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Average Price: $229
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$200
$801+
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Description
The TX81Z is a FM synthesizer. The famous Lately Bass patch was used by producers like Teddy Riley, Dave Hall, Nevelle Hodges, and Eddie F on multiple R&B hit in the '90s...
Product specs
| Brand | Yamaha |
| Model | TX81Z Rackmount FM Tone Generator |
| Finish | Black |
| Year | 1987 - 1988 |
| Made In | Japan |
| Categories | Digital Synthesizers, Rackmount Synths |
| Analog / Digital | Digital |
| MIDI I/O | MIDI Input, MIDI Output, MIDI Through |
| Polyphony | 8 Voices |
FAQs
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What synthesis method does the Yamaha TX81Z use?
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The Yamaha TX81Z utilizes FM (Frequency Modulation) synthesis, offering a variety of complex and dynamic sounds through its 4-operator FM engine.
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How many voices of polyphony does the Yamaha TX81Z support?
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The Yamaha TX81Z supports 8 voices of polyphony, allowing for the creation of rich and layered sounds.
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Can the Yamaha TX81Z be used with modern MIDI setups?
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Yes, the Yamaha TX81Z features MIDI Input, Output, and Through, making it compatible with modern MIDI setups for integration into current music production environments.
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Is the Yamaha TX81Z suitable for live performances?
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The Yamaha TX81Z is a rack-mounted sound module, which makes it ideal for studio use or live performances when paired with a MIDI controller or sequencer.
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What makes the Yamaha TX81Z unique compared to other FM synthesizers?
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The Yamaha TX81Z is known for its ability to produce unique and distinctive sounds, including the famous "Lately Bass" patch, thanks to its flexible FM synthesis engine and multi-waveform capability.
Videos
Alex Ball
Making a 90s Banger with the Yamaha TX81Z!
Reviews
PROS
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Compact 1U rack size fits in any studio setup
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Iconic 'Lately Bass' preset perfect for 90s hits
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Unique character with ancient DAC for distinct sounds
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Versatile with more waveforms than a DX7 for exotic sounds
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8-part multitimbral with onboard editing capabilities
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Extensive MIDI implementation for detailed control
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Relatively affordable for a vintage FM synth
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Compatible with software editors for easier programming
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Offers punchy bass, drums, and rich pads with tweaking
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Can produce classic DX-7 sounds despite fewer operators
CONS
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User interface not intuitive for FM synthesis beginners
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Some presets sound thin without editing
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Factory presets can be unimpressive, requiring user creativity
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Difficult to program without software editor
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Limited by 4 operators compared to DX7's 6
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Power supply issues reported
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Lower overall volume output compared to some VST FM synths
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Front panel programming not recommended, can be cumbersome
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Can sound less warm compared to other synths
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Yamaha TX81Z.
Features and functionality
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The TX81Z uses 4 operators, making it simpler to operate than more complex FM synths, and features strong multitimbral capabilities for its age.
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It's noted that the TX81Z is 8-part multitimbral, allowing users to load the same patch in multiple slots and make slight detuning for a richer sound.
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Users note that the TX81Z supports various waveforms, providing a broader range of sound design possibilities beyond its dated presets.
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The TX81Z's stereo output can be utilized as two mono outputs by panning in performance mode, allowing separate sound processing.
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Use cases and applications
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Owners find it fun to connect a MIDI controller to the TX81Z, enabling real-time control of the FM operators for dynamic sound manipulation.
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The TX81Z can be configured for MPE (MIDI Polyphonic Expression), offering advanced MIDI control for expressive sound design.
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The TX81Z may struggle with MIDI bandwidth when handling constant CC changes, performing better with note data alone.
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Setup and maintenance
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Some users report that the TX81Z can be on the noisy side, which is an important consideration for those prioritizing sound clarity.
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Comparisons
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The TX81Z is recommended over the Volca FM for those needing more polyphony and multitimbral capabilities, despite its lack of knobs and portability.
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The FB-01 is considered easier to use and more affordable than the TX81Z, though it may lack some advanced features like sysex file uploads.
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Software and compatibility
Critic Reviews
4.0 out of 5
Based on 16 Reviews and 70 Ratings
144
Love it
It's fun to put it on a track, or to start creating something with it! From clicking for days and squinting at the tiny screen, to choosing a preset and just going, to using SysEx, I love this thing. And it still works! Couples nicely with an analog monosynth. Easier to program than the roland d110 and others I have.
