gchiaren's activity

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Until recently most music software only allowed working with the same 12 notes, equally divided over an octave. Whilst microtuning additions have broadened this considerably, it can still be cumbersome to get all plugins and external synths in tune, until now...

The MTS-ESP Suite equips composers with tools to get everything tuned quickly and accurately, as well as presenting entirely new compositional methods.

Change notes or chords whilst they’re being played, transpose all instruments at once or morph into an entirely different tuning system - the possibilities are endless. Discover more about tuning and get detailed visual representations in real-time, or simply get everything tuned correctly in record time.

The MTS-ESP Suite provides the computer musician with an intuitive toolset for rapidly composing and finessing microtonal pieces. Existing MIDI compositions can be easily converted to a different tuning system and given an entirely different emotional context. Working on new compositions is made nearly effortless.
Set Plugin Format to VST, AU, AAX
Set Operating Systems to Mac, Windows

Mar 30, 2021

edited Seymour Duncan Twin Tube

Improved item category.

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Guitar Pedals & Effects
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Overdrive Effects Pedals

Mar 29, 2021

edited Pete Cornish SS-2

Improved item category.

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Guitar Pedals & Effects
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Overdrive Effects Pedals

Mar 29, 2021

edited LPD Pedals EIGHTY7 Deluxe Dual Overdrive

Added some tags

Set Bypass to true bypass
Set Power to 9V

Mar 29, 2021

edited TC Electronic Trinity

Marked as Vintage or Discontinued.

Marked item as Vintage or Discontinued

Mar 22, 2021

edited Source Audio Ultrawave Multiband Processor

Added item description.

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The Ultrawave Multiband Processor embarks on a pioneering journey into the advanced potential of overdrive and tremolo, exploring a brave new universe of sounds yet unheard. At the Ultrawave’s core is a dynamic and multi-dimensional approach known as multiband processing. This process splits the frequency spectrum of a guitar, bass, or synthesizer into multiple, discrete frequency bands and equips each band with its own array of adjustable parameters. In the case of overdrive, the Ultrawave splits the incoming signal and provides separate drive and output level controls for each individual band. The result is a thick and rich distortion with loads of unique overtones and dynamic interplay. Split the signal into 1, 2, 3, 4, 8, or 10 frequency bands, and apply any of the band splitting options to an exciting collection of overdrive types, including Tube, Diode, Foldback (a method of distortion often heard in the world of synthesizers), Octave Up, Negative Flip Diode, and more. Plug in, turn up, and explore the wonders of multiband processing built on over a decade of refinement and experimentation.

Mar 19, 2021

edited Fender Engine Room LVL12 Power Supply

Added item description.

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Designed to accommodate all your pedalboard needs, the Engine Room™ LVL 12 is ready to deliver. Featuring twelve ground isolated power outlets, (10) are capable of delivering 9Vdc at 500mA while (2) additional outlets provide switchable voltage (9v/12v/18v) via 3-way toggle or slide switch. A courtesy IEC outlet on the back allows you to add an additional Engine Room™ LVL5, LVL8, or even LVL12 for the biggest rigs.

The Engine Room™ Power Supply was designed by our in-house team of experts in Southern California. The chassis is crafted from lightweight, durable anodized aluminum, and its sleek, low-profile appearance is engineered to accommodate most pedalboards. Road-tested and ready for live or studio use, Fender’s Engine Room™ Power Supply is built to power your performance.

Mar 19, 2021

edited Fender Engine Room LVL8 Power Supply

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Pedals need clean isolated power and Fender’s Engine Room™ LVL8 Power Supply is capable of the task. Featuring eight ground isolated power outlets, (6) are capable of delivering 9Vdc at 500mA while (2) additional outlets provide switchable voltage (9v/12v/18v) via 3-way toggle or slide switch. Perfect for performance or studio players and can be daisy-chained with our LVL12 for players looking for more tonal variety.

The Engine Room™ Power Supply is designed by our in-house team of experts in Southern California. The chassis is crafted from lightweight, durable anodized aluminum, and its sleek, low-profile appearance is engineered to accommodate most pedalboards. Also features a 2-color LED indicator for each output, green indicating current consumption. Road-tested and ready for live or studio use, Fender’s Engine Room™ Power Supply is built to power your performance.

Mar 19, 2021

edited Fender Engine Room LVL5 Power Supply

Added item description.

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Pedals need clean, isolated power and Fender’s Engine Room™ LVL5 Power Supply is capable of the task. Featuring five ground isolated power outlets, each outlet is capable of 9Vdc at 500mA to keep your pedals performing at their peak. Works as a standalone power supply for smaller pedalboards or can be daisy-chained with our LVL 12 for those tone fanatics with larger boards.

The Engine Room® Power Supply was designed by our in-house team of experts in Southern California. The chassis is crafted from lightweight, durable anodized aluminum, and its sleek, low-profile appearance is engineered to accommodate most pedalboards. Also features a 2-color LED indicator for each output, green indicating current consumption. Road-tested and ready for live or studio use, Fender’s Engine Room® Power Supply is built to power your performance.

Mar 19, 2021

edited Matthews Effects The Whaler V2

Added brand.

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Matthews Effects

Mar 19, 2021

edited T-Rex Engineering Mudhoney II

Improved item image.

