit’s gain, from clean and edge-of-breakup tones to thick, saturated drive, while preserving the raw immediacy and punch that made the original legendary. Inside, a JFET circuitry runs on 34 V DC, raised via an internal voltage boost from the incoming 9V DC power supply, delivering enormous headroom, dynamic range, and bass response that mirrors the authority of a full-powered amplifier.

One of the original amp’s defining features is a tone-shaping control that adjusts how bass and lower mids are fed into the gain stages, effectively changing the drive voicing and overall feel of the amp. This control is not subtle; each position produces a distinct tonal shift, from lean and biting to thick and saturated. Orama’s F.A.T. (Fatness Adjustment Tweak) control operates in the mirrored direction of the original amp’s circuit.

Another crucial element of the original circuit is a control that boosts upper harmonics gain and presence to help the amp cut through dense mixes. Orama’s H.F.D. (High Frequency Dynamics) mirrors this behavior, allowing players to add definition, bite, and clarity, especially useful when the gain control is set high and the tone grows heavier in the low and low-midrange territory. Increasing H.F.D. at higher gain settings restores top-end sparkle and ensures the sound remains articulate and balanced even in the thickest, most saturated tones.

The FUZZ section takes inspiration from a landmark design from the early boutique pedal era of the 90s. Its circuit is driven by power amplifier ICs rather than traditional transistor or diode clipping stages. This design gives the fuzz its distinctive voice: thick, powerful, and harmonically complex, yet capable of surprising smoothness and control. It delivers a full, amp-like roar that feels more like an overdriven output stage at the verge of explosion rather than a conventional fuzz circuit.

In Orama, this foundation has been fine-tuned to our own specifications for improved tonal balance and flexibility. Two distinct voicings, RAW and BURN, extend the range from vintage-inspired textures to high-gain saturation and sonic mayhem. The RAW mode offers an open, dynamic response with tight low end and clear mids, while BURN unleashes deeper bass and longer sustain for a heavier, molten character. Overall bass response has been slightly refined to make the circuit sit more naturally in a band mix without losing its signature thickness. The result is a more flexible, balanced fuzz that still retains the immense sustain and sheer mass of the source circuit.

Like its inspirations, Orama is not particularly polite! It carries the imperfections, the danger, and the beauty that define real rock tone. While the two sections can of course be combined for pure sonic mayhem, Orama was conceived so that each side could stand proudly on its own, complete, expressive, and powerful. Run each section independently for two complete tonal identities, or stack them for a united force of pure energy. When stacking both sections, or when using either at extreme settings, low-end buildup can cause sagging fuzz or (un)wanted blocking distortion which may be musical or excessive depending on context. Players chasing the full stoner/doom collapse can, of course, push these controls to their extremes for massive, blooming results. A passive effects loop between the sections gives you even greater routing freedom, making Orama as creative and flexible as it is powerful.

This is our vision in gain made real!

We custom built our first double neck guitar for Richie Sambora. Our double necks are built with carbon fiber in the bracing for structural support. This guitar is loud with a piano-like sound.

The slope shouldered dreadnought is similar to a standard dreadnought, but with a wider lower bout and a more rounded upper bout. The slope has a big powerful sound. Its focused voice makes it a versatile guitar that works great for a variety of musical styles. ‍ Specs: Length- 20 3/16" / Lower Bout- 16 1/4" / Upper Bout - 11 1/2" / Waist - 10 5/8" / Depth at Endwedge - 4 3/4"

The elongated body on our OOO 12fret model makes the guitar very comfortable to play. The extra air space inside the guitar contributes to strong reverb and thick powerful overtones. ‍ Specs: Length- 20 3/8" / Lower Bout- 14 15/16" / Upper Bout - 10 1/2" / Waist - 8 15/16" / Depth at Endwedge - 4 1/16"

The Rockbridge OOO has a focused, powerful sound. The OOO has the sound of a large body guitar, but its smaller size and narrow depth make the 000 a very comfortable guitar to play. ‍ Specs: Length- 19 7/16" / Lower Bout- 15 3/16" / Upper Bout - 11 5/16" / Waist - 9 7/16" / Depth at Endwedge - 4 1/16"

The Rockbridge OO traverses the gap between our O model and OOO model guitars. ‍ Specs: Length- 18 7/8" / Lower Bout-14 5/8" / Upper Bout - 10 7/8" / Waist - 8 7/8" / Depth at Endwedge - 4 1/16"

