cjwise_17's Metal Amp Rig
One word: EXTRAORDINARY. My setup is truly complete. I now have the world’s greatest clean amp and (one of) the world’s greatest high gain amps running together. Using my AWESOME Radial BigShot ABY switcher, I can now flip between sparking, glassy cleans to pure melt-your-face mayhem. This is literally the rig I have always dreamed of having. Now it’s time to practice!
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Gear in this photo
This rig
~$1,895
Value by category
- Amplifiers 78.3%
- Effects Pedals 21.7%
Price mix
Mostly standard
Avg price: $149.10
The Legend is Real
EDIT: After a couple months, I now truly understand why it’s so much better to have a high gain amp and a little green beast boosting the front as opposed to relying on a dirt pedal through a clean channel. I LOVE this pedal.
Just got this little green monster. Haven’t had a chance to really dig into it yet, but I plugged it in and found a setting I loved within 30 seconds! To be fair; I had a vague idea going into it where I wanted to dial in, but I was so impressed with how much it tightens up my tone. I can’t wait to do a deep dive on this thing! Anyone who knows anything about the history of music equipment knows the importance of the Tube Screamer. That being said, why would anyone settle for anything less than the one that set the standard in the first place? Pick one of these up and discover for yourself why this pedal is a must have for everyone who plays electric guitar!
Avg price: $782.42
Affordable and Professional Face Melting Mayhem
UPDATE
As time has gone on, I’ve grown very disappointed with this amp. First off, the FX loop doesn’t work worth a damn. I’ve tried two different reverbs, a delay, and my 10-band EQ; and it doesn’t play nice with any of them. It’s almost like it overloads or something. I’m not an electrician, so I wouldn’t have the slightest idea where to start.
Second, the sound quality has diminished. It’s muddy, and I can’t seem to get my high end mids to make any sort of impact. Even though I run a Maxon OD-9 on the front; level 75%, drive 10%, and tone at 1 o’clock, it doesn’t seem to make much difference. I’ve tried every EQ setting I can think of on both channels: I’ve tried pushed mids, scooped, presence and resonance adjusted accordingly, and I just can’t get a good, sharp tone. I’m sure this is nothing more than a tube issue; I just can’t afford to replace them right now.
Furthermore, Musician’s Friend kinda screwed me on this because I found out they actually sent me a demo model, still charged me full price, and didn’t do anything about it. I’m assuming that some of my problems are related to this.
I’m hoping I can find someone who can help me with this sometime soon. Because of these issues, I can’t do better than 3 stars. I’ll update this again after I’ve had a chance to get it looked at by a professional.
I can’t say enough about this little 20W beast. I never believed it was possible to achieve truly professional tones on a bedroom setup until now. I’m thrilled that I have finally joined the 6505 club! Peavey somehow figured out a way to pack all the features (and a few more) of the 120w 6505 into a small package that can be utilized at lower volumes without sacrificing any tone quality, and has an affordable price tag. The bright switch creates clean tones that are way better than most people give it credit for; and the crunch voicing is seriously cool too. The lead channel is hotter than napalm when the gain is dialed in at 50%; but it is pure Armageddon when it’s dimed. This thing is the real deal and is very much a true 6505. I love the onboard attenuator; it really makes this thing amazing for home players like myself. It really pushes the EL84’s to the sweet spot. This thing truly is a fire breathing beast from hell!
Avg price: $550.38
Clean Tone Perfection. Period.
I play bedroom metal. The best clean tones from my favorite records came from the 120 watt big brother of this bad boy. Why would I settle for anything less? I got my Radial BigShot ABY switcher in place for just such an occasion: Roland JC-22 for clean, Peavey 6505 MH for dirty. And tons of goodies in between...OMG my setup is so sweeeeet.
Avg price: $134.49
Just buy it.
EQ’s are probably the most overlooked effect for guitarists. That being said, this one is awesome. Good upgrade from the 7-band I’ve been using for the last twelve years.
Radial Engineering Bigshot ABY V2
Avg price: $128.32
AMAZING
Works so seamlessly! I use this to switch between my JC-22 for cleans and my 6505 MH for dirty tones. So awesome. It allows you to phase both amps simultaneously as well; so effing cool. Love it.
Radial Engineering Tonebone Cab-Link
Avg price: $149.99
Amazing Solution for Combining Speakers
Originally, I had bought the Marshall MG15CFXMS with the head and two 10" speaker cabinets. I upgraded the factory speakers with Celestions, but I was still not satisfied with the tone from the solid-state Marshall. I am just a bedroom jammer, so I wanted something small and portable, but still something that wouldn't disappoint on tone. So I got ahold of an Orange Micro Dark. This thing is small in size, but HUGE in tone, and the buffered effects loop is the icing on the cake. Fantastic little amp. BUT HERE'S THE RUB: Only a single speaker output. I'm not an amp technician of any kind, so I had no desire to go in and start splicing wires and daisy-chaining stuff on the chance that I did something wrong. I did NOT want to fry my newly acquired amp, or the speakers. A good six months worth of research led me to the Radial CabLink. This little indestructible box creates a safe parallel or series connection (depending on your setup) to run multiple cabinets from a single output. My Orange is now powering both cabinets, and it is nothing short of pure crazy gain-filled awesomeness. Can't say enough about this. As is the case with all of Radial's products, this thing is built like a tank, and is more than roadworthy. Love my Bone!
About this setup
This gear photo by cjwise_17 features 6 pieces of gear, including Maxon OD-9 Overdrive, Peavey 6505 Mini Head, and Roland JC-22 Jazz Chorus. The setup spans Amplifiers and Effects Pedals, with mostly standard pieces. Artists with this kind of gear are most often found in the Rock, Metal, and Alternative rock scenes.