> On en profite pour le faire parler de son éducation musicale, qui a commencé par une passion pour les musiques industrielles et deux groupes en particulier : les Allemands de D.A.F. et les Anglais de Nitzer Ebb. Il achète alors le synthé emblématique de ces pionniers de l’electro : le Korg MS20. Traduction : We take the opportunity to talk about his musical education, which began with a passion for industrial music and two groups in particular: the Germans of D.A.F. and the English by Nitzer Ebb. He then bought the iconic synth of these pioneers of electro: the Korg MS20.more
In the documentary "Meet Squarepusher" from The Creators Project, previously unseen footage of Tom Jenkinson's studio from various periods (such as his 1995, 2000 and more recent setups) are revealed. If the video gets paused precisely in the 3:05 mark, there's a synth in the background that strongly resembles the MS-20. And since the MS-20 Mini was only released in 2013, it can only be the original one.more
> The Korg ER-1 sounds great right out of the box. [...] The other Korg gear I use which is still one of my favourite keyboards is the MS20 theprodigy.info cites a [Korg magazine interview](https://web.archive.org/web/20011220033526/www.korg.co.uk/news/displayarticle.asp?articleId=53), published November 2000.more
"What's REALLY expensive is that other guy over there, which I don't even really use, um, that thing is a Korg MS-20, and it's not the MS-20 Mikro or Micro that Korg released last year, which is the same thing but with MIDI mapping and all that stuff. No, that thing is from 1978, so it's older than me by like seven years. It's a great, great machine, 100% analog sound, it doesn't even have MIDI[...] what it does is, there's this system control called CV, and what it does is basically it translates the MIDI signal into actual electricity and if you patch it right you can actually play the synthesizer..."more
"Basically everything we’ve used we practically still have here. So it’s a list too long to go into. There is a wall alone that is the orginal setup of Skinny Puppy, based around a pair of Roland TR-808’s, Roland TR-909 with trigs going to many differnat devices including Sequential Circuits Pro One, Roland System 100m, ElectroComp Eml 101, Korg SQ-10, Korg MS-20, Korg MS-10, ARP 2500 and ARP 2600."more
Although he uses software synths, Laurent Garnier favours the hardware variety, particularly where lots of knobs and sliders are available. Vintage keyboards in his The Kub studio include Roland Juno 106 and Jupiter 8 and Korg MS20 analogues, plus the under-rated Yamaha DX100 FM synth (bottom right), while Garnier also uses the Kurzweil K2000 workstation (top right).more
The writing studio’s compactness leant itself nicely to Bayley’s process. Keeping his essentials within arm’s reach, he has guitars: Hofner 176, Fender Stratocaster, Selmer Classical, Fender Precision bass with flat-wound strings, Roland Jupiter-6, Korg MS-20, ARP 2600—which made it onto every song on the album—a vintage Neumann U 87 microphone, and a couple of API preamps. Recording happens into Pro Tools, with Ableton preferable for sequencing and programming. Keeping things simple allows Bayley to whiz around, patching in what he needs quickly.more
William Orbit (about the gear he used for the recording session of Madonna's Ray of Light album) : “How did I know you would ask me that? Oh, it’s all in a pile there if you wanna look at it . It’s not a ton of gear. Most of it is pretty retro; a Korg MS-20, a [Roland] Juno-106, a [Roland] JD-800. Much of the album was done on a Juno-106. You can get so much out of that synth. Also a significant amount of it was done on the MS-20 – the more spiky sounds. A few things that people think are guitar are actually the MS-20. And then there were a few more bits and pieces: a few modules, a Yamaha DX7, a Novation Bass Statlon, a [Roland] JP-8000, a lot of Roland stuff. I’ve always liked Roland stuff. ”more
Is Modular an area you'd like to explore? "I'm not getting into that. The closest thing I've got to modular, or semi-modular, is the Korg MS20 and the ARP 2600 - but that's how it's going to stay. Modular doesn't serve a big purpose for the music I'm making because it's not really blippy kind of stuff, but it's nice to have those machines and get some weird sequences out of them."more
The item can be seen 0:38 into this video, in the studio of Rone, in July 2015, just over the NORD Lead 4. To me, this is the Original KORG MS-20, not the MS-20 Mini because, as you can see on the picture below, the original MS-20 needs 6.35 jack cable http://www.polynominal.com/Korg-mini-ms-20/korg-ms20-vs-mini-ms20.jpg. And in the video we can see the the holes do not correspond to 3.5 jack cable inserts (3.5 jack patch cable are used for the MS-20 Mini).more
At 2:03, James Ford of [Simian Mobile Disco](https://equipboard.com/band/simian-mobile-disco) talks about his Korg MS-20, saying "It's an old synthesizer, it's pretty basic but good work-horse synth. We just like it because we know our way around it really quick, so we can easily get things out of it."more
As the show drew to its close, ‘Pocket Calculator’ not only featured a reset rhythmical template but also footage of Herr Bartos showing off his synth inventory. The eagle eyed would have spotted with a Stylophone, Korg MS20, Minimoog rack mount, Farfisa Professional piano , ARP Odyssey and that iconic elektronisches schlagzeug unit.more
In [this interview](http://whenthesunhitsblog.blogspot.com/2011/02/interview-zia-mccabe-of-dandy-warhols.html), when asked what the most important gear was to creating her iconic sound, Zia chose her vintage Korg MS-20. " [...] I play all my bass parts on [it] and plenty of other sick ass sounds." She names the Korg MS-20 her "most important piece of gear."more
It’s mostly analog and stuff, but I don’t try to be an audio elitist or anything. I’ve sampled Youtube in the past (the contemporary cultural equivalence of sampling worn out vinyl?) and record all my synths and drum machines through a mediocre sound card most of the time. I got some old Roland stuff, a Korg MS-20, some newer analog, and this eurorack modular I acquired the parts for over a year ago.more
