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Description
Dive into the world of analog music creation with the Korg MS-20, a full-sized synthesizer that embodies Korg's rich history and commitment to quality. This iconic synthesizer, first released in the late '70s, has made its mark on the music industry, influencing generations of artists with its distinctive sound.
Back by popular demand, Korg has reproduced the MS-20, staying true to its original design and analog circuitry. This full-sized reissue is not just a testament to the past, but a bridge to the future, carrying on the MS-20's unique sound for a new generation to discover and explore.
The MS-20 stands out with its 2VCO / 2VCA / 2VCF / 2EG / 1LFO structure, providing a wide range of sound creation possibilities. It also offers two types of filters: early model and late model, giving you the flexibility to tailor your sound to your exact specifications.
Available in limited quantities, this reissue comes in four different powder-coated color variations, adding a vibrant touch to your music setup.
Key Features:
- Full-sized MS-20 made by KORG
- Available in four different color variations with a powder-coated finish
- Provides two types of filter: early model and late model
- Faithful reproduction of the original analog circuitry
- 2VCO / 2VCA / 2VCF / 2EG / 1LFO structure
- External Signal Processor (ESP) to process an external signal
- Patching system provides an extremely high degree of sound creation freedom
- MIDI IN connector and USB port included
- Comes with an AC adaptor
- Package finish and included manual replicate the original in every detail
Product specs
| Brand | Korg |
| Model | MS-20 |
| Finish | Black |
| Year | 1970s |
| Made In | Japan |
| Categories | Analog Synths, Keyboard Synths |
| Analog / Digital | Analog |
| Key Size | Full Size |
| Keyboard Action | Synth Action |
| Number of Keys | 37 Keys |
| Polyphony | 1 Voice |
FAQs
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Is the Korg MS-20 suitable for beginners in synthesizers?
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The Korg MS-20 is a great choice for beginners interested in analog synthesis due to its straightforward layout and hands-on patching capabilities. However, it may require some learning to fully understand its patching options and sound design potential.
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What type of synthesis does the Korg MS-20 use?
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The Korg MS-20 is an analog synthesizer that utilizes subtractive synthesis, offering rich, warm tones and a classic sound palette that has been popular since its original release in 1978.
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Does the Korg MS-20 have built-in effects?
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The Korg MS-20 does not have built-in effects. It focuses on pure analog synthesis with its dual oscillators and iconic filters, which can be further processed with external effects.
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Can the Korg MS-20 be used for live performances?
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Yes, the Korg MS-20 is well-suited for live performances, offering a robust build and intuitive interface that allows for dynamic sound manipulation on stage.
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How does the Korg MS-20 handle sound modulation?
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The Korg MS-20 features a flexible patch panel that allows users to create complex modulation routings, offering a wide range of sound design possibilities beyond its standard controls.
Videos
Doctor Mix
The Original Korg MS-20 In Action
Reviews
PROS
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Vintage units offer superior look, feel, and sound
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Versatile for bass layering and leads in retro tracks
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Capable of producing thick sounds comparable to Moog
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Allows duophonic play with minimal patching
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Offers dirty, character-rich sound with fat low ends
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Can function as a complex signal processor
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Unique for creating cinematic sounding arpeggios
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Favored by legends like Stevie Wonder for performances
CONS
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Reissues may lack the appeal of original units
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Might require heavy post-processing to achieve desired sound
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Flexibility may appear limited despite vast options
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Learning curve for those unacquainted with synthesis
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Korg MS-20.
Features and functionality
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The MS-20 Mini includes MIDI, making it easier to sequence with modern equipment like the MC707, despite its vintage design.
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The MS-20's patch bay allows for unique configurations, such as patching EG1 to re-trigger itself and using the ESP for feedback modulation.
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The MS-20's unique tone-to-CV functionality can interpret incoming audio signals to generate notes, though the accuracy of note interpretation can vary.
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The MS-20's filter design is praised for its ability to produce an "aggressive distortion scream/growl" when resonance is increased, contributing to its distinctive sound.
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The MS-20's patch bay uses 1/4" jacks, while the MS-20 Mini and K-2 use 1/8" (Eurorack style), impacting connectivity with other gear.
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Build quality
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Some owners report dissatisfaction with the keybed, describing it as feeling cheap, though the internal build quality is considered better.
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Use cases and applications
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External audio input allows the MS-20 Mini to modify external audio sources like guitars, adding versatility beyond typical synth capabilities.
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Owners describe the MS-20 as a capable tool for creating aggressive sounds, like techno/gabba kick drums, when LFO is set to saw tooth with full pitch and filter modulation.
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It's noted that the MS-20 can achieve lush ethereal tones when properly tamed, demonstrating its versatility beyond aggressive sound design.
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The MS-20 is praised for creating harsh noise, sound effects, and fat bass sounds, aligning well with industrial and doomy music styles.
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User experience
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The MS-20 Mini is noted for its unique personality and ability to produce a diverse range of sounds, from aggressive industrial to mellow tones.
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The MS-20 is known for its distinctive resonant highpass and lowpass filters, creating sounds that some describe as wild and almost unstable, requiring caution to avoid speaker damage.
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Owners find that the MS-20 lacks patch memory, which can be a limitation, but it facilitates hands-on learning of sound design for those new to synthesis.
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Comparisons
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The MS-20 Mini is sonically identical to the original MS-20, offering a similar experience at a lower cost, though the smaller form factor may not suit everyone.
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Some users perceive the classic and reissue full-size MS-20 as more aggressive and bright compared to the MS-20 Mini and Behringer K-2.
