Thomas Gold – The Button

In "Thomas Gold In The Studio With Future Music Part 1", seventeen seconds in, the black 'teardrop' or 'bunny-ear' design of the NS-10M appears just to Thomas' right, as well as directly behind him.

Seventeen seconds into Part 1 of Thomas Gold's "In The Studio" feature, these cream-colored speakers can be spotted on top of his Yamaha-NS-10Ms.

The remote control can be seen on the left part of the screen lying on the desk at around 0:18. The rackmount interface itself can be seen in the top rack space behind him at 0:18.

Can be seen above his Dangerous Music 2-Bus at around 1:24. The switches, green light, and location of the speakers are consistent with the A77X model.

The right part of this keyboard can be seen peeking on the left hand side of the screen at around 0:18.

The Avalon's sliders, central meter, and power switch can be seen on the right part of the screen at the bottom most rack space around 1:19. At that particular time, those three portions are between Thomas' back and the chair.

Can be seen on the left part of the screen at around 1:18 in the bottom most rack.

This module can be seen above his Avid HD I/O at around 1:18 in the left-most rack.

"When I did the toms, I used the Machinedrum, one of my favorite piece of gear at the moment, and the drums sound like this... and I just used here... you see the buttons? These are the three sounds, and I just tuned them in a certain way so they fit to the bass and they fit together like a melody... and the good thing is you can really go here and tune the single drums... and make them sound like a chord..." (1:41)

Logic Pro can be seen on both of Thomas' screens (left with arrangement window, right with mixer window) throughout the video.

"I just have a kick drum, which sounds like this... and this one is taken from the Stylus remix..." The screen then zooms in on the plugin. (3:19)

An instance of this plugin can be seen running on-screen at around 5:08. At 5:10, the camera pulls back and we see a fuller view of the plugin.

"Here I have some... the PSP Vintage compressor, but only to add some warmth to it, some body. You can hear it, that's more bottom there."(5:52)

"And, on the clap, for example, I have only a... the... some, um, low-cuts on there, I often use the Waves Q4, and I have all four low-cuts on, so you can have a steep EQing curves..."(6:04)

At the 7:16 mark of his video with Future Music, Thomas is running an instance of SV-517 on the left screen. The camera zooms in on the plugin so we get a clearer view of it in action.

"There's some EQing on it... it's where I boost the mids a little bit." (10:54) The camera then zooms in on the Classic Q at 11:01, before another plugin covers it from view.

Sylenth can be seen on Thomas' left screen around 14:32.

"I used some compression from the Universal Audio card, I really like that stuff, Universal Audio's stuff is just great" (9:04)

At 9:07, an instance of the DBX 160 appears on screen. Thomas is using an older, prior version of the plugin listed here.