Latest Activity on Equipboard

Joe Lally uses the Benson Amps B700 700-Watt 1x15" Bass Amp Half Stack, as confirmed by a YouTube video released by Benson Amps. In this video, both Joe Lally and Chris Benson discuss the development of the B700, highlighting its specific creation for use in the Messthetics.

In this YouTube video on his own channel, Joey Zampella shows and talks about his current/circa 2025 pedalboard. Airis Savage Drive (V5.5) drive/boost pedal is one of the pedals he shows and talks about in this video.

In a video titled "Pedalboard Rundown and Cleanup!" on his YouTube channel, Joey Zampella, guitarist for Life of Agony, showcases and discusses his pedalboard, highlighting the Rocktron Guitar Silencer as one of the pedals he uses.

In a video on his YouTube channel titled "Pedalboard Rundown and Cleanup! Joey Zampella / LIFE OF AGONY," Joey Z. discusses his current pedalboard setup. One of the pedals he talks about looks to be a Shure GLXD6+ Wireless Guitar Pedal Receiver, stating that it has never let him down.

In a YouTube video titled "Pedalboard Rundown and Cleanup! Joey Zampella / LIFE OF AGONY," Joey Zampella showcases and discusses his pedalboard, clearly displaying the MOD Duo pedal as part of his setup.

In a YouTube video titled "Pedalboard Rundown and Cleanup! Joey Zampella / LIFE OF AGONY," posted on his official channel, Joey Z. discusses his pedalboard setup and highlights The GigRig G2 at the beginning of the video, providing a detailed overview of its use.

In the article "Corrosion Of Conformity's Mike Dean: “It’s all in the hands and in your dedication and connection to the creativity of the universe”" by Ian Glasper on Musicradar.com, when asked about effects pedals, Mike Dean confirms that he uses Black Arts Tone Works Revelation pedal:

I don’t really use pedals; well, maybe on the recordings sometimes, when a bit of distortion is required. Most of the time that’s just the amp wide open, or lately, a Black Arts Tone Works Revelation pedal… just a touch of that mixed in. I regard it as a condiment and not a food group.

In the article "Corrosion Of Conformity's Mike Dean: “It’s all in the hands and in your dedication and connection to the creativity of the universe”" by Ian Glasper on Musicradar.com, Mike Dean tells that he uses Ampeg SVT-810E 8x10 Bass Cabinets:

I like a couple of Ampeg SVT heads through a splitter, but not the new ones; they don’t come close in terms of sonic possibilities or reliability. I have a 1990s Mesa 400+ that sounds good through some SVT 8x10 cabs, or through the ancient Boogie 2x15 cabinets I had. A newer Fender Super Bassman 300 or Sunn 300T is also good. Orange AD200s will do in a pinch, and their cabinets, especially the 8x10s, are great.

In the article "Corrosion Of Conformity's Mike Dean: “It’s all in the hands and in your dedication and connection to the creativity of the universe”" by Ian Glasper on Musicradar.com, Mike Dean tells that he uses the 1990s Mesa 400+ amplifier head:

I like a couple of Ampeg SVT heads through a splitter, but not the new ones; they don’t come close in terms of sonic possibilities or reliability. I have a 1990s Mesa 400+ that sounds good through some SVT 8x10 cabs, or through the ancient Boogie 2x15 cabinets I had. A newer Fender Super Bassman 300 or Sunn 300T is also good. Orange AD200s will do in a pinch, and their cabinets, especially the 8x10s, are great.

In the article "Corrosion Of Conformity's Mike Dean: “It’s all in the hands and in your dedication and connection to the creativity of the universe”" by Ian Glasper on Musicradar.com, Mike Dean tells that he used to have a 1978 Fender P-Bass, which got stolen on Christmas Eve 1993:

I have some Sadowsky Jazz copies that are very comfortable, but sometimes you need a Precision or Precision-derived bass to really get the low end across. My 1978 Fender P-Bass got stolen on Christmas Eve 1993, and that was the ultimate; I really need to replace that.

In a YouTube video by Celemony titled "Tonalic Instrument: Martin 'Ace' Kent's Gold Top," Ace discusses his use of the PRS Custom 24-08 Artist Package, highlighting its exceptional tone, low action, flawless intonation, and versatile pickup combinations.