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Average Price: $13,134
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Description
The Studer A-800 MKIII 24 Track Tape Recorder is a legend in the world of analog recording, revered for its exceptional sound quality and robust build. This iconic piece of studio gear has been a staple in professional recording environments since its introduction, offering a warm, rich analog tape sound that digital technologies strive to emulate. Its 24-track capability allows for extensive multitracking, making it ideal for complex projects that require a high degree of layering and precision. The A-800 MKIII is particularly noted for its advanced transport system, which ensures smooth operation and longevity, key for any serious studio setup.
If you're looking to capture the essence of vintage recording with a trusted analogue machine, the Studer A-800 MKIII is a formidable choice. Its intuitive layout and user-friendly interface make it accessible for both seasoned engineers and those new to the realm of tape recording. The machine's reliability and superior sound reproduction have made it a go-to option for many iconic albums, ensuring your recordings stand the test of time. This tape recorder is not just a piece of equipment; it's a bridge to the classic sound of the past, coupled with the precision and reliability demanded by today's audio professionals.
Key Features:
- 24-track analog recording capability
- Renowned for its warm, rich sound quality
- Advanced transport system for smooth operation
- User-friendly interface for ease of use
- Trusted by professionals for decades of reliable performance
Product specs
| Brand | Studer |
| Model | A800 MK III 2" 24-Track Analog Multitrack Tape Machine |
| Finish | Standard |
| Year | 1980s |
| Made In | United States |
| Categories | Recording Gear |
FAQs
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What makes the Studer A-800 MKIII 24 Track Tape Recorder a popular choice for studios?
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The Studer A-800 MKIII is renowned for its warm, analog sound and reliable performance, making it a staple in professional recording studios. Its 24-track capability and robust build quality provide a classic tape recording experience that many engineers prefer for its tonal richness and character.
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How does the Studer A-800 MKIII handle tape transport?
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The Studer A-800 MKIII features servo-controlled tape transport, which ensures smooth and precise tape handling. This technology minimizes wear and tear on the tape, enhancing the longevity and consistency of recordings.
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Is the Studer A-800 MKIII suitable for modern recording setups?
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While the Studer A-800 MKIII is an analog machine, it can be integrated into modern digital setups through appropriate interfaces. Its classic analog warmth complements digital recording, offering a hybrid approach to capturing sound.
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What are the maintenance requirements for the Studer A-800 MKIII?
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Regular maintenance of the Studer A-800 MKIII involves cleaning the tape heads and checking the alignment and calibration. Its modular electronics design simplifies servicing, allowing for easier troubleshooting and repairs by experienced technicians.
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Can the Studer A-800 MKIII be used for both tracking and mixing?
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Yes, the Studer A-800 MKIII is versatile enough for both tracking and mixing applications. Its ability to add subtle saturation and warmth makes it a valuable tool for enhancing the overall texture of recordings during both processes.
Videos
TheSynthFreq
24 track multichannel tape machine A800 MK III
24 track multichannel tape machine A800 MK III
TheSynthFreq
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Studer A-800 MKIII 24 Track Tape Recorder.
User experience
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Tape recording fosters a more hands-on, immersive experience, often requiring collaboration for tasks like riding faders during mixing.
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Despite the allure of tape's sound, the time-consuming process can interrupt creative flow, making it less suitable for fast-paced modern productions.
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Recording to tape requires meticulous planning and execution, as mistakes are permanent and can significantly prolong the recording process.
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Software and compatibility
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Massey Tapehead is limited to ProTools AAX format, creating compatibility issues for users of other DAWs like Cubase.
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ChowTapeModel, a free plugin, is noted for its detailed control and ability to emulate 70s tape tones effectively, though it may affect mono compatibility.
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The TR5 Tape plugins are criticized for their high CPU usage, with latency ranging from 600-1200 samples at 48 kHz, complicating use during composition.
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Use cases and applications
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The ATR 102 is praised for its emulation of audio path and tape wow/flutter, excelling in plate reverbs and delay lines, beyond typical saturation applications.
