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Pacifica Professional guitars were designed for players seeking their own unique sounds. Meticulously crafted in Japan, they deliver superb sound and playability, and feature alder bodies, slim C-shape maple necks with compound-radius rosewood or maple fingerboards, Reflectone pickups co-developed with Rupert Neve Designs, and a choice of several vibrant finishes.

The DIABLO offers exceptional dynamic qualities and super-clear, amp-like sounds. Unlike many other overdrives it works perfectly with clean amps. What makes it so special is a set of controls that affecst the "feel" of the pedal, the way how it reacts to your playing. DYN(AMIC) adjusts the internal voltage from about 6 to 18 volts. Increasing the headroom results in less compression, tighter bass and more punch. FEED controls low frequencies in the input signal allowing tight and transparent sounds even with the fattest sounding neck pickups. BODY works on bass and low mids and offers three settings: fat / tight / 1 – full spectrum, bass gets saturated with higher gain settings 2 – tight sound with less low end 3 – full but with tight clean bass MIDS changes frequencies in the tone control. Perfect for matching pedal and amp tone. 1 – mid cut 2 – mid boost 3 – classic Diablo.

The MXR Fat Sugar Drive brings the Sugar Drive’s diverse range of clear and transparent overdrive tones to MXR’s classic housing for players who prefer its footprint over that of the mini.

Thick saturated fuzz with amazing amounts of low-end - the Fireburst. To add to its utility, we put in a unique, footswitchable mid-boost eq and pre/post gain circuit that snaps the fuzz into focus and turns the Fireburst into a tightly focused distortion pedal. The fuzz and distortion gain and mid-boost eq circuits are all discrete component, while we use an audiophile grade opamp for an active Baxandall bass/treble control. The bass and treble controls act independently at extended frequency extremes (3 kHz), allowing for some very interesting post-distortion tonal shaping.

Compact patchbox with 5 channels, sockets on the sides, mono or stereo versions. SMART.

Harness the tight, rich & punchy tone of the best American-made consoles There’s a tight and powerful sound to API consoles, preamps and EQs that have made them some of the world’s favorites for creating professional-sounding drums, guitars, synths and more with attitude and presence. Thanks to Brainworx’s Tolerance Modeling Technology, you can now access the most convincing model of these classic consoles ever, including the slight channel-to-channel variances in the values of their analog components.

There’s a tight and powerful sound to API consoles, preamps and EQs that have made them some of the world’s favorites for creating professional-sounding drums, guitars, synths and more with attitude and presence. Thanks to Brainworx’s Tolerance Modeling Technology, you can now access the most convincing model of these classic consoles ever, including the slight channel-to-channel variances in the values of their analog components.

Harness the tight, rich & punchy tone of the best American-made consoles There’s a tight and powerful sound to API consoles, preamps and EQs that have made them some of the world’s favorites for creating professional-sounding drums, guitars, synths and more with attitude and presence. Thanks to Brainworx’s Tolerance Modeling Technology, you can now access the most convincing model of these classic consoles ever, including the slight channel-to-channel variances in the values of their analog components.

A studio legend, made for a studio legend Focusrite was born in 1985 when famed producer for The Beatles, Sir George Martin, approached Rupert Neve to make some custom modules for his studio, AIR Montserrat, a home away from home for the likes of Paul McCartney, Elton John, Michael Jackson, Stevie Wonder, Eric Clapton and so many more. Their goal was to create a top-of-the-line microphone preamp and EQ with low noise, extra wide bandwidth, and an incredibly musical sound. Out of this vision came the ISA-110 channel strip, a truly beautiful transformer-coupled mic preamp with a 4-band EQ, complete with highpass and lowpass filters.

Focusrite's lightning-quick Thunderbolt interface.

Are you up to Thunderbolt speed? The Focusrite Clarett Series audio interfaces can deliver. Designed with project studios in mind, the Clarett 8 Pre combines eight newly designed Clarett mic preamps, with class-leading digital conversion and extraordinarily low round-trip latency so low that you can use DAW plugins while monitoring your recordings. It offers superbly low noise and distortion, plus the "Air" effect that models the sound of Focusrites renowned ISA transformer-based preamps. It also features gain controls with a special law that makes changes smoother and more natural. Complete with Focusrites acclaimed precision conversion offering up to 119dB real-world dynamic range, theres no better “ or faster “ way of getting audio into or out of your DAW at the highest possible quality.