251
A very powerful FM synth with lots of individual character
A single preset guaranteed this synthsizer's place in history: C15 LatelyBass was the feature sound of many 1990s hits, most memorably "Saturday Night" by Whigfield. It would be easy to conclude that this is just one fortunate preset in what is otherwise just another of the many FM synths that Yamaha released in the 80s (a cut-down version of the TX7 with 4 operators instead of the 6 operators of the TX7 and the legendary DX7). In fact, the TX81Z (and its keyboard version, the DX11) marked a significant departure from the norm in FM synthesizers by including the possibility of using different waveforms - not just sine waves. This lends itself to generating more exotic sounds than were possible in other FM synthesizers where the emphasis was on reproducing the sonic characteristics of acoustic instruments such as bells, pianos, guitars, etc. Unfortunately most of the TX81Z's presets are similar to those on other Yamaha synthesizers so this ability to produce otherwoldly sounds does no sine through. This stemmed, I suspect, from a desire to stay true to the sonic palette artists and audiences expected at the time. But it is no coinvidence that C15, a bass sound which souns nothing like an acoustic bass, an electric bass guitar, or an anlogue synthesizer bass patch, was one of the presets making use of this ability to use non-sine waves. In addition, the TX81Z is an 8-part multitimbral synth and all performance and voice parameters can be edited onboard, although the editing interface is fairly limited (but there is an extensive MIDI implementation allowing control of all parameters via SysEx).
Preferred Settings + Usage:
C15 - LatelyBass
269
A classic FM synth with versatile sound possibilities.
A really good FM synth. It can be somewhat difficult to program (and if you use a software editor like the TX81Z Programmer for Windows, it can really help), but if you have enough patience with it, it offers great FM flexibility and is also a great companion to a DX-7. While it offers 4 operators in comparison to the 6 the DX-7 offers, it makes up for it with allowing you to change the operators into a different waveform than only sine waves, which can give you a different variety of FM sounds. While it doesn't sound as warm as a DX-7, you can also still get some of those classic DX-7 sounds on this unit as well, despite having fewer operators. They're relatively cheap too.
436
Classic FM Synth!
Most people know the TX81z for the Lately Bass patch that Teddy Riley, Dave Hall, Eddie F, and Kyle West made famous on all their hit records. There's another dope preset on this synth that sounds incredible when you edit it a bit, but I'm not gonna share that for personal reasons, but my point is you don't have to rely on the presets, this is a great sound design instrument and I absolutely love my TX81z for the way it sounds and performs!
40997
small and even more inconvenient
Is anything harder to program than a Yamaha DX7? Sure! the TX-81z. This is a less fully featured digital FM synth. You would think less operators means its easier to wrap your head around, but the user interface is not up to any tasks you set out to accomplish. These units are a glorified ROMpler without a dedicated PC program to navigate the terrifying FM synthesis landscape. That said, once you grok FM synthesis and your 3rd party software the TX is a pretty decent device and its quicker to program than a DX. And its small and easy to slave to your DAW. It records really well. Really fun for making nasty percussion noises and Depeche Mode Violator-era FM bass stabs. I think this odule sounds better than a dx7 through a guitar amp and/or distortion pedal. I've never had any issues with the buttons or jacks on this unit but she's been mostly babied (as in not taken anywhere and barely used).
299
Excellent
If all you need is "Latelybass" this is the unit for you. Then again, most of the other preset sounds are quintessentially 80s!
384
Lovely Small Unit
I love this thing. Compact but huge. Wouldn't ever recommend programming it through the front panel though! Good thing there are plenty of computer programs that can make programming a lot easier.
40997
I was given one in the 90s and I don't think I recorded it once until I got software for it (and for my DX7)... then it was like FM everywhere!
384
Haha, I believe it. I couldn't imagine the horrors of making sounds from the front panel. I thought the DX7 was difficult and then I got this one. Both have very powerful synth engines that are just so hard to work with unless you have the software!
176
Clear FM Synth
Compared to VST FM Synths this unit has balls. Only the overall volume in the output stage is some low. No matter of that, i run it to the mixer and raise the gain with the preamps. Somewhat complicated to edit the sounds. Control it with midi cc out of the DAW.
111
FM synth from the 80s
FM synth from the 80s - I bought it then and still have it. Love it for bright twinkly sounds.
Artist usage
Add artist
Expanding the band's sound for OU812, Van Halen looked to digital synthesisers to brighten up the 'fat analogue' sound of previous releases.
"Armin van Buuren: Yes, and I'm a big fan of the Nord Lead because it has a certain edge to it. I still use the Yamaha TX81Z, which is a really old machine and it's out of tune with most versions, but the FM sound is just fantastic."
A TX81Z can be seen up close in Mat Zo's studio in this April 25, 2019 Twitter post.
Key to this type of song creation is gear that has been in Jenkinson’s studio for decades. Mainstays include a Roland TB-303, TR-909 and SH-101, Eventide Orville and DSP4000 harmonizers, a Yamaha QY700 sequencer, and Yamaha CS80, TX81Z and FS1R synths.
At 8:50 of the video titled "AR Rahman & Firdaus Studios: A Scoring Stage For The 21st Century," A.R. Rahman states that he used a Yamaha TX81Z sound module, which he carried in a rack case for his writing sessions abroad. This information is provided by Sound On Sound magazine on YouTube.
