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Description
The Akai S1000 is a 16-bit, 44.1 kHz professional stereo digital sampler, released by Akai in 1988. The S1000 was among the first professional-quality 16-bit stereo samplers.[3] Its abilities to splice, crossfade, trim, and loop sound in 16-bit CD quality made it popular among producers in the late 80s through to the mid 90s. The S1000 used 24-bit internal processing, had digital filters and an effects send and return, and came with 2MB of RAM (expandable to 8MB).[2]
Version 2.0 of the S1000's operating system introduced primitive timestretching, allowing a sound's pitch and length to be altered independently of one another.
Videos
SynthMania
Akai S1000 - a few old school sounds
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Akai S1000.
Setup and maintenance
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Replacing the PSU in the Akai S1000 is straightforward and easy; swapping the front panel and tact switches may require more effort.
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Mods and upgrades
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Owners recommend a new LED display over EL Foils for brighter, more reliable visuals.
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For those with faint displays, an iPhone 6 backlight mod can be a cost-effective alternative under $100, or opt for a new LED display for $120-140.
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Replacing the floppy drive with a SCSI2SD is a recommended modification to streamline sample transfer and enhance usability.
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An external floppy drive with 'omniflop' software can facilitate reading S1000 disks into a PC, useful for archiving and transferring sample libraries.
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Features and functionality
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The S1000 supports 16 notes polyphony in mono, which may suffice for most applications despite its limitations.
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The Akai S1000 is praised for its ability to pitch sounds across the keyboard effectively, offering a distinct and appealing tonal quality.
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The Akai S1000 offers stereo sampling with converters praised for their compact, tight sound, providing a more detailed output compared to the S-950's crunchier tone.
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Software and compatibility
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Some users connect a PowerBook G3 via SCSI for sample editing with Recycle and Bias Peak.
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To integrate S1000 samples into a DAW, options include using its 8 outputs with MIDI control, or transferring samples via an external Atari Falcon with a card reader.
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Conversion software like 'translator' or 'Awave' can convert S1000 samples into soundfonts for use in software samplers, maintaining the unique character of the original samples.
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User experience
Use cases and applications
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The S1000 is favored for creating tracks with authentic, old-school sound textures, especially if users seek a gritty, bitcrushed aesthetic without extensive DAW processing.
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Owners often map each drum hit to a single note, using envelopes and filters to refine sounds, particularly to enhance kick drums with additional 'umphhh'.
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Critic Reviews
4.5 out of 5
Based on 2 Reviews and 25 Ratings
1264
I love my Akai'sss
Yep. I love them. I want to marry all the Akais. They make the world sound like music and they make drums that kick your pants off. Stretchy digital goodness.
If it were a person, it would be amazing at facilitating original ideas at corperate meetings. Those meetings would never be boring.
Sample movies or your backyard or your kitchen. Sample the world into your Akai and you will smile forever and the world will be an ok place.
Artist usage
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In the Hog Hill Mill Blog post titled "Outboard," Paul McCartney's Akai S1000 is visible alongside the Aphex Aural Exciter, indicating its use in his setup.
Alan Moulder who worked with Kevin during the recording of Loveless says- “The sampling was uncharted territory. We didn’t know the gear properly – we had just gone from the S900 to the S1000 which was a massive jump – and there were lots of possibilities to explore. I remember there was what sounded like a blur of notes to me, but Kevin could hear that some were cutting off and weren’t playing properly, and we couldn’t understand why. Now it is obvious: we had overused the polyphony, but at the time we couldn’t work out why it wasn’t playing back. I don’t remember solving it but we managed to get it so he liked it.”?
In a personal studio photo, Prince is seen with an Akai S1000, highlighting its role in his music production setup.
"We have five or six samplers, but my favorite by far is still the Akai S1000. It's an old tank now, and the screen has faded so that I almost can't read it, but I know it inside out. It's the most spontaneous thing for making up little tunes. It adds something to the sound - maybe the lower bit depth has something to do with that."
From an interview w/ Michael Sandison.
In the image, Madlib's Akai S1000 can be seen positioned just below the Korg D1600.
"We used S1000s; Korg T3; Juno 106; Prophet V; Voyetra Eight (best sounding poly analogue, but hard to program); DX5; Moog Source; MIDI Moog; Roland SH101 (red); Roland TR909; MT32; D110; Mac SE; Mac IIex; Sound Tools for stereo mastering, with Up Beat and Pro 4 for sequencing, though we have now changed to another sequencing package as neither of the two used previously worked correctly, a situation which I find extremely annoying."
As I browsed through the sleeve notes on Moby's albums I noticed that the gear lists documented in the 1995 release Everything Is Wrong are almost identical to his current setup. Could it really be possible that this successful musician had no spare cash to spend on new studio gear during the last four years? "From Everything Is Wrong until now I've bought a vocoder and a new sampler and that's about it. On the one hand I'd love to get a bunch of new equipment, but on the other hand there's something to be said for working with equipment with which I'm comfortable. I'm thinking that at some point I will actually switch over and get a full Pro Tools setup and start doing things more in the computer, but for this record I didn't feel compelled to do that."
MOBY GEAR Apple Mac running Steinberg Cubase sequencer. Soundcraft Spirit 24:8:2 desk. Alesis ADAT digital multitracks.
SAMPLERS Akai S950. Akai S1000. Akai S3000. Akai S3200.
SYNTHS/KEYBOARDS Casio CZ101. Emu Proformance piano module. Oberheim Matrix 1000. Roland Juno 106. Roland Jupiter 6. Serge Modular Synth. Waldorf Pulse Plus. Yamaha SY22. Yamaha SY35. Yamaha SY85.
PROCESSORS Dbx 160XT Compressor. Eventide DSP4000. Soundlab Vocoder. Yamaha SPX900.
SEQUENCERS & DRUM MACHINES Roland TB303. Roland TR606. Roland TR909. Roland TR808.
OTHER EQUIPMENT Hafler Pro 5000 Power Amp. Technics 1200 turntables. Ibanez Electric Guitar. Fender Precision Bass.
From the July 1990 issue of Sound on Sound, a list of instruments used by Vangelis:
Akai S900 Akai S1000 Direct Sequencer Emu Emulator II Korg DSM1 Korg M1 Korg Symphony Kurzweil 250 Roland D50 Roland Juno 106 Roland MKB1000 Roland MKS20 Roland MKS70 Roland MKS80 Roland S50 Roland U110 Sequential Prophet VS Yamaha DX7 II Yamaha EMT10
Album Usage
The Akai S1000 has been featured on the following albums:
L'Accident de piano
Mr. Oizo (2025)
Silhouettes
Klaus Schulze (2018)
The Crime of Suspense
Klaus Schulze (2017)
Waiting for Cousteau
Jean Michel Jarre (2015)
Reset
Atari Teenage Riot (2015)
Lambs Anger
Mr. Oizo (2008)
Melody A.M.
Röyksopp & Röyksopp (2001)
Why Does My Heart Feel So Bad?
Moby (1999)
Brand New Second Hand
Roots Manuva (1999)
Everything Is Wrong
Moby (1995)
Very (2018 Remaster)
Pet Shop Boys (1993)
Screamadelica
Primal Scream (1991)
Caustic Grip
Front Line Assembly (1990)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Akai S1000, it is most commonly used with the following gear.
Community setups
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Add recommendation1 alternative for Akai S1000, curated by the Equipboard community.
$69.00
TAL's Sampler features an explicit emulation of the S1000's distinctive DAC circuit.
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