Enough Channels For The Entire Band
18 audio inputs and 20 outputs within a 1U rack space, including 8 analogue inputs, 10 analogue outputs, stereo SPDIF I/O and 8 channels of ADAT I/O. The additional ADAT ports are ideal for sending audio to an external D/A for line output expansion or adding eight channels of digital mic pre.

Front Panel Inputs
Dual combination mic/line/instrument inputs on the front panel ensure you always have immediate access to a pair of analogue inputs, even when the units in a rack.

Comprehensive Metering and Monitoring
Central panel helps you keep an eye “ and an ear “on all your analogue and digital input levels, and your main monitor outputs, via a 6-segment, multichannel hardware meter. Accessible monitor features include a level control, dim and mute buttons.

Dual High-power Headphone Outputs
The two wide dynamic range headphone outputs are powerful enough to deliver plenty of level even on high impedance headphones “ perfect for both tracking and mixing.

Classic Processor Plug-ins Included
Every Clarett includes the Red 2 & Red 3 Plug-in Suite, which accurately models Focusrites classic Red range equalizer and compressor hardware “ letting you exploit the originals famous sound, conveniently from within your audio software.

Word Clock Out
Clarett 8 Pre features a Word Clock output, enabling it to act as master for clocking multiple digital devices.

Now with Free Softube Plug-ins

Focusrite Scarlett, Saffire, and Clarett audio interfaces now include three Softube plug-ins* for free. Purchase a 

Focusrite Scarlett, Saffire, and Clarett on or after September 1st, 2015 and you'll receive a free download copy of TSAR-1R Reverb, Tube Delay and Saturation Knob. 

TSAR-1R:   Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound

and extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional

rooms to dramatic and dreamlike halls. 

Tube Delay: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.

Create anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub

reggae echo madness.

_Saturation Knob: _Add grit and warmth to any sound source with this modeled output distortion unit. Use

it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.

Simply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.

Focusrite's lightning-quick Thunderbolt interface.

Are you up to Thunderbolt speed? The Focusrite Clarett Series audio interfaces can deliver. Designed with project studios in mind, the Clarett 8 Pre combines eight newly designed Clarett mic preamps, with class-leading digital conversion and extraordinarily low round-trip latency so low that you can use DAW plugins while monitoring your recordings. It offers superbly low noise and distortion, plus the "Air" effect that models the sound of Focusrites renowned ISA transformer-based preamps. It also features gain controls with a special law that makes changes smoother and more natural. Complete with Focusrites acclaimed precision conversion offering up to 119dB real-world dynamic range, theres no better “ or faster “ way of getting audio into or out of your DAW at the highest possible quality.

Enough Channels For The Entire Band
18 audio inputs and 20 outputs within a 1U rack space, including 8 analogue inputs, 10 analogue outputs, stereo SPDIF I/O and 8 channels of ADAT I/O. The additional ADAT ports are ideal for sending audio to an external D/A for line output expansion or adding eight channels of digital mic pre.

Front Panel Inputs
Dual combination mic/line/instrument inputs on the front panel ensure you always have immediate access to a pair of analogue inputs, even when the units in a rack.

Comprehensive Metering and Monitoring
Central panel helps you keep an eye “ and an ear “on all your analogue and digital input levels, and your main monitor outputs, via a 6-segment, multichannel hardware meter. Accessible monitor features include a level control, dim and mute buttons.

Dual High-power Headphone Outputs
The two wide dynamic range headphone outputs are powerful enough to deliver plenty of level even on high impedance headphones “ perfect for both tracking and mixing.

Classic Processor Plug-ins Included
Every Clarett includes the Red 2 & Red 3 Plug-in Suite, which accurately models Focusrites classic Red range equalizer and compressor hardware “ letting you exploit the originals famous sound, conveniently from within your audio software.

Word Clock Out
Clarett 8 Pre features a Word Clock output, enabling it to act as master for clocking multiple digital devices.

Now with Free Softube Plug-ins

Focusrite Scarlett, Saffire, and Clarett audio interfaces now include three Softube plug-ins* for free. Purchase a 

Focusrite Scarlett, Saffire, and Clarett on or after September 1st, 2015 and you'll receive a free download copy of TSAR-1R Reverb, Tube Delay and Saturation Knob. 

