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The Roger Mayer Hand Signed Limited Edition Purple Haze Octavia is an enhanced version of Jimi Hendrix's famous Octavia pedal, as used on the "Band of Gypsys" recordings and concerts. Handmade in the UK by Roger Mayer himself, the all new, strictly limited edition Purple Haze Octavia captures the essence of Jimi's famous tone in a pedalboard friendly package.

Limited to just 100 units and hand-signed by Roger Mayer. Incl. Certificate of Authenticity.

"The OCTAVIA is probably our most famous and distinctive creation. This guitar effect was designed in early 1967 and featured on "Purple Haze" and "Fire" by Jimi. Its unique tones can also be heard on such tracks as "One Rainy Wish", "Little Miss Lover", "Little Wing", "Machine Gun" etc. The OCTAVIA produces a sound that is an octave higher than the note you are presently playing. This doubling effect is accomplished through electronic mirror imaging techniques that are program sensitive and also respond to the feed forward inputs of the player. The electronic circuitry is analogue in design and will react faithfully to all the subtleties and harmonic overtones from the guitar. The effect produced is very unique but human in quality. The added improvements plus the use of a Wide Bandwidth Ferrite Transformer make the Purple Haze Octavia the ultimate modern version of the Original Invention I produced in 1967."

Jimi's original Octavia recently sold at auction for an eye watering $70,400 but Roger is now giving you the chance to get a slice of that iconic tone at a much more wallet friendly price!

A city crouches upon Lake Demhe’s shore, maybe it is Carcosa? Maybe it is Alar? Maybe it doesn’t matter? Once you have peered into Demhe’s cloudy depths, what lies upon the shore ceases to be a concern.

The Demhe Fuzz features chunky lows and scintillating highs that can be tamed by the Detail Control. Both Gain and Bias work together to create tones that can range from seductive purring overdrive to savage roaring fuzz. The Output control delivers enough boost to punish any amp channel. A subtle two-way Blower Toggle selects between silicon diodes, or the pure unaltered sound of the Demhe’s silicon transistors.

The Demhe heralds a new “smol” form factor from Spiral, and the top jacks make it very pedalboard friendly. Dressed like a preacher in pin-stripes and bible-black, the look is pure class. The Demhe also features a “smol” price of $149.95. Reverb.com and Spiral Electric FX have teamed up to offer this take on a once lost ’70’s fuzz circuit. Available exclusively on Reverb.com.

• Silicon fuzz with Blower Switch
• Separate Gain and Bias Controls *Tons of output
• Detail Control to tame highs *New “smol” form factor
• Related to Carcosa fuzz (Demhe mode) *True Bypass *Top Jacks

A pedal that emulates the classic Marshall tones of yesteryear.

Having slaved over the breadboard forever, tweaking everything (and perfecting his AC/DC and Hendrix riffs along the way), Brian Wampler had it. The ultimate M.I.A.B. ("Marshall" in a box), the ultimate tone from the original amp of rock.

Designed to sit somewhere between the "JTM-45" and "Marshall 18", this pedal will allow you to have that massive stack tone, full of poweramp tone from your rig. With the added option of the bass boost, you can emulate the sound (and trouser flapping) thump of a 4x12" (or two) at the flick of a switch. All of this available from you gear, whether it be in a bedroom or at a gig.

This pedal remains a favorite of Brian's to this day, and he still uses it most gigs. For a man who is said to be never satisfied with his tone, the Plexi-Drive has stayed with him throughout and it is still making him smile years later.

There is only one PlexiDrive, and Wampler Pedals bring it to you. So, as they say... For those about to Rock, we salute you...

A pedal that emulates the classic Marshall tones of yesteryear.

Having slaved over the breadboard forever, tweaking everything (and perfecting his AC/DC and Hendrix riffs along the way), Brian Wampler had it. The ultimate M.I.A.B. ("Marshall" in a box), the ultimate tone from the original amp of rock.

Designed to sit somewhere between the "JTM-45" and "Marshall 18", this pedal will allow you to have that massive stack tone, full of poweramp tone from your rig. With the added option of the bass boost, you can emulate the sound (and trouser flapping) thump of a 4x12" (or two) at the flick of a switch. All of this available from you gear, whether it be in a bedroom or at a gig.

This pedal remains a favorite of Brian's to this day, and he still uses it most gigs. For a man who is said to be never satisfied with his tone, the Plexi-Drive has stayed with him throughout and it is still making him smile years later.

