spaceshipsovrglasgow's Music Gear Setup
Current pedalboard setup
More gear photos from spaceshipsovrglasgow
Gear in this photo
This rig
~$1,399
Value by category
-
Reverb Effects Pedals
27%
-
Vibrato Effects Pedals
13%
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Delay Effects Pedals
13%
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Switch Effects Pedals
12%
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Fuzz Effects Pedals
12%
-
Distortion Effects Pedals
9%
Price mix
All 9 priced items fall in the standard range for their categories.
Avg price: $58.70
Avg price: $119.92
Electro-Harmonix Holy Grail Max
Avg price: $167.79
Avg price: $214.99
Avg price: $168.86
Avg price: $184.12
EarthQuaker Devices Acapulco Gold V2
Avg price: $128.40
Avg price: $187.01
Saturnworks ABY Passive Compact
Avg price: $169.00
About this setup
This gear photo by spaceshipsovrglasgow features 10 pieces of gear, including Boss TU-2 Chromatic Tuner, Boss RC-30 Loop Station, and Electro-Harmonix Holy Grail Max. The rig is mostly standard pieces. Artists with this kind of gear are most often found in the Rock, Pop, and Electronic scenes. Notable artists with overlapping gear include Jim Jarmusch, Sarah Lipstate, and Denver Dalley.
Similar Artist Setups
Pro artists whose gear list overlaps with this photo.
Fantastic looking board! I love FUZZ WAR I had one for a bit, for a fuzz pedal it's surprisingly articulate! Any favorites?
@gchiaren Thanks for the love!
FUZZ WAR has definitely been a fun beast to tame. I'm primarily using it to add some teeth to my otherwise ambient/reverb-heavy sound and like having it set right at the edge of becoming too "tinny" so that a heavier pick stroke gives it that harsher sound.
Similarly, I always have the Acapulco Gold set around 12 o'clock to form the basis of my tone. I find that setting to have a good balance of amplification and dirt without totally distorting the sound to the point of "SUNN AMP ABOUT TO BLOW" which it was designed for. I should note that I also keep the volume knobs on my guitar turned way down to preserve that state bc at anything above about a 2 the walls start to shake.
The Belle Epoch is also a favorite and a nod that I took from Liz Harris of Grouper -- her ethereal echo-heavy sound is what drew me into ambient guitar in the first place. I like having this pedal set to where the feedback is present enough to get the swirling sound you'd expect from a tape echo without becoming infinite -- set too high and following the Acapulco Gold can definitely lead to a rather violent volume swell. Sending those echoes into my DD-5 set to Effect/Delay, followed by the Holy Grail on either Plate (for straight wall of sound building) or Reverse (for something a bit more shoegazey), and finally the Polara on Halo (for just a bit of shimmer) has proven extremely satisfying.