TSAR-1R:   Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound

and extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional

rooms to dramatic and dreamlike halls. 

Tube Delay: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.

Create anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub

reggae echo madness.

_Saturation Knob: _Add grit and warmth to any sound source with this modeled output distortion unit. Use

it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.

Simply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.

18x8 audio interface with Thunderbolt connectivity.

Are you up to Thunderbolt speed? The Focusrite Clarett Series audio interfaces can deliver. With up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and eight specially-designed mic preamps with a unique analogue “Air” effect, Clarett 4Pre simply sounds great, easily out-performing other interfaces in its class and beyond. Meanwhile, its astonishing 1.38ms round-trip latency* simplifies your workflow and lets you use your favourite plug-ins in real time.

Four New Clarett Mic Pres with extra ‘Air’
The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special “Air” feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. The Instrument inputs also feature extra headroom to handle the loudest pickup.

Precision Digital Conversion
Clarett features Focusrite’s class-leading 24/192 conversion: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW.

Easy Access
All four mic/line/instrument inputs are on the front panel for instant, easy access, and Clarett 4Pre’s compact, rugged form factor makes it ideal for use on the road as well as in the studio.

Simplifying the way you work
Clarett’s ultra-low round-trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the new Focusrite Control software mixer) or playing back, with all your plugins in place, all the time. Use your favourite plugins while recording too – whether it’s reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage.

Intuitive, Easy to Use Software Mixer and Sweet Sounding Plug-ins
Focusrite Control is a brand new software mixer designed for easy configuration of monitoring and routing setups. Simple and intuitive to use, Focusrite Control offers a traditional mixer workflow and allows immediate access to internal hardware functions. Also included is a sweet sounding plug-in collection comprising Softube's world-class Time and Tone Bundle, with TSAR-1R Reverb, Tube Delay and Saturation Knob. This is complemented by the Red 2 & Red 3 AAX, AU & VST Plug-in Suite, which accurately models Focusrite's classic Red range equalizer and compressor hardware.

‘Gain Haloes’ help keep levels in check
Each of the four front panel inputs includes Focusrite’s signature “Gain Halo” – an illuminated ring around the gain control that lights up green when there’s signal and red when it’s too high. There’s a main monitor knob plus dual high-power headphone outputs with their own volume controls.

Plenty of ins and outs
Clarett 4Pre offers a full 18 audio inputs and eight outputs, including four front-panel multi-function inputs, four independent line inputs and line outputs, stereo S/PDIF I/O and dual headphone outputs. There are also eight channels of ADAT-format digital input – ideal for adding eight channels of digital mic pre.

18x8 audio interface with Thunderbolt connectivity.

Are you up to Thunderbolt speed? The Focusrite Clarett Series audio interfaces can deliver. With up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and eight specially-designed mic preamps with a unique analogue “Air” effect, Clarett 4Pre simply sounds great, easily out-performing other interfaces in its class and beyond. Meanwhile, its astonishing 1.38ms round-trip latency* simplifies your workflow and lets you use your favourite plug-ins in real time.

Four New Clarett Mic Pres with extra ‘Air’
The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special “Air” feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. The Instrument inputs also feature extra headroom to handle the loudest pickup.

Precision Digital Conversion
Clarett features Focusrite’s class-leading 24/192 conversion: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW.

Easy Access
All four mic/line/instrument inputs are on the front panel for instant, easy access, and Clarett 4Pre’s compact, rugged form factor makes it ideal for use on the road as well as in the studio.

Simplifying the way you work
Clarett’s ultra-low round-trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the new Focusrite Control software mixer) or playing back, with all your plugins in place, all the time. Use your favourite plugins while recording too – whether it’s reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage.

Intuitive, Easy to Use Software Mixer and Sweet Sounding Plug-ins
Focusrite Control is a brand new software mixer designed for easy configuration of monitoring and routing setups. Simple and intuitive to use, Focusrite Control offers a traditional mixer workflow and allows immediate access to internal hardware functions. Also included is a sweet sounding plug-in collection comprising Softube's world-class Time and Tone Bundle, with TSAR-1R Reverb, Tube Delay and Saturation Knob. This is complemented by the Red 2 & Red 3 AAX, AU & VST Plug-in Suite, which accurately models Focusrite's classic Red range equalizer and compressor hardware.