There is only one PlexiDrive, and Wampler Pedals bring it to you. So, as they say... For those about to Rock, we salute you...

A simple, versatile distortion that nails the coveted "Brown Sound."

Sometimes you need extreme gain. Sometimes you need mild overdrive. The Pinnacle Standard Distortion does that with an awesome "Brown Sound"! It has an extremely tweakable EQ - from scooped mids to tons of warm mids, all with the turn of two knobs.

This pedal has four knobs--two separate tone controls that act as a sort of parametric EQ, gain and volume. It also has a 'bright' switch that adds a ton of variety and is very handy when playing a dark sounding amp, as well as another toggle switch that will give you high gain "Brown Sound" tones through its Gain Boost.

A simple, versatile distortion that nails the coveted "Brown Sound."

Sometimes you need extreme gain. Sometimes you need mild overdrive. The Pinnacle Standard Distortion does that with an awesome "Brown Sound"! It has an extremely tweakable EQ - from scooped mids to tons of warm mids, all with the turn of two knobs.

This pedal has four knobs--two separate tone controls that act as a sort of parametric EQ, gain and volume. It also has a 'bright' switch that adds a ton of variety and is very handy when playing a dark sounding amp, as well as another toggle switch that will give you high gain "Brown Sound" tones through its Gain Boost.

Overdrive for lovers of the original bluesy grooves of the Deep South.

At the crossroads of Highway 61 and Junction 49 lies the official crossroads of Clarksdale, Mississippi - the birthplace of the Delta Blues. This historic town, and the famous music that was created there, is responsible for the inspiration behind this pedal - The Clarksdale Overdrive.

Blues and non-blues guitar players have used Tube Screamer-type circuits for years to help them create their own signature sound. Over the years, countless players have been asking Brian Wampler to create that world-famous vintage mid-range overdrive, and with The Clarksdale Overdrive, he finally did it.

The Clarksdale is Wampler’s take on that renowned lime green overdrive many of us have come to love - with a few great Wampler-styled improvements. The world of boutique pedals is filled with lots of great clones of that already famous circuit– so what else could be done?

Brian wanted to create a pedal that would be true to the sound and feel of the original but would have a wider range of tonal options - to satisfy even the biggest tone chasers out there. The addition of a 3-band EQ (Bass, Mids, and Treble) allows a player to have a more tailored tonal pallet than the original. The Lift/ Smooth switch will also allow a player to either sit in the mix with the Smooth setting or allow your leads to standout with the Lift option. Also, unlike the original "green giant", the Clarksdale will not "fizz out" as much at low or high-gain settings.

The Clarksdale has one foot in the past and one foot firmly planted in the future.

Overdrive for lovers of the original bluesy grooves of the Deep South.

At the crossroads of Highway 61 and Junction 49 lies the official crossroads of Clarksdale, Mississippi - the birthplace of the Delta Blues. This historic town, and the famous music that was created there, is responsible for the inspiration behind this pedal - The Clarksdale Overdrive.

Blues and non-blues guitar players have used Tube Screamer-type circuits for years to help them create their own signature sound. Over the years, countless players have been asking Brian Wampler to create that world-famous vintage mid-range overdrive, and with The Clarksdale Overdrive, he finally did it.

The Clarksdale is Wampler’s take on that renowned lime green overdrive many of us have come to love - with a few great Wampler-styled improvements. The world of boutique pedals is filled with lots of great clones of that already famous circuit– so what else could be done?

Brian wanted to create a pedal that would be true to the sound and feel of the original but would have a wider range of tonal options - to satisfy even the biggest tone chasers out there. The addition of a 3-band EQ (Bass, Mids, and Treble) allows a player to have a more tailored tonal pallet than the original. The Lift/ Smooth switch will also allow a player to either sit in the mix with the Smooth setting or allow your leads to standout with the Lift option. Also, unlike the original "green giant", the Clarksdale will not "fizz out" as much at low or high-gain settings.

The Clarksdale has one foot in the past and one foot firmly planted in the future.

British distortion tone is coming to your pedal board.

Brian Wampler was approached to design a pedal that could faithfully reproduce the tones of a specific citrus colored, British amp made famous by artists like Jimmy Page, Weezer, Queens of the Stone Age, and Slipknot. After spending countless hours tweaking the circuit and testing it against those iconic amps “ he was able to come up with the cataPulp.