The O model is a very portable guitar that still provides ample volume with both balance and tone. This is not a novelty model, but stands on its own as a great guitar. ‍ Specs: Length- 18 15/16" / Lower Bout- 13 1/4" / Upper Bout - 9 15/16" / Waist - 8 1/8" / Depth at Endwedge - 4"

The Gibson J-45 Vintage is an authentic homage to the classic design that musicians have cherished for decades. This instrument beautifully marries tradition and innovation, preserving the familiar round-shoulder dreadnought body design while introducing an amplified thermally aged Adirondack red spruce top. A unique element of this guitar is the custom vintage hide glue top bracing, a distinguishing detail that contributes to its exceptional resonance and tonal quality. The back and sides of the guitar are meticulously constructed from genuine mahogany, resulting in a rich and warm sound. The instrument is finished with Gibson’s innovative Thin Finish, paired with a hand-rubbed VOS process. This lends the guitar a vintage-inspired aesthetic, making it not just a musical instrument, but a piece of art that will surely become the centerpiece of your collection.

Key Features:

• Round-shoulder dreadnought body design, retaining the classic silhouette of the original model.
• Thermally aged Adirondack red spruce top for enhanced tone and resonance.
• Custom vintage hide glue top bracing, contributing to the guitar's exceptional sound quality.
• Genuine mahogany back and sides, offering warm and rich tonal characteristics.
• Finished with Gibson’s innovative Thin Finish and a hand-rubbed VOS process, for a vintage-inspired look and feel.

The Gibson J-45 Vintage is an authentic homage to the classic design that musicians have cherished for decades. This instrument beautifully marries tradition and innovation, preserving the familiar round-shoulder dreadnought body design while introducing an amplified thermally aged Adirondack red spruce top. A unique element of this guitar is the custom vintage hide glue top bracing, a distinguishing detail that contributes to its exceptional resonance and tonal quality. The back and sides of the guitar are meticulously constructed from genuine mahogany, resulting in a rich and warm sound. The instrument is finished with Gibson’s innovative Thin Finish, paired with a hand-rubbed VOS process. This lends the guitar a vintage-inspired aesthetic, making it not just a musical instrument, but a piece of art that will surely become the centerpiece of your collection.

Key Features:

• Round-shoulder dreadnought body design, retaining the classic silhouette of the original model.
• Thermally aged Adirondack red spruce top for enhanced tone and resonance.
• Custom vintage hide glue top bracing, contributing to the guitar's exceptional sound quality.
• Genuine mahogany back and sides, offering warm and rich tonal characteristics.
• Finished with Gibson’s innovative Thin Finish and a hand-rubbed VOS process, for a vintage-inspired look and feel.

In the world of musical gear, the JHS Angry Charlie steps up as a commanding presence. As a more intense sibling of the JHS Charlie Brown, this pedal brings you face-to-face with a world of high-gain possibilities. Its power lies in its ability to dish out a JCM800-inspired sound, providing a cascade of overdrive effects that can transform any performance. Amp up your musical experience with this pedal's capacity to function at 18V, offering even more headroom for those who dare to push the limits.

Key Features:

• Takes inspiration from the Marshall Guv'nor and JHS Charlie Brown
• Delivers JCM800-esque high gain effects
• Comes with red knobs for a striking appearance
• Offers the option to run at 18V for increased headroom
• Ideal for musicians seeking to add a new dimension to their sound
• Features a sturdy design for enhanced durability

In the world of musical gear, the JHS Angry Charlie steps up as a commanding presence. As a more intense sibling of the JHS Charlie Brown, this pedal brings you face-to-face with a world of high-gain possibilities. Its power lies in its ability to dish out a JCM800-inspired sound, providing a cascade of overdrive effects that can transform any performance. Amp up your musical experience with this pedal's capacity to function at 18V, offering even more headroom for those who dare to push the limits.

Key Features:

• Takes inspiration from the Marshall Guv'nor and JHS Charlie Brown
• Delivers JCM800-esque high gain effects
• Comes with red knobs for a striking appearance
• Offers the option to run at 18V for increased headroom
• Ideal for musicians seeking to add a new dimension to their sound
• Features a sturdy design for enhanced durability

The SJ is our most popular guitar model. We have designed our SJ with a focus on versatility. Professional musicians around the world can be heard playing all styles of music on our SJ’s, from aggressively strumming to soft beautiful melodic finger-style melodies. ‍ Specs: Length - 20 1/16" / Lower Bout - 16 1/4'' / Upper Bout - 11 5/16 / ''Waist - 9 5/16" / Depth at Endwedge - 4 13/16"

Crafted for musicians who seek a harmonious blend of rich sound and visual elegance, the Rockbridge SJ Honey Sunburst 12-string acoustic guitar is a testament to meticulous craftsmanship. This acoustic-electric guitar showcases the brand's reputation for delivering impeccable tonal clarity and intricate detailing. With its 12-string configuration, it offers a full, resonant sound that is ideal for creating lush, layered musical experiences, making it a favorite among both solo performers and ensemble players.

