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The LOAF is technically a medium-gain fuzz, but don’t let that fool you… It’s still huge, fat, and wooly!

While most fuzz pedals are accused of stealing your low end, the LOAF will actually do the opposite and roll off some of the harsh, brittle, and “buzzy” high- end that is associated with those other pedals.

The simple three-knob layout allows you to easily dial-in the perfect setting on every guitar.

The interactive volume and tone controls make every setting as musical as the next. The pedal reacts to your playing-dynamics much like a classic tube amp, and of course, it cleans up beautifully as well

The WOODCUTTER is our homage to a very particular 308-loaded Kalamazoo classic (that happens to share its name with New York City’s favorite pizza-loving rodent).

These vintage distortion pedals are great, but their sound varies widely from unit to unit, making it hard to find a truly special pedal. That’s why we based the WOODCUTTER off of what we feel is the “holy grail” unit. It will give you that great vintage distortion tone every time.

The WOODCUTTER can cover a wide range of tones from low-gain overdrive to high-gain distortion/fuzz, and it sounds great on guitar, bass, synths, drum machines… basically anything you want to plug into it!

ELLE is an ever-so-slightly modulated reverb pedal that can cover everything from a spring-esque slap-back to a full-on shimmering, ringing, and huge- sounding hall-reverb.

ELLE’s simple three-knob layout allows you to easily dial-in a beautiful and inspiring setting every time you plug in! With the “DWELL” knob all the way up, your reverb will ring out infinitely, and can even oscillate if the rest of the controls are set high enough. The light modulation adds another dimension (some in the guitar world call it “mojo”) that we can’t fully explain with words, but we promise you’ll love!

FRANK is a low-gain boost/overdrive pedal with just the right amount of gain to push your amp into a harmonically-rich overdrive (without over-coloring your tone or getting too saturated).

With the “Gain” knob at noon, FRANK can be used as a gorgeous and sparkly clean boost. Turn the gain past noon and FRANK will start to push your amp into a very natural and pleasant sounding breakup.

That being said, FRANK is not technically a “Transparent overdrive” as you will notice greater clarity in your high-end and a more present pick-attack with the effect engaged.

Classic, smooth fuzz tone in an easy-to-use pedal.

Sometimes, it's not about chasing a tone from one specific piece of equipment, it's about capturing the tones from the entire signal chain. Looking back through history, there have been some truly outstanding fuzz tones. In particular, the tones achieved by running a fuzz into a screaming stack. The kind of tones that are just earth shattering in their depth, aggression and smoothness.

Brian Wampler, who's always looking for the best tones to capture, decided the chase was on. Taking the base tones from a very famous pedal and the characteristics of a famous stacked, EL34 driven, amp - decided it was about time those tones were brought together in pedal format.

If you are a fan of the tones of the players like David Gilmour or Eric Johnson, then it could be that the Velvet Fuzz is the pedal you are looking for.
The key to the tone of the Velvet is the voicing switch. In the "big" position, the pedal reacts like a classic fuzz. Loads of internal compression and truly massive tones it really is that "tone" from that "era". Dropping the volume back cleans it up perfectly so your rhythm can remain clear enough and then your solos will flatten all those who dare to stand before you.

In the "tight" position, the tone comes in and you get the feeling you have swapped amps as well, those mammoth tones but without the compression and other traits that many fuzz players love ... Yes, that's right. If you love the tone of fuzz but not the reaction of it, this is the setting on the pedal that is for you.

Classic, smooth fuzz tone in an easy-to-use pedal.

Sometimes, it's not about chasing a tone from one specific piece of equipment, it's about capturing the tones from the entire signal chain. Looking back through history, there have been some truly outstanding fuzz tones. In particular, the tones achieved by running a fuzz into a screaming stack. The kind of tones that are just earth shattering in their depth, aggression and smoothness.

Brian Wampler, who's always looking for the best tones to capture, decided the chase was on. Taking the base tones from a very famous pedal and the characteristics of a famous stacked, EL34 driven, amp - decided it was about time those tones were brought together in pedal format.

If you are a fan of the tones of the players like David Gilmour or Eric Johnson, then it could be that the Velvet Fuzz is the pedal you are looking for.
The key to the tone of the Velvet is the voicing switch. In the "big" position, the pedal reacts like a classic fuzz. Loads of internal compression and truly massive tones it really is that "tone" from that "era". Dropping the volume back cleans it up perfectly so your rhythm can remain clear enough and then your solos will flatten all those who dare to stand before you.

In the "tight" position, the tone comes in and you get the feeling you have swapped amps as well, those mammoth tones but without the compression and other traits that many fuzz players love ... Yes, that's right. If you love the tone of fuzz but not the reaction of it, this is the setting on the pedal that is for you.

The Gibson Custom Flying V Custom solidbody electric guitar has a sleek and distinguishable look that will set you apart on any stage. The all-mahogany body bolsters an enhanced midrange tone and sustain that will cut through the mix at any gig. And a pair of Gibson Custom Bucker pickups deliver the most-accurate PAF tones to date. From ballads to jazz to rock and metal, this Flying V has you covered. The set-in mahogany neck and ebony fretboard are comfortable to play during those marathon gigs. Bring a cool vibe and big tone to your performances with the Gibson Custom Flying V Custom.

Fender and big bottoms just go together.

Classic bar stool with a rotating, padded seat complete with Fender logo. A foot ring provides a place to hook your heels. It's an excellent stool for having around the studio or for using at gigs. 30" high.

Fender and big bottoms just go together.

Classic bar stool with a rotating, padded seat complete with Fender logo. A foot ring provides a place to hook your heels. It's an excellent stool for having around the studio or for using at gigs. 30" high.