The cataPulp' gain structure truly represents what every great amp in a box (AIAB) should be “ with super clean tones that get increasingly dirtier after the "12 o™clock" setting. This allows you to cover a lot of ground between those classic rock inspired tones all the way to a thick syrupy metal territory “ Use it as a tone shaper or a secondary gain stage “ a truly versatile tonal workhorse! The cataPulp also features an active 3-band EQ and top mounted jacks and our soft click electrical relay true by-pass switch. We use a true-bypass relay because it utilizes a quieter and smoother switch that is more reliable than traditional bypass switches. Your original tone/signal will remain unaffected when the pedal is not engaged.

The cataPulp can provide you with everything from pristine cleans to the edgy, aggressive, grittier side of British distortion. It' time to stand back and let your tone do the fighting.

British distortion tone is coming to your pedal board.

Brian Wampler was approached to design a pedal that could faithfully reproduce the tones of a specific citrus colored, British amp made famous by artists like Jimmy Page, Weezer, Queens of the Stone Age, and Slipknot. After spending countless hours tweaking the circuit and testing it against those iconic amps “ he was able to come up with the cataPulp.

The cataPulp' gain structure truly represents what every great amp in a box (AIAB) should be “ with super clean tones that get increasingly dirtier after the "12 o™clock" setting. This allows you to cover a lot of ground between those classic rock inspired tones all the way to a thick syrupy metal territory “ Use it as a tone shaper or a secondary gain stage “ a truly versatile tonal workhorse! The cataPulp also features an active 3-band EQ and top mounted jacks and our soft click electrical relay true by-pass switch. We use a true-bypass relay because it utilizes a quieter and smoother switch that is more reliable than traditional bypass switches. Your original tone/signal will remain unaffected when the pedal is not engaged.

The cataPulp can provide you with everything from pristine cleans to the edgy, aggressive, grittier side of British distortion. It' time to stand back and let your tone do the fighting.

The first pedal of it's kind built for modern fusion guitarist, Tom Quayle.

One of the forerunners of the fusion genre is Tom Quayle. Tom is the UK's finest and most in demand exponent of modern fusion.

When Wampler first met Tom in early 2012, he was already using the Euphoria and Paisley Drive stacked together to give him the tones he required. But something wasn't quite right; those pedals are voiced for other genres of music altogether so Wampler set about honing the tones to match his style of playing. He needed more transparency, a tighter and controlled response on the bass end and when stacked up they needed to sound and feel like an amp running at high levels and give each string complete clarity and response.

Over a year later, comes the Dual Fusion. With two independent circuits that are based on but completely modified from the Euphoria and Paisley Drive, Tom finally has a tone that can be used when he is in full flow as a musician.

The Dual Fusion is the first pedal to be specifically voiced for the fastest growing breed of musicians around. It has some of the most versatile stacking/signal path options available on an analog pedal.

The first pedal of it's kind built for modern fusion guitarist, Tom Quayle.

One of the forerunners of the fusion genre is Tom Quayle. Tom is the UK's finest and most in demand exponent of modern fusion.

When Wampler first met Tom in early 2012, he was already using the Euphoria and Paisley Drive stacked together to give him the tones he required. But something wasn't quite right; those pedals are voiced for other genres of music altogether so Wampler set about honing the tones to match his style of playing. He needed more transparency, a tighter and controlled response on the bass end and when stacked up they needed to sound and feel like an amp running at high levels and give each string complete clarity and response.

Over a year later, comes the Dual Fusion. With two independent circuits that are based on but completely modified from the Euphoria and Paisley Drive, Tom finally has a tone that can be used when he is in full flow as a musician.

The Dual Fusion is the first pedal to be specifically voiced for the fastest growing breed of musicians around. It has some of the most versatile stacking/signal path options available on an analog pedal.

A tape echo/delay that gives you the best of analog and digital in one.

The Faux Tape Echo delay has become a staple in Nashville and beyond, from masterful session guitarists to studio "house sound" collections and of course seen on stages worldwide! Based around very carefully selected and very rigorously tested PT2399 delay chips, the Faux Analog Echo and Faux Tape Echo circuits combine the note clarity of a sophisticated digital delay with an all-analog dry path (unaffected signal) and magnificent all-analog tone-shaping and modulation circuitry.

What does that actually mean for musicians? The answer: everything. With Wampler's hybrid design approach, you get the best of both worlds. You get note clarity, lower noise, and longer delay times from digital delays. You get the lovely warmth and little, exquisite touches that are usually reserved for analog delays. Nearly every part of the pedal and all of its major functions are analog. The "delay line" is the only digital part of the signal path. It alone being digital brings clarity and focus to the task in a way that analog delay line chips can't really match.