‘Gain Haloes’ help keep levels in check
Each of the four front panel inputs includes Focusrite’s signature “Gain Halo” – an illuminated ring around the gain control that lights up green when there’s signal and red when it’s too high. There’s a main monitor knob plus dual high-power headphone outputs with their own volume controls.

Plenty of ins and outs
Clarett 4Pre offers a full 18 audio inputs and eight outputs, including four front-panel multi-function inputs, four independent line inputs and line outputs, stereo S/PDIF I/O and dual headphone outputs. There are also eight channels of ADAT-format digital input – ideal for adding eight channels of digital mic pre.

Clarett+ 2Pre has two next-generation, high-performance Clarett+ preamps with a preamp design that brings masses of headroom, low distortion and low noise. New and improved A-D and D-A converters capture more accurate recordings, and the independent A-D and D-A converters deliver extremely low noise and high dynamic range. Vocals will shine with the All-analogue Air, its circuitry emulating the classic Focusrite ISA 110 preamp. J-FET instrument inputs offer dedicated, ultra-high-impedance, extremely wide audio bandwidth, and mimic guitar amp inputs to preserve the natural tone of guitars.

10 x 4 Thunderbolt interface with two Clarett mic preamps.

Are you up to Thunderbolt speed? The Focusrite Clarett Series audio interfaces can deliver. Designed for more permanent installations, the Clarett 2 Pre combines two newly designed Clarett mic preamps, with class-leading digital conversion and extraordinarily low round-trip latency - so low that you can use DAW plugins while monitoring your recordings. It offers superbly low noise and distortion, plus the "Air" effect that models the sound of Focusrite's renowned ISA transformer-based preamps. It also features gain controls with a special law that makes changes smoother and more natural. Complete with Focusrite's acclaimed precision conversion offering up to 119dB real-world dynamic range, there's no better - or faster - way of getting audio into or out of your DAW at the highest possible quality.

With ten inputs and four outputs, Focusrite's Clarett 2Pre Thunderbolt interface is ideal for the discerning Singer Songwriter. It includes two newly-designed Clarett mic preamps accessed direct from the front panel, plus class-leading digital conversion and millisecond-level low round-trip latency - so low that DAW plugins can be used while monitoring recordings: for example to add reverb in the headphones for a vocalist.

The new Clarett mic pre offers very low-noise (EIN -128) and distortion, and also includes the switchable "Air" effect that models the sound of Focusrite's renowned ISA transformer-based preamps. It also features gain controls with a special law that makes changes smoother and more natural. 

Focusrite has been known for top-quality digital conversion for almost as long as it has been respected for its microphone preamps, and the Clarett 2Pre is no exception. Featuring the latest in Focusrite precision digital conversion, 2Pre's 192kHz/24-bit converters deliver up to 118dB (A/D from mic pre)/119dB (D/A line out) real-world dynamic range. 

The two primary inputs are on the front panel in the form of mic/instrument/line combo XLR/TRS sockets and feature the newly-designed Clarett mic pres; in addition, an ADAT optical input can be used to expand the 2Pre's input capability with eight additional digital channels. The instrument-level inputs are designed with exceptional headroom, to accept the highest output pickup without distortion.

Clarett 2Pre includes Focusrite's signature Gain Haloes surrounding the gain controls. These give a simple go/no-go indication of level - green indicates a signal while red indicates that the signal is too hot.

A new software mixer, Focusrite Control, is included for easy configuration of monitoring and routing setups. Simple and intuitive to use, Focusrite Control offers a traditional mixer workflow and allows immediate access to internal hardware functions. Every Clarett also includes the Red 2 & Red 3 AAX, AU & VST Plug-in Suite, which accurately models Focusrite's classic Red range equalizer and compressor hardware.

Now with Free Softube Plug-ins

Focusrite Scarlett, Saffire, and Clarett audio interfaces now include three Softube plug-ins* for free. Purchase a 

Focusrite Scarlett, Saffire, and Clarett on or after September 1st, 2015 and you'll receive a free download copy of TSAR-1R Reverb, Tube Delay and Saturation Knob. 

