David Clynick

"Roland JV2080 + expansions, EMu Proteus, AKAI S1000 but we built our own samples for the games… I had an Emulator IV for PDZ but switched to Gigasampler. Also JP8000 on that game….but soft synths were starting to happen…"

"Roland JV2080 + expansions, EMu Proteus, AKAI S1000 but we built our own samples for the games… I had an Emulator IV for PDZ but switched to Gigasampler. Also JP8000 on that game….but soft synths were starting to happen…"

"Roland JV2080 + expansions, EMu Proteus, AKAI S1000 but we built our own samples for the games… I had an Emulator IV for PDZ but switched to Gigasampler. Also JP8000 on that game….but soft synths were starting to happen…"

"Roland JV2080 + expansions, EMu Proteus, AKAI S1000 but we built our own samples for the games… I had an Emulator IV for PDZ but switched to Gigasampler. Also JP8000 on that game….but soft synths were starting to happen…"

"Roland JV2080 + expansions, EMu Proteus, AKAI S1000 but we built our own samples for the games… I had an Emulator IV for PDZ but switched to Gigasampler. Also JP8000 on that game….but soft synths were starting to happen…"

"Roland JV2080 + expansions, EMu Proteus, AKAI S1000 but we built our own samples for the games… I had an Emulator IV for PDZ but switched to Gigasampler. Also JP8000 on that game….but soft synths were starting to happen…"

"I started as a Logic aficionado. When I arrived at Rare all of the guys here were composing their midi parts in Cubase VST for Windows. Which I had to quickly adapt to (even though I find it unstable.) But hey, if it was good enough for Dave Wise, Robin Beanland and Grant Kirkhope it was certainly good enough for me! However, I have to say I'm becoming less and less hung up on midi sequencing. It's really becoming old technology now to me. I discovered what you could archive with audio manipulation in Pro Tools and switched over about five years ago. Never looked back"

"I started as a Logic aficionado. When I arrived at Rare all of the guys here were composing their midi parts in Cubase VST for Windows. Which I had to quickly adapt to (even though I find it unstable.) But hey, if it was good enough for Dave Wise, Robin Beanland and Grant Kirkhope it was certainly good enough for me! However, I have to say I'm becoming less and less hung up on midi sequencing. It's really becoming old technology now to me. I discovered what you could archive with audio manipulation in Pro Tools and switched over about five years ago. Never looked back"

"I started as a Logic aficionado. When I arrived at Rare all of the guys here were composing their midi parts in Cubase VST for Windows. Which I had to quickly adapt to (even though I find it unstable.) But hey, if it was good enough for Dave Wise, Robin Beanland and Grant Kirkhope it was certainly good enough for me! However, I have to say I'm becoming less and less hung up on midi sequencing. It's really becoming old technology now to me. I discovered what you could archive with audio manipulation in Pro Tools and switched over about five years ago. Never looked back"

David Clynick confirmed his use of Reason Studios Reason software in an interview, stating, "For those levels, I scored the first one totally with synths (mostly using Propellerheads wonderful Reason Software)" while composing music for Perfect Dark Zero. The interview was featured on Music 4 Games.

David Clynick confirmed in a response to a question on Instagram that he used the three expansions boards mentioned by this user In his comment, Clynick mentioned using the same expansion cards as Grant Kirkhope, corroborating his use of this specific gear.

David Clynick confirmed in a response to a question on Instagram that he used the three expansions boards mentioned by this user In his comment, Clynick mentioned using the same expansion cards as Grant Kirkhope, corroborating his use of this specific gear.

David Clynick confirmed in a response to a question on Instagram that he used the three expansions boards mentioned by this user In his comment, Clynick mentioned using the same expansion cards as Grant Kirkhope, corroborating his use of this specific gear.

David Clynick mentions using the Vienna Symphonic Library Pro Edition among other sample libraries and plugins he utilized while composing for "Perfect Dark Zero," as evidenced by a screenshot on Equipboard.

David Clynick confirmed his use of the Big Fish Audio Miroslav Vitous String Ensemble sample library for the soundtrack of Perfect Dark Zero, as evidenced by a screencap from Instagram.

David Clynick mentions using the Toontrack Drum Kit from Hell among other sample libraries and plugins he utilized while composing for "Perfect Dark Zero," as evidenced by a screenshot on Equipboard.

David Clynick confirms his use of the Access Virus Indigo TDM plugin for Pro Tools, as evidenced by the image provided.

David Clynick has confirmed his use of the Pro Tools plugin Avid Synchronic for the production of Perfect Dark Zero, as evidenced by an image provided on Equipboard.