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ESP's Vintage Plus solidbody electric guitar has tons of vintage single-coil tone. It starts with an alder body, bolt-on maple neck with a rosewood fretboard, and ESP's fast-playing Thin U neck shape. Next, they loaded the Vintage Plus with a trio of Seymour Duncan SSL-1 California '50s single-coil pickups to deliver fat, vintage-flavored tone with every note and chord. Add to that Gotoh Magnum locking tuners, a Wilkinson bridge and other appointments and you have a ruggedly-made workhorse instrument. The ESP Vintage Plus is ready to rock 'n' roll!

The 904 model featured a Warmoth produced neck with a compound radius, locking Sperzel machineheads, and a push-push tone control (like the 604W and 604V) that split the front dual single coil pickup into a single one. The Body was an ash slab top on an alder back and featured a highly engineered neck joint.

The ES3 Echo Shifter is equipped with both analog and digital delay modes. The analog setting provides a warm, natural tone with delay times between 40ms and 600ms, and unlike other digital pedals which simply simulate analog delay, the ES3 is actually equipped with analog circuitry. The digital mode offers longer delay times all the way up to 1500ms. The pedal also includes a new modulation speed control which offers increased options to tailor the effect to the player's unique preferences. Unlike the ES2, where the Oscillation function needed to be engaged by hand using a mini toggle switch, this same function can be engaged simply by stepping on and holding the right footswitch. This allows for quickly changing the quality and texture of the delay mid-performance. The pedal carries over the fader delay time control, delay tap switch, as well as oscillation and modulation modes from the ES2. The combined result of these upgrades is a more usable pedal with greater tonal versatility and enhanced musical potential.

• Controls: Mix, Feedback, Depth, Speed, Delay Time • Switches: Effect on/off, Tap/Oscillation on (press and hold), Analog/Digital, Modulation On/Off, Inst/Line • I/O's: Input, Output Input is on the right side. Output is on the left side. • Delay time: Analog 40ms - 600ms, Digital 40ms - 1500ms • Size: 116(W) x 153(D) x 57(H) (mm) • Size: 4.6(W) x 6.0(D) x 2.3(H) (inch) • Required Current: 200mA@9V • Power Supply: External DC 9 volt AC adapter

Get ready to experience a whole new level of tone creation. THR100H Dual packs true dual-amp functionality into a single 5kg package. Both amps feature five custom-voiced amp types with natural, organic overdrive, Yamaha’s new ultra-dynamic power amp with selectable output tube simulations and selectable class A or A/B topology, independently assignable boosters, reverbs and IR speaker simulators, as well as selectable single or true dual-discrete inputs for genuine dual-path connectivity.

Gregor Hilden, top blues guitar player, collector and dealer of finest vintage guitars and amps – this man knows TONE. More than 10 years ago he bought one of the first Diablo pedals in a little shop in Germany and kept the Diablo as THE overdrive ever since that day, playing it in hundreds of shows and the numerous guitar demo videos in his GregsGuitars Youtube channel. High time to say THANK YOU with this signature model.

The Diablo GH offers exceptional dynamic qualities and super-clear, warm tone in a precisely adjustable 2-in-1 Overdrive and Boost pedal. Unlike many other overdrives it works perfectly with clean amps. The GH model is based on the classic Diablo but comes with a few tweaks and a set of new controls that affect the "feel" of the pedal, the way how it reacts to your playing.

The Closed-Back 1x12 WideBody™ is a culmination of MESA’s® best cabinet design features coming together to create huge tonal width via rear-mounted, front ported and closed-back cabinetry. Originally designed as a compliment to the release of the Mark V™ (but fitting for ANY amp), the WideBody Closed-Back delivers lush bass resonance that supports percussive clean sounds and medium gain thickness as well as supporting the tightness–OR–massive punch potential required for modern high gain styles. Compared to the slightly more compact Thiele, the WideBody Closed Back delivers a wider bass response with slightly more scooped mids, lending to an addictive punch character. High end detail and clarity is maintained through the structural and tuned front Tri-Port, borrowed from our PowerHouse® Bass Cabinet Designs.

You simply won’t find a better cabinet. ALL MESA® ENCLOSURES are made using the finest Void-free, Marine Grade Baltic Birch. Super strong rabbet corners are glued and nailed and speaker baffles are fitted with superior dado joint construction and braced. Grilles are wrapped around a separate grille board, not the baffle board. Grille material is made of strong twisted jute dipped in a special coating that filters top end for a sweeter response.

Our Boogie® 1x12 WideBody™ delivers the best of the open-back world by rear-mounting the speaker and extending the width of the cab to provide more interior low-end resonance while still emphasizing the signature sparkle and chime of an open-back design. Clean, low and medium-gain styles benefit greatly from the open-back format. Those styles benefit even further with the added bass response and overall fullness provided by the WideBody design. Full bass representation, solid midrange and the elusive high end "openness", sparkle and transparency are what the 1x12 WideBody does best!