TSAR-1R:   Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound

and extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional

rooms to dramatic and dreamlike halls. 

Tube Delay: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.

Create anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub

reggae echo madness.

_Saturation Knob: _Add grit and warmth to any sound source with this modeled output distortion unit. Use

it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.

Simply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.

10 x 4 Thunderbolt interface with two Clarett mic preamps.

Are you up to Thunderbolt speed? The Focusrite Clarett Series audio interfaces can deliver. Designed for more permanent installations, the Clarett 2 Pre combines two newly designed Clarett mic preamps, with class-leading digital conversion and extraordinarily low round-trip latency - so low that you can use DAW plugins while monitoring your recordings. It offers superbly low noise and distortion, plus the "Air" effect that models the sound of Focusrite's renowned ISA transformer-based preamps. It also features gain controls with a special law that makes changes smoother and more natural. Complete with Focusrite's acclaimed precision conversion offering up to 119dB real-world dynamic range, there's no better - or faster - way of getting audio into or out of your DAW at the highest possible quality.

With ten inputs and four outputs, Focusrite's Clarett 2Pre Thunderbolt interface is ideal for the discerning Singer Songwriter. It includes two newly-designed Clarett mic preamps accessed direct from the front panel, plus class-leading digital conversion and millisecond-level low round-trip latency - so low that DAW plugins can be used while monitoring recordings: for example to add reverb in the headphones for a vocalist.

The new Clarett mic pre offers very low-noise (EIN -128) and distortion, and also includes the switchable "Air" effect that models the sound of Focusrite's renowned ISA transformer-based preamps. It also features gain controls with a special law that makes changes smoother and more natural. 

Focusrite has been known for top-quality digital conversion for almost as long as it has been respected for its microphone preamps, and the Clarett 2Pre is no exception. Featuring the latest in Focusrite precision digital conversion, 2Pre's 192kHz/24-bit converters deliver up to 118dB (A/D from mic pre)/119dB (D/A line out) real-world dynamic range. 

The two primary inputs are on the front panel in the form of mic/instrument/line combo XLR/TRS sockets and feature the newly-designed Clarett mic pres; in addition, an ADAT optical input can be used to expand the 2Pre's input capability with eight additional digital channels. The instrument-level inputs are designed with exceptional headroom, to accept the highest output pickup without distortion.

Clarett 2Pre includes Focusrite's signature Gain Haloes surrounding the gain controls. These give a simple go/no-go indication of level - green indicates a signal while red indicates that the signal is too hot.

A new software mixer, Focusrite Control, is included for easy configuration of monitoring and routing setups. Simple and intuitive to use, Focusrite Control offers a traditional mixer workflow and allows immediate access to internal hardware functions. Every Clarett also includes the Red 2 & Red 3 AAX, AU & VST Plug-in Suite, which accurately models Focusrite's classic Red range equalizer and compressor hardware.

Now with Free Softube Plug-ins

Focusrite Scarlett, Saffire, and Clarett audio interfaces now include three Softube plug-ins* for free. Purchase a 

Focusrite Scarlett, Saffire, and Clarett on or after September 1st, 2015 and you'll receive a free download copy of TSAR-1R Reverb, Tube Delay and Saturation Knob. 

TSAR-1R:   Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound

and extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional

rooms to dramatic and dreamlike halls. 

Tube Delay: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.

Create anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub

reggae echo madness.

_Saturation Knob: _Add grit and warmth to any sound source with this modeled output distortion unit. Use

it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.

Simply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.

Much more than a reissue, the Maxon CP-9 Pro+ Compressor is a completely new circuit that packs more punch and power than the original!

The CP-9 Pro+ is that rarity of rarities – a compressor with tons of squash that does not color your guitar tone or create excessive noise.

The CP-9 circuit provides a very smooth, transparent, almost “glassy” compression with an extremely low noise floor, even at maximum settings. Your guitar sounds like your guitar, only with a smoother, more balanced dynamic response - Notes jump off the fretboard with stunning clarity and limitless yet controlled sustain.

The CP-9’s internal voltage doubler provides massive headroom with full-range frequency reproduction. It can be used with any instrument and for a variety of applications – send into an amp’s front end, place in a loop, or use as an outboard processor for home recordings.