But everything else, all the absolutely vital filtering to carefully finish the sound is pure analog. Every aspect of the modulation that gives the Faux Tape Echo pedal a unique function and tone and makes it desirable for people who want their delay tone to sound as good as tape delay units but without all the maintenance, supplies, and hassle? Totally analog. Your all-important fundamental dry tone is 100% analog, too.

From country slap-back to ambient washes to straight-ahead rock and metal delay, the hybrid approach makes one pedal that can do it all.

This new version of the Faux Tape Echo takes everything great about the original, and adds to it that much-requested tap tempo functionality that users have asking for, as well as a new idea in emulating the elusive and beautiful character that people look for in classic tape echo units. The time has come to unveil the Faux Tape Echo that everyone has been waiting for.

A tape echo/delay that gives you the best of analog and digital in one.

The Faux Tape Echo delay has become a staple in Nashville and beyond, from masterful session guitarists to studio "house sound" collections and of course seen on stages worldwide! Based around very carefully selected and very rigorously tested PT2399 delay chips, the Faux Analog Echo and Faux Tape Echo circuits combine the note clarity of a sophisticated digital delay with an all-analog dry path (unaffected signal) and magnificent all-analog tone-shaping and modulation circuitry.

What does that actually mean for musicians? The answer: everything. With Wampler's hybrid design approach, you get the best of both worlds. You get note clarity, lower noise, and longer delay times from digital delays. You get the lovely warmth and little, exquisite touches that are usually reserved for analog delays. Nearly every part of the pedal and all of its major functions are analog. The "delay line" is the only digital part of the signal path. It alone being digital brings clarity and focus to the task in a way that analog delay line chips can't really match.

But everything else, all the absolutely vital filtering to carefully finish the sound is pure analog. Every aspect of the modulation that gives the Faux Tape Echo pedal a unique function and tone and makes it desirable for people who want their delay tone to sound as good as tape delay units but without all the maintenance, supplies, and hassle? Totally analog. Your all-important fundamental dry tone is 100% analog, too.

From country slap-back to ambient washes to straight-ahead rock and metal delay, the hybrid approach makes one pedal that can do it all.

This new version of the Faux Tape Echo takes everything great about the original, and adds to it that much-requested tap tempo functionality that users have asking for, as well as a new idea in emulating the elusive and beautiful character that people look for in classic tape echo units. The time has come to unveil the Faux Tape Echo that everyone has been waiting for.

A bass overdrive designed for bassists, by bassists.

The Low Blow is the first dedicated bass pedal in the Wampler Pedals line. It's uniquely designed circuit gives you the option of both hard and soft clipping (overdrive/distortion). In addition to the three band active EQ - Wampler has included a special EQ switch which will further change the tonality of the bass. The Low Blow also features a blend knob that gives you the option of mixing in your dry bass signal to further tailor the tonal control of the pedal.

Each of the 2 clipping modes”Smooth and Jagged”react just the way you would expect them too. Smooth gives you more of an overdrive while the Jagged is more distorted. The addition of a 3-band EQ (Bass, Mids, and Treble) allows a player to have more tonal control no matter what the gig calls for.

With the Notch Filter switch, you can help tighten/clean up common cabinet œwoof without having to turn down. The Low Blow also features Wampler' standard top mounted jacks and our soft click electrical relay true by-pass switch.

Other features include top mounted jacks and soft click true by-pass switching.

A bass overdrive designed for bassists, by bassists.

The Low Blow is the first dedicated bass pedal in the Wampler Pedals line. It's uniquely designed circuit gives you the option of both hard and soft clipping (overdrive/distortion). In addition to the three band active EQ - Wampler has included a special EQ switch which will further change the tonality of the bass. The Low Blow also features a blend knob that gives you the option of mixing in your dry bass signal to further tailor the tonal control of the pedal.

Each of the 2 clipping modes”Smooth and Jagged”react just the way you would expect them too. Smooth gives you more of an overdrive while the Jagged is more distorted. The addition of a 3-band EQ (Bass, Mids, and Treble) allows a player to have more tonal control no matter what the gig calls for.

With the Notch Filter switch, you can help tighten/clean up common cabinet œwoof without having to turn down. The Low Blow also features Wampler' standard top mounted jacks and our soft click electrical relay true by-pass switch.