You simply won't find a better cabinet. ALL MESA® ENCLOSURES are made using the finest Void-free, Marine Grade Baltic Birch. Super strong rabbet corners are glued and nailed and speaker baffles are fitted with superior dado joint construction and braced. Grilles are wrapped around a separate grille board, not the baffle board. Grille material is made of strong twisted jute dipped in a special coating that filters top end for a sweeter response.

The Coca Compressor is a studio quality compressor and clean boost pedal. It doesn’t color your tone but enhances it.

Use it for your clean sound to make it big, tight and punchy without squashing your attack... put it in front of your overdriven amp or overdrive pedals for dynamic singing lead tones, adding sustain but no distortion... plug in your Piezo-equipped acoustic guitar (or any other stringed instrument) for a fatter, less harsh sound... use it with your bass guitar... the Coca makes everything sound better :-) The CocaComp also works well with bass guitars. It just makes everything sound better balanced and easier to place in the mix.

The CocaComp’s circuit has nothing in common with the classic grey, red or orange stompbox compressors. Like expensive studio compressors, it works with an optocoupler for smooth and natural compression.

Instead of Attack/Release/Treshold and all the controls, the Coca has only one control for the compression called SING (you won’t miss any of the others). It works like an "upward" compressor – leaving te attack and strong notes unchanged while amplifying quieter notes and subtleties of your playing and increasing the sustain.

PUSH is the volume/boost control, unity gain is around 10 o‘clock.

New to the MKII is the passive tone control. It can warm up and fatten your tone or make it bright and snappy. The middle setting is neutral.

The low noise design and parts choice for the CocaComp results in an exceptionally quiet operation – no hiss, hum or other unwanted noise!

The Coca Compressor is a studio quality compressor and clean boost pedal. It doesn’t color your tone but enhances it.

Use it for your clean sound to make it big, tight and punchy without squashing your attack... put it in front of your overdriven amp or overdrive pedals for dynamic singing lead tones, adding sustain but no distortion... plug in your Piezo-equipped acoustic guitar (or any other stringed instrument) for a fatter, less harsh sound... use it with your bass guitar... the Coca makes everything sound better :-) The CocaComp also works well with bass guitars. It just makes everything sound better balanced and easier to place in the mix.

The CocaComp’s circuit has nothing in common with the classic grey, red or orange stompbox compressors. Like expensive studio compressors, it works with an optocoupler for smooth and natural compression.

Instead of Attack/Release/Treshold and all the controls, the Coca has only one control for the compression called SING (you won’t miss any of the others). It works like an "upward" compressor – leaving te attack and strong notes unchanged while amplifying quieter notes and subtleties of your playing and increasing the sustain.

PUSH is the volume/boost control, unity gain is around 10 o‘clock.

Now in an MXR mini housing, the Classic 108 Fuzz gives you all the same vintage fuzz tones in a much smaller footprint.

The MoenFX GEC5 is a MIDI controllable 5-fold effect looper, and the most discrete member of the Guitar Effects Commander series.

The Moen FX GEC5 is the most compact effects switcher in the Guitar Effects Commander series and offers a wide range of switching options for small to medium-sized pedal set-ups. The GEC5 features 5x loops; 2x serial, 2x fixed and 1x isolated, it is easy to create a variety of different effects routing options and tonal possibilities. You can even control independent effects in the amplifier's effects loop. Up to 128x pre-sets can be instantly recalled with any external MIDI controller, whilst the "On the Fly" mode allows the uncomplicated and intuitive use of the individual effect loops.

With a circuit based around the Panasonic MN3207 Bucket Brigade IC, the CS-9 Pro’s chorus effect is bold and resonant without sounding harsh. Unlike the somewhat sterile sounds of its 80’s predecessor, the CS-9 Pro has an edgy, almost grainy quality that keeps your tone articulate and prevents wash-out.

The CS-9 Pro’s custom-tuned oscillator circuit provides enough speed for authentic rotary speaker simulation, and just the right amount of modulation for a lush vibrato that won't leave you feeling queasy.

With its Delay Time control the CS-9 Pro can venture into Flanger territory, adding a resonant, hollow quality to the effect that’s great for solos.

A top-mounted Blend control allows you to adjust the level of the Chorus effect to set it back in the mix against your dry signal.

A unique feature of the CS-9 Pro is its ability to create spatial effects that add dimension to your guitar tone without the traditional Chorus wobble. With Speed and Depth set low and the Delay Time at max, the Pro thickens your sound much in the manner of a double-tracked guitar, adding girth and life without excessive modulation.

The CS-9 Pro features stereo outputs for mono, stereo, or inverted mono signal routing.

The CS-9 Pro is essentially the same as Maxon’s CS550, but in a smaller chassis and with battery or AC power options.

Quaverato Harmonic Tremolo Pedal combines many features to make a great sounding, versatile, and practical stompbox. Full MIDI implementation available as an option.

