Jack White & Jack White – Lazaretto

At 0:11 in this music video, one of the RCA Clubmaster amps that Jack White is using can be seen.

Used to record the album Lazaretto. "We recorded to tape, initially just eight–track, to RMG 900 at 7.5ips. Jack loves that sound and we also are very happy with the quality. It has a hefty bass bump, almost an octave lower than 15ips, and the top end is flat until 20k. Something happens at the top end, above 4k, with tape compression; the sound is easier saturated and it meant that we never had to worry about things like de–essers. We did not hit the tape hard. In fact, we left tons of headroom, because it retains transients better."

Used on the album "Lazaretto". I recorded Jack’s vocals mainly with a Shure SM57. Sometimes we used a Neumann U47, as well as an RCA 77D and a Shure SM7, and I often pushed his vocals hard through an 1176(...)

Used on the album 'Lazarettto'. "I recorded Jack’s vocals mainly with a Shure SM57. Sometimes we used a Neumann U47, as well as an RCA 77D and a Shure SM7, and I often pushed his vocals hard through an 1176(...)"

Used on the album 'Lazarettto'. "I recorded Jack’s vocals mainly with a Shure SM57. Sometimes we used a Neumann U47, as well as an RCA 77D and a Shure SM7, and I often pushed his vocals hard through an 1176(...)"

Used on the album 'Lazaretto'. "I tend to like an RCA BK5B on Jack’s acoustic guitar, and occasionally an RCA 77, or an SM57 if everything else in the room was pretty loud."

Used on the album 'Lazarettto'. "I recorded Jack’s vocals mainly with a Shure SM57. Sometimes we used a Neumann U47, as well as an RCA 77D and a Shure SM7, and I often pushed his vocals hard through an 1176(...)"

Used to record Lazaretto, as stated in this October 2014 Sound on Sound interview.

All of Lazaretto was recorded to one or, usually, two of Third Man Studio’s Studer A800 two–inch machines, which have John French’s JFR Magnetic Science’s Ultimate Analogue eight–track headstacks with a proprietary ninth timecode track for link–up, which allows the two eight–track machines to be combined for 16–track recording. In addition, while Pro Tools was barely used in the making of Blunderbuss, it saw extensive mileage during the making of Lazaretto.

Used to record Lazaretto, as stated in this October 2014 Sound on Sound interview.

All of Lazaretto was recorded to one or, usually, two of Third Man Studio’s Studer A800 two–inch machines, which have John French’s JFR Magnetic Science’s Ultimate Analogue eight–track headstacks with a proprietary ninth timecode track for link–up, which allows the two eight–track machines to be combined for 16–track recording. In addition, while Pro Tools was barely used in the making of Blunderbuss, it saw extensive mileage during the making of Lazaretto.

Used to record the album 'Lazaretto' : "[Acoustic guitars] would go into the 1073, usually with a bit of 1176 compression."