Other features include top mounted jacks and soft click true by-pass switching.

A delay that has everything you want and nothing you don't.

If you're looking for a simple delay pedal, you want that you can use and lets you still sound great.

Enter the Wampler Pedals Faux AnalogEcho. One of the best sounding delay pedals available today. Just ask Brad Paisley. Or James Burton, Oli Brown or maybe Brent Mason.

The Faux AnalogEcho is based around the industry leading pt2399 chip, the standard for delay pedals. Wampler treats the signal path in such a way that the dry path and the core signal are completely unaltered. They only use the chip to make a digital replication. With this, the sound remains exactly as you want it. No coloration. With the addition of a tone knob, you can incorporate a little sparkle for digital crispness, or take it all the way out for the most amazing analog warmth.

A delay that has everything you want and nothing you don't.

If you're looking for a simple delay pedal, you want that you can use and lets you still sound great.

Enter the Wampler Pedals Faux AnalogEcho. One of the best sounding delay pedals available today. Just ask Brad Paisley. Or James Burton, Oli Brown or maybe Brent Mason.

The Faux AnalogEcho is based around the industry leading pt2399 chip, the standard for delay pedals. Wampler treats the signal path in such a way that the dry path and the core signal are completely unaltered. They only use the chip to make a digital replication. With this, the sound remains exactly as you want it. No coloration. With the addition of a tone knob, you can incorporate a little sparkle for digital crispness, or take it all the way out for the most amazing analog warmth.

A versatile and compact overdrive that delivers smooth creaminess with just enough crunch.

When the guys at Wampler created the circuit that would eventually become the Euphoria, they were working on creating a pedal that would go from clean tones to distorted tones while adding a bit of warmth. They wanted something that would be dynamic, have a great sounding "gritty" tone to it yet be able to respond to the volume knob like a tube amp.

The Euphoria is Wampler's take on that elusive tone and feel made famous by Dumble Amplifiers - smooth creaminess yet crunchy when you need it to be, yet the tonality is much more transparent than other "dumble sounding" pedals. Very responsive tone controls that interact with the pedal - they don't just "color" the sound. The controls actually affect the response and feel of the pedal, just like a great tube amp.

If you love the sound of your clean tone, and just wish you could have more "hair" on the note... a little bit of grit without any change in tonality, the Euphoria will do that with ease. PLUS it's extremely flexible... with the toggle switch in the down position you'll get a hint of fuzz along with the overdrive, it's reminiscent of the tones that "Eric Johnson" may use. With the toggle in the up position the tonality is super smooth, creamy yet crunchy when you dig into the strings.

This is reminiscent to the famous "Dumble" tone, though it's really much, much more than that. In the center position, the toggle will give you tons of crunch, or roll the gain back a bit and push the volume up and you have a superior clean boost with a 2 band EQ that's extremely transparent, but variable so you can actually turn it into an awesome treble booster just by cranking up the treble and turning the bass down.

A versatile and compact overdrive that delivers smooth creaminess with just enough crunch.

When the guys at Wampler created the circuit that would eventually become the Euphoria, they were working on creating a pedal that would go from clean tones to distorted tones while adding a bit of warmth. They wanted something that would be dynamic, have a great sounding "gritty" tone to it yet be able to respond to the volume knob like a tube amp.

The Euphoria is Wampler's take on that elusive tone and feel made famous by Dumble Amplifiers - smooth creaminess yet crunchy when you need it to be, yet the tonality is much more transparent than other "dumble sounding" pedals. Very responsive tone controls that interact with the pedal - they don't just "color" the sound. The controls actually affect the response and feel of the pedal, just like a great tube amp.

If you love the sound of your clean tone, and just wish you could have more "hair" on the note... a little bit of grit without any change in tonality, the Euphoria will do that with ease. PLUS it's extremely flexible... with the toggle switch in the down position you'll get a hint of fuzz along with the overdrive, it's reminiscent of the tones that "Eric Johnson" may use. With the toggle in the up position the tonality is super smooth, creamy yet crunchy when you dig into the strings.

This is reminiscent to the famous "Dumble" tone, though it's really much, much more than that. In the center position, the toggle will give you tons of crunch, or roll the gain back a bit and push the volume up and you have a superior clean boost with a 2 band EQ that's extremely transparent, but variable so you can actually turn it into an awesome treble booster just by cranking up the treble and turning the bass down.