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4.5 out of 5
Based on 13 Reviews and 91 Ratings
284
Its an MS 20... (mini) whats not to love?
yes. an original ms 20 would be choice but i love my ms 20 mini.bass layering is great with it. the growl u can dial in with it is so rad. i also use it for alot of leads for my retro electronic tracks. i use this thing lot of different jobs.
145
Nice classic, modular synth
This one is a classic. Loving the fact that you can modulate for hours, and that every extra cable or knob twist gives that tiny bit extra. However, I must admit that I rarely ever use this in production sessions. The low end sounds pretty nice, but generally, I feel like you would rely on post processing too heavily in order to get the sound you desire.
471
Filthy Analog
This is a great synth, very dirty, lotta options lotta routes to go to get a lot of character, and can produce some fat low ends. What I like to do the most with this synth though is run midi into it with a arp sequence and route it into it a analog delay with short time, the results for me are ussually a really dark gritty cinematic sounding arp great for build ups, or gluing a groove all together.
182
A deep, powerful, and slightly noisy synthesizer.
An extremely aggressive sounding synthesizer that doubles as a complex signal processor. It can do so much but always seems to sound up front and in focus, so it's flexibility isn't as deep as it may seem on paper. The original MS-20 was my first analog synthesizer.
Bigger Brother
Leads, Basslines, Space Blips. This synth has it all. Most memorable for me is when Stevie Wonder borrowed this and it's little brother for his North Sea Jazz performance in Rotterdam. It's like this synth is blessed by one of my heroes!
1963
Korg MS-20
Sadly mine is in pieces right now but when I get it back together its gonna be amazing....I hope.
40997
it will be, I used to regularly record at a studio with an MS20 in the control room and we used the filters, envelopes and LFO for all sorts of shit even though that band didn't use any synths in its music. It was su much fun patching those vintage Korg effects into the console and giving bass or guitar the 'synth' treatment!
1963
I used to have three Mini Moogs in the studio. One was hooked up just for distorting and filters.
Artist usage
Add artist
Daft Punk utilized the Korg MS-20 synthesizer, as evidenced by its distinctive sound on their track "Da Funk" from the album Homework. In a video by Michael Feiner, the MS-20 is demonstrated to recreate the iconic sounds of Daft Punk's music.
Thom Yorke is associated with the Korg MS-20 synthesizer, as detailed on the King of Gear Tumblr page.
Mix engineer Tommaso Colliva on recording Drones : "There are fewer keyboards on Drones than on previous albums, and the ones we did use are the usual suspects, like the Buchla 200e, ARP 2600, Korg MS20, Prophet 5 and Moog Voyager."
"But I have been pulling a few vintage bits of kit off of the shelves too. Things like an old [Roland] Juno-106 and a Korg MS20. All you need is one sound and you're off on your journey. Who knows where you'll end up."
In this photo, the MS-20 is the keyboard in the upper right above the MPC60. This was used in some live performances and in the studio. The positions of the knobs are indicative of the MS-20.
Used on Engines of Creation, as stated by producer Eric Caudieux in Strange Beautiful Music: A Musical Memoir.
Throughout the recording of Engines, what we were doing was manipulating in the box all those guitars and whatever sounds we had. That was basically the cleanest path to be able to work with the sounds that Joe was giving me, going DI, or in the case of the amps, we’d go to the load box, into a mic pre, into the computer, and that would give me the cleanest path to basically go either to a synth—the Korg MS-20 or Minimoog—or into the computer to affect it even more with several plug-ins I had to completely change the sound. So that’s why it was so important to have the sound as direct and pure as we could.
Album Usage
The Korg MS-20 has been featured on the following albums:
Thousand Leaves (Live)
Masahiko Satoh (2025)
Ulterior Motives (The Lost Album)
Christopher Saint Booth (2024)
Blow Out
Overmono (2023)
The Curse (Music from the Showtime Original Series)
John Medeski (2023)
The Painter
William Orbit (2022)
Joshua
French 79 (2019)
Voice in the Silence
MUTEMATH & Paul Meany (2018)
Chemistry Lessons Volume 1
Chris Carter (2018)
I See You
The xx (2017)
Cryosleep
Kurt Uenala (2017)
Delta
Mount Kimbie (2017)
Doom (Original Game Soundtrack)
Mick Gordon (2016)
Transmission
Death in Vegas (2016)
Creatures
Rone (2015)
Mirage Extended
Saycet (2015)
Mirage
Saycet (2015)
Inji
La Priest (2015)
Drones
Muse (2015)
The Nest
Kammarheit (2015)
Spiritual Energy
Eloy Fritsch (2014)
Light & Sound
Luke Million (2014)
Howlin
Jagwar Ma (2013)
Mala
Devendra Banhart (2013)
Need In Me
Flashmob (2012)
Good & Evil
Tally Hall (2011)
The Button
Thomas Gold (2010)
The Dissociatives
The Dissociatives (2004)
Never, Never, Land
UNKLE (2003)
Engines of Creation
Joe Satriani (2000)
Lovely Head
Goldfrapp (2000)
Time Machines
Coil (1998)
Homework
Daft Punk & Daft Punk (1997)
Da Funk
Daft Punk & Daft Punk (1995)
Hello America (2019 Remaster)
The Cassandra Complex (1986)
Organisation
Orchestral Manoeuvres in the Dark (1980)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Korg MS-20, it is most commonly used with the following gear.
Community setups
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Add recommendation3 alternative and related items for Korg MS-20, curated by the Equipboard community.
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The MS-20 Mini is Korg's attempt to offer a newer, cheaper, and more compact reproduction of their original, vintage MS-20. The MS-20 Mini features the same all-analog oscillators, filter, envelopes and patch points of an original MS-20, but adds both a DIN-5 MIDI input and a USB MIDI I/O port in a smaller overall package.
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