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Tape machines like the Studer A800 MKIII can impart beneficial compression and harmonic distortion, particularly enhancing guitar tones.
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The Neold Warble is highlighted for introducing subtle distortion and lo-fi color, making it excellent for gritty sound applications.
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The UAD Ampex ATR-102 is favored for its versatility and subtlety, especially beneficial when used before a final limiter to reduce gain reduction.
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Comparisons
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Massey Tapehead is favored for saturation over the UAD Studer A800, particularly in ProTools environments.
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The UAD Studer A800 plug-in sounds similar to tape but is better suited for grouping channels rather than as a standalone saturation tool.
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The UAD Studer A800 is praised for low-end boost and maintaining transients, but can be more aggressive than an actual A800 tape recorder.
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The TR5 Tape Machine 80 is noted for adding weight and smoothness with a low-end bump, making it ideal for mix/master bus applications.
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Features and functionality
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The UAD Studer A800 plug-in is now available natively, eliminating the need for UAD Apollo hardware, though it lacks gang controls in this version.
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Different tape formulations and machines like the Studer A800 MKIII offer unique tonal customization, affecting instruments differently at various levels (e.g., hi-hats vs. bass).
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The Waves J37 offers a smooth, vintage sound with lovely saturation, though it can sound boxy if not adjusted carefully.
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5.0 out of 5
Based on 0 Reviews and 1 Rating
Artist usage
Add artist
"I also have a Studer A800 24-track recorder, but it's not here because my house isn't big enough to hold it. I'm trying to find a place, separate from my house, for a studio.”
Used to record Lazaretto, as stated in this October 2014 Sound on Sound interview.
All of Lazaretto was recorded to one or, usually, two of Third Man Studio’s Studer A800 two–inch machines, which have John French’s JFR Magnetic Science’s Ultimate Analogue eight–track headstacks with a proprietary ninth timecode track for link–up, which allows the two eight–track machines to be combined for 16–track recording. In addition, while Pro Tools was barely used in the making of Blunderbuss, it saw extensive mileage during the making of Lazaretto.
MKII Used In this article by Sound on Sound prodcer James Ford says he and the Arctic Monkeys used the Studer A800 MKII when recording their album Suck It And See
Paul McCartney is associated with the Studer A-800 MKIII 24 Track Tape Recorder, as mentioned in the Hog Hill Mill Blog under "Recorders & Accessories."
1994 studio: "The studio was equipped with a 56-input Amek Mozart console with Rupert Neve modules, two Studer A800 Mk3 multitrack machines, Mac-based Pro Tools and a host of outboard gear..."
Visible at 3:17 in this documentary of the making of Satriani’s eponymous 1995 album.
Video shows Prince's 2 Studer A-800 at Paisly Park at the 4min 27sec mark.
"A pair of Studer A800 Mark III master recorders known as 'The Twins' and previously used together in Neil Young's studio. Included are two remotes, one 16-track 2” head, two 24-track 2” heads, two tape reels, and two boxes of miscellaneous spare parts and manuals. They also come with a road case for the remote/cables and spare heads, and covers for each tape machine (covers and road case not shown in pictures).
These tape machines powered up last time they were turned on, but are untested and sold 'as is'."
In the YouTube video titled "N.W.A., Eazy-E, Dr. Dre In The Studio," provided by DJ303, there is visual evidence showing Dr. Dre using a Studer A-800 MKIII 24 Track Tape Recorder.
"Recording my new track like a grandad tongue emoticon #Oldschool #TapeRecorder" - Oilver Heldens via Facebook post. In this image we can see him with a vintage Studer A-800 MKIII 24 Track Tape Recorder.
"For the majority of his recordings for Death Row Records Tupac would use a vintage Neumann U87. This would be fed into a Neve or SSL 4k preamp and a Studer® A800 Multichannel Tape Recorder."
Album Usage
The Studer A-800 MKIII 24 Track Tape Recorder has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Studer A-800 MKIII 24 Track Tape Recorder, it is most commonly used with the following gear.
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