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In Oliver Tree's YouTube Short "The World's First World Tour," the Akai LPK25 is clearly visible among his equipment, worn on his left arm. During the announcement of his album "Love You Madly Hate You Badly," Tree referred to himself as a "one-man band" and was observed using the same gear shown in the Short. He mentioned that the album was recorded across 80 countries and all seven continents, indicating that the Akai LPK25 was a part of his portable production setup during the creation of the album.

In Oliver Tree's YouTube Short "The World's First World Tour," the Akai MIDIMIX is clearly visible among his equipment, worn around his neck. During the announcement of his album "Love You Madly Hate You Badly," Tree referred to himself as a "one-man band" and was observed using the same gear shown in the Short. He mentioned, alongside footage of performances in various countries, that the album was recorded across 80 countries and all seven continents, indicating that the Akai MIDIMIX was an integral part of his portable production setup during the creation of "Love You Madly Hate You Badly."

In Oliver Tree's YouTube Short "The World's First World Tour," the Akai LPD8 Ultra-Portable Pad Controller is clearly visible among his equipment. During the announcement of his album "Love You Madly Hate You Badly," Tree referred to himself as a "one-man band" and was seen using the same gear shown in the Short. He further mentioned, accompanied by footage of him performing in various countries, that the album was recorded across 80 countries and all seven continents. This suggests that the Akai LPD8 was an integral part of his portable production setup during the creation of "Love You Madly Hate You Badly."

In this photo from https://www.talkbass.com/threads/my-favorite-john-paul-jones-bass.1494463/#post-24765857, they talk about John’s ‘51 P Bass. You can see him use it on popular songs like Immigrant Song

In this photo, the Slingerland 14x4 Piccolo snare is visible in Eyad's drum kit.

According to the Numero Group blog, Marc and Adam used 50-Watt JCM 800s as their primary guitar amps.

In an Instagram story ovxrnov is shown using Ableton Live 12 Suite. Additionally, they have an Instagram highlight titled "als," which corresponds to the default project file extension for Ableton Live. They also own a YouTube channel named "soreminerae," which is an Ableton Live testing channel.

Alex Lifeson uses the Epiphone Inspired by Gibson Custom Alex Lifeson 1976 ES-355 Reissue Electric Guitar, as confirmed by its feature in a 2026 Gibson/Epiphone magazine detailing his signature model. This information is supported by the Gibson Gazette's article, "Epiphone launches the Alex Lifeson 1976 ES-355 Reissue."

Ty Segall famously used a faded 1966 Fender Mustang in Daphne Blue in the earlier part of his career during live shows. He hasn't been photographed with it live recently, however, it has been seen still in use at his studio. It is safe to assume that he has retired it from live use as the value of these has gone up substantially since he had acquired it.

In this interview with Bitwig's Marketing team, Bon Harris mentions that the Yamaha TX81z was a key part of the sound for the "Belief" album:

For Belief, I bought a Roland System 100m, an Oberheim Xpander and a Yamaha TX81Z – so these are real characteristic sounds we must not miss on stage.

In this interview with Bitwig's Marketing team, Bon Harris affirms that his trusty SH-101 was layered with DX7 bass sounds for the production of That Total Age.

Our main sound of That Total Age was the Roland SH-101 with FM-sounds being added in the studio from a Yamaha DX7. For Belief, I bought a Roland System 100m, an Oberheim Xpander and a Yamaha TX81Z – so these are real characteristic sounds we must not miss on stage.

I recall earlier interviews where Bon expressed some distaste/apprehension at his producer layering in those DX7 tones, but the SH-101 is not the beefiest-sounding synth, and layering in a contrasting timbre to thicken things up is a reasonable tactic when your 101 is going up against heavy acoustic/sampled drum sounds in an otherwise sparse mix. Also, Front 242 used the DX7 for bass to great effect in this same era, so it's not like using a DX7 meant you instantly turned into Rick Astley or Baltimora.

This is an iconic shot of Thurston Moore playing is his triple-pickup equipped Fender Mustang, which he used extensively from 1987 up until it was stolen in the summer of 1999. As like most Sonic Youth guitars, this one has been modified extensively and boasts a triple pickup configuration (much like a Stratocaster). Confoundingly, in many photographs, it features the earlier pre-CBS 'spaghetti' Fender logo, which was never present on Mustang models at the time. This is likely a replacement, however, as the 'contour offset body' decal is present and the neck size/headstock shape are correct for an earlier 1960's Fender Mustang.

In this interview with Bitwig's Marketing team, Bon Harris mentions that the SH-101 was his primary synth for the "That Total Age" period. Importantly, that SH-101 was layered with DX7 sounds in the studio, per their producer's urging, but I don't think Bon owned a DX7 at that time.

Our main sound of That Total Age was the Roland SH-101 with FM-sounds being added in the studio from a Yamaha DX7.

Harris mentions more or less the same thing in this interview with Roland's Marketing team:

We did all of The Total Age on an SH-101. That sound established us.

In this photo James is seen playing a telecaster live

Is this photo you can see James with the keyboard

In this photo James is seen playing this acoustic guitar

At 0:15 you can see James playing A Yamaha DX7 on which he starts the song on the wrong preset before he selects the right one