The guitar's body is crafted from premium tonewoods, delivering a balanced sound profile with emphasis on both high and low frequencies. The honey sunburst finish, although not mentioned here, provides an understated elegance that appeals to both professional musicians and collectors alike. Equipped with an advanced pickup system, it ensures that the natural acoustic warmth is perfectly translated when amplified, providing consistent performance in a variety of settings, from intimate gigs to large concert venues.

This model also features a comfortable neck profile and smooth fretboard, making it a joy to play during extended sessions. Whether you're strumming chords or fingerpicking intricate melodies, the Rockbridge SJ promises an effortless playing experience with its responsive action and superb intonation.

Key Features:

• 12-string acoustic-electric configuration for rich, full sound
• Premium tonewoods used for balanced sound profile
• Advanced pickup system for natural acoustic warmth
• Comfortable neck profile with smooth fretboard
• Versatile performance suitable for various musical settings

We are currently offering 12-string guitars in our SJ shape and in our OOO shape. Our 12 strings are designed to be powerful and well-balanced. We use a 1 7/8" nut width and a 2 3/8" string spacing at the bridge. Our 12 strings come with Gotoh Mini Tuners. ‍ Specs: Length- 20 3/8" / Lower Bout- 14 15/16" / Upper Bout - 10 1/2" / Waist - 8 15/16" / Depth at Endwedge - 4 1/16"

The Smeck J combines features of 2 of our favorite models- an SJ body paired with a neck that joins the body at the 12th fret, in the same manner of the Smeck model, which places a 12 fret neck on a slope body. This results in the soundhole, bracing and bridge being moved farther down on the body, creating a guitar with power, volume, and headroom, but with additional responsiveness that works equally well with a lighter attack or fingerstyle playing. ‍ Specs: Length - 20 1/16" / Lower Bout - 16 1/4'' / Upper Bout - 11 5/16 / ''Waist - 9 5/16" / Depth at Endwedge - 4 13/16"

The Fender Custom Vibrolux Reverb-Amp Combo is a true homage to the golden age of guitar amplification, blending classic design with modern enhancements for the discerning musician. This amp is a 40-watt powerhouse, driven by the revered 6L6 tubes, ensuring your sound is as rich and dynamic as your performance demands. Whether you’re looking for smooth, clean tones or that gritty, driven edge, this combo amplifier has you covered.

Equipped with dual 10" Jensen P10R speakers, the Vibrolux Reverb delivers a robust sound spectrum, capturing every nuance of your playstyle. The amp’s iconic reverb and vibrato effects add depth and character, making it a versatile choice for any genre. Featuring two channels, Normal and Bright, each with dual inputs, this amplifier caters to your specific tonal needs and allows for seamless integration with your favorite pedals.

Perfect for both studio sessions and live gigs, its compact design doesn't sacrifice power for portability, making it an ideal choice for musicians on the go. Its construction is as reliable as its sound, ensuring that this amp will be a staple in your gear collection for years to come.

Key Features:

• 40 watts of power driven by 6L6 tubes
• Dual 10" Jensen P10R speakers for rich sound
• Classic reverb and vibrato effects
• Normal and Bright channels with two inputs each
• Compact design for portability
• Ideal for both clean tones and overdriven sounds

The Fender Custom Vibrolux Reverb-Amp Combo is a true homage to the golden age of guitar amplification, blending classic design with modern enhancements for the discerning musician. This amp is a 40-watt powerhouse, driven by the revered 6L6 tubes, ensuring your sound is as rich and dynamic as your performance demands. Whether you’re looking for smooth, clean tones or that gritty, driven edge, this combo amplifier has you covered.

Equipped with dual 10" Jensen P10R speakers, the Vibrolux Reverb delivers a robust sound spectrum, capturing every nuance of your playstyle. The amp’s iconic reverb and vibrato effects add depth and character, making it a versatile choice for any genre. Featuring two channels, Normal and Bright, each with dual inputs, this amplifier caters to your specific tonal needs and allows for seamless integration with your favorite pedals.

Perfect for both studio sessions and live gigs, its compact design doesn't sacrifice power for portability, making it an ideal choice for musicians on the go. Its construction is as reliable as its sound, ensuring that this amp will be a staple in your gear collection for years to come.