With up to +30 dB of clean Gain, the CP-9 Pro+ can also be used as a straight clean booster or as a volume attenuator to clean up an already dirty amp by reducing input level.

The CP-9 Pro+ provides studio-grade compression in a portable stompbox format – you’ll wonder how you ever played without it!

The T3 is our most complex build so far. This great-sounding, versatile Tremolo pedal can do everything from vintage amp style modulation to weird polyrhythmic chops and offers some features you won't find in any other Tremolo pedal: – main tremolo featuring two optocouplers for harmonic or regular tremolo effect – waveforms (sine, triangle, square) with adjustable symmetry (ramp ups/downs possible) – tempo controlled by the speed pot or tap tempo footswitch can be multiplied by 1,2 or 3 – another optical tremolo (T3) in series with the main one for a way more complex modulation – T3 can be switched via an optional external footswitch – fully analog and parallel signal path featuring rail-to-rail opamps run on 18V for increased headroom (pedal runs on regular 9V though) – 5V clock input and output available on request for integration in synth setups

– each pedal is setup individually for optimum performance

Back in the late 60s the G12H was created by fixing an ‘H’ type (heavy) magnet to the body of a G12M guitar speaker. Result: a speaker with more power and a different tonal balance: firmer bass and a more pronounced top end. So we added an ‘H’ magnet to the G12M-65 Creamback to create a guitar speaker that delivers the sonic signature of a G12H combined with Creamback levels of power handling. The result is the G12H-75 Creamback. It delivers 75-watts of power handling with ease and has unmistakeable G12H tone with a tighter low end than the G12M-65 Creamback and a punchier more dynamic high end. The H magnet brings additional focus body and girth to the Creamback tone. It thickens single notes resulting in a highly articulate vocal character. These additional characteristics mean that the G12H-75 Creamback offers exceptional performance when used for lead guitar and sounds massive loaded into a 4×12 cab!

The "Quantum" is a 100% analog compressor / sustainer pedal on studio level with very easy handling. The core is a photocell, which generates a very musical optical compression. The pedal helps your guitar to cut through the mix without losing the instruments transparency. Especially due to the switchable parallel compression, attack and punchyness are fully preserved, only sustain is added without any tone coloration. Via a toggle switch also classic serial compression can be selected. A LED indicates the dynamic processing by its brightness. Internally the "Quantum" can be switched from "true bypass" to "buffered bypass". Used at the beginning of the signal chain the "buffered bypass" mode ensures a clear guitar tone even through long cables and effect chains. Another LED indicates the activated buffer mode as "Bypass Buffer On". Buffer and compressor: "Quantum" is a 2-in-1 pedal! An absolute secret weapon and an "always on" pedal!

The "Quantum" is also perfectly suited for bass and acoustic guitar!

This pedal is equipped with our unique "MagTraB" switching technology:

Inside the button a magnet is integrated which position is measured by a sensor on the circuit board. If the button is now moved, e.g. if it is pressed downwards, the position of the magnet will also change. The sensor measures this change without any mechanical contact to the button and the information is send via a micro-controller to a gold-plated relay, which then does the actual audio signal switching. The advantages of "MagTraB" footswitches:

MapTraB buttons are as good as indestructible! "MagTraB" delivers an almost infinite number of switching cycles - many, many millions! No annoying, mechanical switch clicks! Instead, the "MagTraB" push-buttons switch very smooth and silently!

You can choose if the pedal powers up in "on" or "bypass" state. To change the state: Step 1: Unplug the power supply cable. Step 2: Hold down on/off "MagTraB" button. Step 3: Plug in again the power supply cable. Step 4: Release on/off "MagTraB"" button. DONE! The next time your pedal powers up it will automatically start in the other state.

Specifications:

Unique MagTraB switching technology Optical compression using on photocell Toggle switch to select "Parallel" or classic "Serial" compression mode LED indicates dynamic processing by its brightness Internal switch for "true bypass" or "buffered bypass" LED indicator for "Buffered Bypass On" Absolut linear frequency response Low noise circuit Perfectly suited also for bass and acoustic guitar! Input impedance: 1M Ohms Output impedance: 100 Ohms Current consumption: 40mA This pedal requires an external regulated 9V power supply (not included), polarity: positiv@ring / negative@tip Dimensions: 115mm x 70mm x 48mm Weight: 240g

Handmade in Germany