• Digitally controlled, all analog signal path combining maximum flexibility with great tone.
• Both Traditional (In-Phase) and Harmonic (Out-Of-Phase) Tremolo modes
• Up to 15dB of gain
• Modulates the high and low frequencies independently for dynamic swirling effects
• Extra internal controls allow for custom crossover frequency selection and individual HIGH and LOW signal path volume adjustment, for full tonal control
• Bypass footswitch can be used as either a toggle or momentary switch
• Plus all the usual: - LFO wave shape, rate, depth and spacing (aka wave form shift or duty cycle) - Tap Tempo footswitch and multiplier selection - Relay controlled, true-bypass switching with click suppression for quiet switching - MIDI implementation gives remote control over every feature

Mike Stern's signature has been refreshed with Yamaha's exclusive wood treatment and finish. IRA (Initial Response Acceleration) technology shakes off the stress often found in new guitars and make them extremely vibrant and responsive. One-piece Maple neck is oil-finished for better comfort. PAC1611MS comes with a certificate personally signed by Mike to prove this guitar is perfectly crafted in his specification.

The original 1980’s PT-9 Phaser was a great pedal, but a little known fact is that Maxon also offered a different version of that model that was only sold in Japan under the Maxon brand – dubbed the PT-9 Pro, this silver-boxed rarity featured optical circuitry for a lush, drippy, 3D phasing effect similar to vintage units such as the Mu-Tron Phaser II and the Shin-Ei Uni-Vibe.

The PT-9 Pro+ Phaser takes this ultra-rare version of the PT-9 and adds a voltage-doubling IC to offer massive headroom and an improved frequency response, yielding fat, full-bodied phasing with incredible clarity and transparency.

Gone are the wispy, distorted sweeps of FET phasers; replaced instead by a rich, throaty phasing that’s incredibly lush and dramatic yet still retains your original guitar tone in all its resplendent glory.

The PT-9’s wide-range LFO offers up everything from lethargic climbs to Rotary Speaker shimmers. At low Width/Feedback settings the Pro+ can imitate the classic Small Stones and Phase 90’s with ease. Crank the Width for a chewy, vocal filtering that accentuates note harmonics and breathes life into solo passages. Blend in the Feedback to add subtle yet sublime character or dime it for radical chirps, whistles and clangs bordering on ring-modulation.

The wide operational range of the PT-9 allows it to work in an effects loop or with extended range instruments such as Bass Guitar. The Pro+ also works equally well pre- or post-distortion, opening up an entirely new range of tonal possibilities that are unattainable with a traditional phaser.

The wettest, most lush phase shifting you’re gonna find this side of the 70’s…

With the Okko FX Cocaine the effects company from Leipzig presents a completely analog opto-compressor which turns out to be a versatile sound tool on the pedal board with extensive control possibilities. The Sustain and Squash controls allow intuitive compression tuning, with the first influencing the decay time of the notes played, while the second influencing the characteristics of the effect. In addition, an active 2-band tone control is available to effectively shape the sound image. Last but not least the Okko Cocaine has a switchable boost, which is located behind the compressor. The "Boost" control allows a broadband boost of the overall signal starting from the neutral 0 position when turned clockwise, while turning counterclockwise allows a lead boost with tightened bass and protruding mids.

Marshall Bluesbreaker with an added volume-recovery stage adapted from the JHS Morning Glory and and extended switching options known from the AnalogMan Prince of Tone.

Mad Professor Sweet Honey Overdrive Deluxe is a super touch sensitive, medium gain amplifier like overdrive pedal with added controls for more versatile guitar tone

Sweet Honey Overdrive Deluxe (SHOD DLX) is designed to overdrive distorted amplifiers and give dynamically controlled low to medium gain tones with clean amplifiers.Our unique focus control allows you to adjust the feel and dynamics of the pedal as well as the overall EQ.

Distortion levels are controlled by pick attack. Pick harder for more overdrive and play softer for a cleaner tone. The Sweet Honey Overdrive Deluxe provides more versatility than the classic sweet Honey overdrive due to the added functionality of the new controls. Both the SHOD and SHOD DLX are designed to work with all kinds of guitars, amplifiers, and pedals.

Showcasing the distinct Pacifica style and highlighting professional-quality upgrades, the PAC611VFMII offers versatility no other Pacifica dared. Equipped to deliver the maximum tonal range, the Seymour Duncan humbucker and P90 combination delivers an unforgettable one-two punch.

• Maple and Alder Body, Flame Maple Laminated
• Maple Neck with Rosewood Fingerboard
• Graph Tech TUSQ Nut
• Seymour Duncan Pickups/SP90-1n, TB-14
• Push-Pull Coil Split Control (Master Tone Knob)
• Wilkinson VS50 Bridge
• Grover Locking Tuners

Showcasing the distinct Pacifica style and highlighting professional-quality upgrades, the PAC611VFMII offers versatility no other Pacifica dared. Equipped to deliver the maximum tonal range, the Seymour Duncan humbucker and P90 combination delivers an unforgettable one-two punch.

• Maple and Alder Body, Flame Maple Laminated
• Maple Neck with Rosewood Fingerboard
• Graph Tech TUSQ Nut
• Seymour Duncan Pickups/SP90-1n, TB-14
• Push-Pull Coil Split Control (Master Tone Knob)
• Wilkinson VS50 Bridge
• Grover Locking Tuners