Thomas Gold

Can be seen on the left part of the screen at around 1:18 in the bottom most rack.

This module can be seen above his Avid HD I/O at around 1:18 in the left-most rack.

In Thomas' Instagram photo of "My singaporean workspace for the next days...!", the 32-key Keystation is in front of his laptop. The square interface buttons on the left are hard to see but still distinguish it from other models of M-Audio controllers.

"When I did the toms, I used the Machinedrum, one of my favorite piece of gear at the moment, and the drums sound like this... and I just used here... you see the buttons? These are the three sounds, and I just tuned them in a certain way so they fit to the bass and they fit together like a melody... and the good thing is you can really go here and tune the single drums... and make them sound like a chord..." (1:41)

On the bottom-left side of Thomas' Instagram photo, you can see the titular big knob of the Mackie Big Knob.

An instance of this plugin can be seen running on-screen at around 5:08. At 5:10, the camera pulls back and we see a fuller view of the plugin.

Next to Thomas' laptop, you can see the Korg microKey 37 USB MIDI keyboard on the right. The "Korg" logo can be seen on the upper-left of the controller, and the number of keys would suggest that it goes higher than 25 (making the 37-key model a reasonable assumption). "hotel studio session in Floripa - inspiring view! :D #Brazil"

The LA-610 is displayed with the logo and label towards the upper-right of Thomas' Instagram photo. It's a very clear view of the right-hand side of the equipment.

The API 2500 is the top-most module in Thomas' setup in his Instagram photo. "Setting up my 3 new little babies in the studio!! #morepunch #fatnesssss" (the one says compressor of course)

In this photo from Thomas' Instagram, there are two Distressors in the center of the shot. The screws are to the right of the white border, which is indicative of the original EL8 model as opposed to the EL8X.

Fourth of five plug-ins for his master buss. Can be seen being used around 20:17.

Working with Harrison, Thomas Gold rests his laptop upon the Solid State Logic Matrix Console.

At 4:30 Thomas Gold adds Elysia for a soft EQing

"Love my daily breakfast sausage!! @dadalife #bratwurst"

"I just have a kick drum, which sounds like this... and this one is taken from the Stylus remix..." The screen then zooms in on the plugin. (3:19)

"Here I have some... the PSP Vintage compressor, but only to add some warmth to it, some body. You can hear it, that's more bottom there."(5:52)

"And, on the clap, for example, I have only a... the... some, um, low-cuts on there, I often use the Waves Q4, and I have all four low-cuts on, so you can have a steep EQing curves..."(6:04)

In his Instagram photo, Thomas has several of the Komplete 9 installation CDs scattered on his desk. "Installing session in progress!"

At the 7:16 mark of his video with Future Music, Thomas is running an instance of SV-517 on the left screen. The camera zooms in on the plugin so we get a clearer view of it in action.

"There's some EQing on it... it's where I boost the mids a little bit." (10:54) The camera then zooms in on the Classic Q at 11:01, before another plugin covers it from view.

Sylenth can be seen on Thomas' left screen around 14:32.

"I often work with a very very simple sub-bass, you can hear it, it's boring... but it just fits to the bass drum. This time it's a Minimoog sound..." (1:18)

At 1:37 the camera zooms in on the instance of Minimoog V running on Thomas' left screen.

"The reverse bass is from the FabFilter Twin, it's coming in from time to time..."(1:45)

At 1:48, Thomas opens an instance of the Twin on-screen.

"...and it gives more room and space, because I have the Pro 53 here, from Native Instruments, and there's lots of delay! You can hear it. And it give it just some space, some atmosphere..." (6:12)

"...and I have some filtering here, the TBK from Sonalksis again... it's a low cut and a high cut I use it to, uh, for the breakdown sections..."(7:28)

"...but the vocal itself, I use, um, here I used a Waves Renaissance Compressor, just to tame them a little bit." (12:11)

"...and, afterwards, the more sound-effecting tool is, um, the LA-2A from Universal Audio, which is awesome for vocals..." (12:33)