Key Features:

• 40 watts of power driven by 6L6 tubes
• Dual 10" Jensen P10R speakers for rich sound
• Classic reverb and vibrato effects
• Normal and Bright channels with two inputs each
• Compact design for portability
• Ideal for both clean tones and overdriven sounds

Embrace the vintage vibe with the Dallas-Arbiter England Fuzz Face, a legendary pedal that's been a staple in the music industry since the 60s. Known for its distinct microphone stand mount-inspired chassis and iconic smile, this classic Fuzz pedal appears deceptively simple with its two Volume and Fuzz controls, but can unlock untold tonal possibilities when using a guitar's volume knob. With its rich history and lineage, initially produced by Arbiter England, the Dallas Arbiter incarnation would become the most famous variation used by many of the guitar heroes of yesteryear. From the original UK-made versions to later variations by CBS Arbiter, Cornell, Crest Audio, and Dunlop, the Fuzz Face remains a collectible item, especially the early versions equipped with the sought-after Germanium transistors.

Key Features: - Original fuzz effect pedal with distinctive chassis design - Offers Volume and Fuzz controls for versatile tone shaping - Rich cleanup, can achieve overdriven or glassy clean tones with a guitar volume knob - Produced by Dallas Arbiter, with later versions by Crest Audio and Dunlop - Early versions feature more collectable Germanium transistors - Used by renowned artists like Jimi Hendrix, George Harrison, and David Gilmour - Produced between 1966 - 1968, making it a vintage collectible

Embrace the vintage vibe with the Dallas-Arbiter England Fuzz Face, a legendary pedal that's been a staple in the music industry since the 60s. Known for its distinct microphone stand mount-inspired chassis and iconic smile, this classic Fuzz pedal appears deceptively simple with its two Volume and Fuzz controls, but can unlock untold tonal possibilities when using a guitar's volume knob. With its rich history and lineage, initially produced by Arbiter England, the Dallas Arbiter incarnation would become the most famous variation used by many of the guitar heroes of yesteryear. From the original UK-made versions to later variations by CBS Arbiter, Cornell, Crest Audio, and Dunlop, the Fuzz Face remains a collectible item, especially the early versions equipped with the sought-after Germanium transistors.

Key Features: - Original fuzz effect pedal with distinctive chassis design - Offers Volume and Fuzz controls for versatile tone shaping - Rich cleanup, can achieve overdriven or glassy clean tones with a guitar volume knob - Produced by Dallas Arbiter, with later versions by Crest Audio and Dunlop - Early versions feature more collectable Germanium transistors - Used by renowned artists like Jimi Hendrix, George Harrison, David Gilmour, Stevie Ray Vaughan, and Eric Johnson. - Produced between 1966 - 1968, making it a vintage collectible

Step into a world of sonic exploration with the Standel Modulux, a modular synthesizer that invites musicians to craft personalized soundscapes. Designed for both beginners and experienced synth enthusiasts, the Modulux offers a versatile platform for creating unique musical expressions. Featuring a semi-modular architecture, it provides a seamless blend of traditional patching flexibility with the convenience of a built-in signal path.

The Modulux's intuitive layout is perfect for those looking to delve into modular synthesis without the steep learning curve. Its variety of sound-shaping modules, including oscillators, filters, and envelopes, allow you to experiment and expand your auditory palette. The analog signal path ensures a warm, rich sound that digital synths often miss, making it a favorite among purists seeking authentic tonal character.

Whether you're performing live or working in a studio, the Modulux's robust build and high-quality components guarantee reliability and enduring performance. With its expandable design, you're not limited to its initial configuration; you can easily integrate additional modules to fit your evolving musical needs.

Key Features:

• Semi-modular architecture for a balance of flexibility and ease of use
• Analog signal path for warm, authentic sound
• Wide array of modules including oscillators, filters, and envelopes
• Patchable design for unlimited sound design possibilities
• Expandable setup to incorporate additional modules over time
• Built-in MIDI compatibility for seamless integration with other gear
• Sturdy construction for reliable performance in any environment

Embrace the vintage vibe with the Dallas-Arbiter England Fuzz Face, a legendary pedal that's been a staple in the music industry since the 60s. Known for its distinct microphone stand mount-inspired chassis and iconic smile, this classic Fuzz pedal appears deceptively simple with its two Volume and Fuzz controls, but can unlock untold tonal possibilities when using a guitar's volume knob. With its rich history and lineage, initially produced by Arbiter England, the Dallas Arbiter incarnation would become the famous variation and used by many of the guitar heroes of yesteryear. From the original UK made versions to later variations by CBS Arbiter, Cornell, Crest Audio, and Dunlop, the Fuzz Face remains a collectible item, especially the early versions equipped with the sought-after Germanium transistors.