List of equipment used by Klaus Schulze, from the February 1993 issue of Sound on Sound:
4x Akai S1000PB (32MB) 2x Akai S1000KB (32MB) Akai S900 Akai S612 Akai S7000 Moog Modular CIII 2x Moog MiniMoog Studio Electronics MIDIMini Mellotron Yamaha CS80 Yamaha CP70 Yamaha TX81Z Yamaha SY99 Korg M1 Korg M1 EX Korg T1 Korg T3 Korg DVP1 Roland U110 Roland U220 Roland D50 Roland S50 sampler & monitor Roland Planet S & editor Roland Super Jupiter & editor 2 Roland TR505 Roland Octopad Roland JD800 Roland Super JX10 4x Hohner HS2/E sampler 5x Hohner HS1/E sampler Hohner HS1KB sampler Waldorf Microwave GDS computer synth Misc. Crumar keyboards Fairlight CMI Series II SCI Prophet 2000 SCI Prophet 2002 Emu Proteus/2 Emu Proteus/3 World Emu Emulator II Kurzweil K1000 Kawai K4 EMS Synthi A PPG Wave 2.2 Linn 9000 4x Oberheim DPX1 Yamaha RY30 drum machine Sonor timpanies and octo toms Paiste gongs and cymbals Martin 12-string guitar
Future Sound of London equipment list from the August 1992 issue of Music Technology Magazine:
Instruments
Akai S612 Sampler + MD280 Disk Drive Akai S900 Sampler Akai S1000 Sampler w/8Mb memory E-mu Proteus/1 w/Protologic board Jen SX1000 Synth Roland D110 Synth Module Roland JX3P Synth Roland MC202 Monosynth Roland MKS50 Synth Module + PG300 Programmer Roland TB303 Bass Synth Roland TR606 Drum Machine Yamaha DS55 Synth Yamaha TX81Z
Effects
Alesis Quadraverb (x2) Alesis MIDIverb II BBE 422A Sonic Maximiser Bel Electronics BD80 Digital Delay Drawmer DS201 Dual Gate Fostex 3070 Compressor/Limiter Ibanez DM1100 Digital Delay Korg DRV1000 Digital Reverb Yamaha SPX90 Multi effects Processor
Recording
Aiwa HDX1 DAT Recorder Atari 1040ST Computer w/C-lab Creator software Fostex B16 Multitrack Groove MC2V MIDI/CV Converter Korg KMS30 Sync Unit Nakamichi 480Z Cassette Deck Sony DTC1000ES DAT Recorder Soundtracs CM4400 Mixing Desk Technics SL1200 Mk2 Turntable Yamaha NS10M Monitors
Yamaha TX81Z FM synthesizer can be spotted in this picture from Andrew Bayer's Instagram
In this Reddit AMA, George mentions using a TX81Z.
"im blown away by the tx81z."
It can also be seen in this video at 9:35: https://youtu.be/BqqjOefczqg?t=575
In response to a tweet that said "Show me a picture on your phone that has your energy. Not a selfie." Skee quoted tweeted with his rackmount setup.
Gear Gods: Whenever I get the chance to talk to bands that were playing years and years ago, I think about how the tones that were available then were so different, and so much more limited. Cynic was trailblazing the ability to jump between so many different genres, which was a lot harder to do back in the early ‘90s. What were you and Jason playing through on the Focus tours? And how difficult was it to achieve the breadth of tones?
Paul Masvidal: Was I running an MP-1? I think I was. Yeah, at that time I was a rack guy. I had a 15-space rackmount. My main preamp was an ADA MP-1 and I used an ADA midi controller. I had a Roland GM-70 guitar synth, which was really cool back then because it had Portamento [pitch glide between notes, instead of set intervals]. You could assign custom midi controllers to the unit on your guitar. It was just really hip for its time. It was very clunky in terms of a big, bulky thing, but what you could do with it was phenomenal. It just had this natural, flawed, organic kind of thing that was very cool at the time.
And I had a Digitech, and then a Rane: different EQs that were programmable. So the EQs were constantly changing the guitar synth. And then with the guitar synth I had a, I think, a Yamaha TX 81Z, which was an FM analog old-school synth module. And I think I was using a Rocktron Intellifex back then. I had a bunch of different stuff, and it was all interacting. It was kind of a midi nightmare, but it was functional.
Album Usage
The Yamaha TX81Z has been featured on the following albums:
Oddyssey
Amtrac (2020)
Strange Directions
DMX Krew (2017)
Beyond the Wall of Sleep
The Cassandra Complex (1992)
The War Against Sleep
The Cassandra Complex (1991)
Cyberpunx
The Cassandra Complex (1990)
Doctor Who: Ghost Light (Original Television Soundtrack)
Mark Ayres & Keff McCulloch (1989)
Satan, Bugs Bunny, And Me…
The Cassandra Complex (1989)
OU812
Van Halen (1988)
Feel the Width
The Cassandra Complex (1988)
Theomania
The Cassandra Complex (1987)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Yamaha TX81Z, it is most commonly used with the following gear.
Community setups
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Add recommendation2 alternative and related items for Yamaha TX81Z, curated by the Equipboard community.
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FM8 is one of the very few soft synths on the market that can import and play back patch files from an original TX81z. Not every patch will convert perfectly, but it's pretty close in most cases.
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