“Against my better judgment, I take my TR-808, MS-20 and a bunch of other vintage bits and pieces on the road,” Ma says. From an interview with jagwar ma on an article from Relix. The Korg MS-20 can also be seen at 01:32 being played by Jono Ma in Jagwar Ma's music video for Uncertainty (link above).more
"I also used a bunch of different modules as well as the René. I've got lots of Intellijel modules, and I put a lot of parts through the Korgasmatron for shaping and stereo filtering or phasing effects. I also use both my Prophets, the 5 and the 8, just because they're the best pad machines out there. They're so rich. I use the [Roland] Juno and the [Korg] MS20s a lot"more
….So stellte ich mir meine eigene Sammlung zusammen, die wirklich auf meinen Sound und meine Arbeitsweise abgestimmt ist. Meine Favoriten sind sicherlich der Moog Voyager, Jupiter, Solina, MS20 und mein Eurorack-Modular- System. Vieles ist Phasenbestimmt, was in meinem Fall sehr für den Prophet, JD800, Z1 etc… gilt. In diesem Moment finde ich z.B. die Mutable Instruments Module unfassbar gut.more
At his home studio (dubbed “50” for the street address where he lives), Price would often access his bank of vintage synths — including a Moog Polymoog, Korg MS-20, Roland SH-09 and a rare Rhodes Chroma — to add textures to a demo track or to supplement the Clavia Nord Lead 3 that Flowers uses as his main synth.more
In this video from Drews most recent TIME MACHINES tour you can see his Korg on the desk. The original TIME MACHINES album featured this synth wired to an ARP 2600 and a Synton Fenix, all provided by drew. I have no documentation of those 2 but it was well reported on the coil fb group in 2017. As the live show is similar to the record, you can assume the ARP is on the desk as well.more
"Everything is connected to each other so one synthesizer is a little module of the whole thing. With some buttons I can easily route the signal path as I want it, so if I want to use my old lo-fi Casio VL-1 as the source and use the Korg MS-20 as a filter and end up in the Kyma system for effect processing, it’s very simple. "more
What kind of equipment, analog or digital, was used in the making of ‘The Nest‘? I extracted pieces from unfinished songs that worked with the current theme, adding singing bowls, tape recordings and bowed string instruments played through effect pedals and processed digitally. I also used VST’s in Ableton Live and might have used my Korg ms-20 synthesizer too. I honestly don’t remember.more
"Previously, cheaper synths either had presets like Paul’s little Korg which restricted the number of sounds they could make, or they would have no memory like their Korg MS20. Synths like the latter were largely impractical for live use as a keyboard although Mal Holmes had the MS20 to generate fixed sounds for percussive effects triggered by his drum pads."more
'I found an ms20 synth in the rubbish behind charring cross road in London, seriously. Everyone thinks this is a myth but it really happened, took it home. Plugged it in, got electrocuted and fell in love.' Interview with Ann Shenton here: http://www.connexionbizarre.net/all-numbers-great-andsmall-an-interview-with-ann-shenton/more
>I never had enough money to buy my own synths, so I'd always just sample my friends' synthesisers, or guitar, or take field recordings of a piece of metal falling in an alley or me kicking a dumpster or something, and then I would turn them into rhythms. But finally, from this last bought of touring the last record, I've saved up and got a modular synth and an MS-20.more
Trevor Gray, Apollo 440 "The Korg Legacy is so much fun!! We've owned the original Korg MS-20 since the 70's and used it with our Korg SQ-10 analogue sequencer on loads of records and remixes. Nothing quite sounds like it! We also love the MS2000R which has a smoother sound and MIDI-accurate sequencing possibilities. But the Legacy got us to dig out the old Patches we'd written over 20 years ago! The sounds we've put in the MS-20_Apollo440 Bank includes some of these, as well as brand new sounds and edits of library patches. That's the point with this great new piece of kit - you can get your hands dirty really easy! Edit ready-made programs or start from scratch. The controller feels just like the original and going back to patch cords was so cool! We hope you enjoy these sounds - and if you haven't got a Legacy then what are you waiting for - just get one!"more
This is a great synth, very dirty, lotta options lotta routes to go to get a lot of character, and can produce some fat low ends. What I like to do the most with this synth though is run midi into it with a arp sequence and route it into it a analog delay with short time, the results for me are ussually a really dark gritty cinematic sounding arp great for build ups, or gluing a groove all together.
yes. an original ms 20 would be choice but i love my ms 20 mini.bass layering is great with it. the growl u can dial in with it is so rad. i also use it for alot of leads for my retro electronic tracks. i use this thing lot of different jobs.
This one is a classic. Loving the fact that you can modulate for hours, and that every extra cable or knob twist gives that tiny bit extra. However, I must admit that I rarely ever use this in production sessions. The low end sounds pretty nice, but generally, I feel like you would rely on post processing too heavily in order to get the sound you desire.
An extremely aggressive sounding synthesizer that doubles as a complex signal processor. It can do so much but always seems to sound up front and in focus, so it's flexibility isn't as deep as it may seem on paper. The original MS-20 was my first analog synthesizer.
Leads, Basslines, Space Blips. This synth has it all. Most memorable for me is when Stevie Wonder borrowed this and it's little brother for his North Sea Jazz performance in Rotterdam. It's like this synth is blessed by one of my heroes!