Key Features: - Original fuzz effect pedal with distinctive chassis design - Offers Volume and Fuzz controls for versatile tone shaping - Rich cleanup, can achieve overdriven or glassy clean tones with a guitar volume knob - Produced by Dallas Arbiter, with later versions by Crest Audio and Dunlop - Early versions feature more collectable Germanium transistors - Used by renowned artists like Jimi Hendrix, George Harrison, and David Gilmour - Produced between 1966 - 1968, making it a vintage collectible

Embrace the vintage vibe with the Dallas-Arbiter England Fuzz Face, a legendary pedal that's been a staple in the music industry since the 60s. Known for its distinct microphone stand mount-inspired chassis and iconic smile, this classic Fuzz pedal appears deceptively simple with its two Volume and Fuzz controls, but can unlock untold tonal possibilities when using a guitar's volume knob. With its rich history and lineage, initially produced by Arbiter England, the Dallas Arbiter incarnation would become the most famous variation used by many of the guitar heroes of yesteryear. From the original UK-made versions to later variations by CBS Arbiter, Cornell, Crest Audio, and Dunlop, the Fuzz Face remains a collectible item, especially the early versions equipped with the sought-after Germanium transistors.

Key Features: - Original fuzz effect pedal with distinctive chassis design - Offers Volume and Fuzz controls for versatile tone shaping - Rich cleanup, can achieve overdriven or glassy clean tones with a guitar volume knob - Produced by Dallas Arbiter, with later versions by Crest Audio and Dunlop - Early versions feature more collectable Germanium transistors - Used by renowned artists like Jimi Hendrix, George Harrison, and David Gilmour - Produced between 1966 - 1968, making it a vintage collectible

Embrace the vintage vibe with the Dallas-Arbiter England Fuzz Face, a legendary pedal that's been a staple in the music industry since the 60s. Known for its distinct microphone stand mount-inspired chassis, this classic Fuzz pedal offers Volume and Fuzz controls that allow for a wide range of tonal possibilities. With its rich history and lineage, from initial production by Dallas Arbiter, to later variations by Crest Audio and Dunlop, the Fuzz Face remains a collectible item, especially the early versions equipped with the sought-after Germanium transistors.

Key Features: - Original fuzz effect pedal with distinctive chassis design - Offers Volume and Fuzz controls for versatile tone shaping - Produced by Dallas Arbiter, with later versions by Crest Audio and Dunlop - Early versions feature more collectable Germanium transistors - Used by renowned artists like Jimi Hendrix, George Harrison, and David Gilmour - Produced between 1966 - 1968, making it a vintage collectible

Embrace the vintage vibe with the Dallas-Arbiter England Fuzz Face, a legendary pedal that's been a staple in the music industry since the 60s. Known for its distinct microphone stand mount-inspired chassis and iconic smile, this classic Fuzz pedal appears deceptively simple with its two Volume and Fuzz controls, but can unlock untold tonal possibilities when using a guitar's volume knob. With its rich history and lineage, initially produced by Arbiter England, the Dallas Arbiter incarnation would become the famous variation and used by many of the guitar heroes of yesteryear. From the original UK made versions to later variations by CBS Arbiter, Cornell, Crest Audio, and Dunlop, the Fuzz Face remains a collectible item, especially the early versions equipped with the sought-after Germanium transistors.

Key Features: - Original fuzz effect pedal with distinctive chassis design - Offers Volume and Fuzz controls for versatile tone shaping - Rich cleanup, can achieve overdriven or glassy clean tones with a guitar volume knob - Produced by Dallas Arbiter, with later versions by Crest Audio and Dunlop - Early versions feature more collectable Germanium transistors - Used by renowned artists like Jimi Hendrix, George Harrison, and David Gilmour - Produced between 1966 - 1968, making it a vintage collectible

In response to many requests for FF style (2 Transistor) FUZZ!!! 2 transistors, Tweek is set with a focus on silicon transistors. With a setting that responds well to the guitar's Volume control, From clean bell tones to heavy and ugly, it is possible to smoothly express long sustain FUZZ TONE with the volume control at hand. Taking advantage of the unique advantages of handmade products and hand selection of parts; the result is a sound that also has a vintage feel.

FF is an easy-to-use FUZZ that dispels the image that it is difficult to use. While the prices of Vintage FF and handmade FF are soaring, I highly recommend you give it a try!