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Before:
Now twice as deliciously dirty!

Dirty and sweet, the Mudhoney dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It's one of the first pedals T-Rex produced, and it set the standard for many T-Rex pedals to come.

2 Mudhoneys in 1
The Mudhoney II is a new generation of this classic pedal that keeps everything that was great about the original Mudhoney-and then doubles it! With 2 channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel-delivering deliciously dirty T-Rex tone all the way.

New tone controls
Mudhoney II features the same convenient boost function you'll recognize from the original Mudhoney (now one switch for each channel) and even adds a tone control for each channel-so you can shape the timbre of your drive to create your own signature sound.

Controls
The Mudhoney II has 4 controls for each channel: GAIN, LEVEL, TONE, and BOOST.

The GAIN knob is the most important control on your Mudhoney II. The more you turn it up, the more overdrive gain you get. Make sure to set the GAIN differently for the 2 Mudhoney II channels, so you can switch between the channels for different levels of distortion.

Use the LEVEL knob to set the overall output volume from the pedal. At 12 o'clock your output is the same as your input volume. Turning it all the way up (clockwise) will boost your output signal by 15dB.

The TONE knob lets you control the top end, or "edge," of your signal without compromising sonic quality. Try setting it separately for each channel to create your own signature overdrive and distortion sounds.

Use the BOOST switch to switch between moderate and high gain for each channel separately.

After:
Now twice as deliciously dirty!

Dirty and sweet, the Mudhoney dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It's one of the first pedals T-Rex produced, and it set the standard for many T-Rex pedals to come.

2 Mudhoneys in 1
The Mudhoney II is a new generation of this classic pedal that keeps everything that was great about the original Mudhoney-and then doubles it! With 2 channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel-delivering deliciously dirty T-Rex tone all the way.

New tone controls
Mudhoney II features the same convenient boost function you'll recognize from the original Mudhoney (now one switch for each channel) and even adds a tone control for each channel-so you can shape the timbre of your drive to create your own signature sound.

Controls
The Mudhoney II has 4 controls for each channel: GAIN, LEVEL, TONE, and BOOST.

The GAIN knob is the most important control on your Mudhoney II. The more you turn it up, the more overdrive gain you get. Make sure to set the GAIN differently for the 2 Mudhoney II channels, so you can switch between the channels for different levels of distortion.

Use the LEVEL knob to set the overall output volume from the pedal. At 12 o'clock your output is the same as your input volume. Turning it all the way up (clockwise) will boost your output signal by 15dB.

The TONE knob lets you control the top end, or "edge," of your signal without compromising sonic quality. Try setting it separately for each channel to create your own signature overdrive and distortion sounds.

Use the BOOST switch to switch between moderate and high gain for each channel separately.

Mar 19, 2021

edited MXR M169 Carbon Copy

Tagged as true bypass.

Set Bypass to true bypass

Mar 18, 2021

edited Boss DD-3 Digital Delay

Marked as Vintage or Discontinued.

Marked item as Vintage or Discontinued

Mar 18, 2021

edited Boss DD-3 Digital Delay

Tagged as digital

Set Analog/Digital to digital

Mar 18, 2021

edited Boss DD-3 Digital Delay

Tagged as mono

Set Mono/Stereo to mono

Mar 18, 2021

edited Seymour Duncan Andromeda Dynamic Delay

Tagging digital delay

Set Analog/Digital to digital

Mar 18, 2021

edited UVI 8-Bit Synth Virtual Instrument

Adding operating systems

Set Operating Systems to Mac, Windows

Mar 16, 2021

edited UVI 8-Bit Synth Virtual Instrument

Adding all plugin formats

Set Plugin Format to VST, AU, AAX

Mar 16, 2021

edited UVI 8-Bit Synth Virtual Instrument

Adding all plugin formats

Set Plugin Format to VST, AU, AAX

Mar 16, 2021

edited Clavia Nord Lead 2 Synthesizer

Marked as Vintage or Discontinued.

Marked item as Vintage or Discontinued

Mar 13, 2021

edited Mugig Echoos Delay Pedal

Added brand.

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Mugig

Mar 11, 2021

edited Malekko Heavy Industry Ekko 616 Analog Delay

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Malekko Ekko 616 Analog Delay
After:
Malekko Heavy Industry Ekko 616 Analog Delay
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After:
Malekko Heavy Industry

Mar 11, 2021

edited Meazzi/Vox Tape Echo

Added brand. Marked as Vintage or Discontinued.

Revised item name. Show revisions
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Meazzi tape echo
After:
Meazzi Tape Echo
Revised item Brand. Show revisions
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After:
Meazzi
Marked item as Vintage or Discontinued

Mar 11, 2021

edited Dawner Prince Electronics Boonar Multi-Head Drum Echo

Added brand.

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Before:
Dawner Prince Boonar Multi-Head Drum Echo
After:
Dawner Prince Electronics Boonar Multi-Head Drum Echo
Revised item Brand. Show revisions
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After:
Dawner Prince Electronics

Mar 11, 2021

edited DOD DFX9 Digital Delay

Added brand.

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Before:
DOD DFX9 Digital Delay
After:
DOD Pedals DFX9 Digital Delay
Revised item Brand. Show revisions
Before:
After:
DOD

Mar 11, 2021