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A powerful noise reducer that lets your true sound shine.

If you aren't using the HUSH, you aren't using real noise reduction for guitar. When used properly, the HUSH will wipe out hiss, unwanted feedback and pickup buzz. The HUSH pedal delivers 65dB of signal cleanup, while your music signal integrity remains unaffected. In other words, get rid of the noise without altering your tone!Guitar Player Magazine wrote that the "HUSH Pedal will work for all guitar-related noise problems: it's perfect" and "its potent noise-killing abilities will be fully appreciated."

Simply plug the HUSH in AFTER distortion boxes, wah-wahs, noisy vintage effects, or other noisy units and turn the Threshold knob until the noise goes away. It's that easy! You will not find a more effective noise reduction. Unlike noise "gates" that chop off the end of your notes, or ruin your sustain, HUSH the Pedal is actually a form of single-ended noise reduction that tracks your signal all the way and pushes the noise floor below the point where your ear can hear the noise. It does not hurt your sustain or chop off the end of your notes. Simply use the Threshold knob to smooth out your signal while wiping out noise. This is the best friend a guitar player could have!

Now hold on, partner. You must pay attention to the proper setup, with the HUSH pedal going AFTER your noisy stomp boxes. The HUSH is not designed to take the input directly from your guitar WITHOUT some processing happening between the guitar and the HUSH noise reduction. When setup correctly, with your signal going from your preamp and effects, or from your distortion and effects, into the HUSH, you WILL be amazed at how it will clean up the excess noise, including pickup buzz!

The HUSH can also be used in your amplifier's effects loop. However, if you are running multiple effects through this loop, the HUSH should always be the last dynamic device in the signal chain, but before digital delays or reverbs.The HUSH pedal incorporates the latest version of the HUSH discreet circuitry which also includes Rocktron's patented Variable Integrated Release (V.I.R.) technology. V.I.R. technology utilizes a low-noise VCA with precision detector circuits to achieve the smoothest and most transparent noise reduction possible.

A powerful noise reducer that lets your true sound shine.

If you aren't using the HUSH, you aren't using real noise reduction for guitar. When used properly, the HUSH will wipe out hiss, unwanted feedback and pickup buzz. The HUSH pedal delivers 65dB of signal cleanup, while your music signal integrity remains unaffected. In other words, get rid of the noise without altering your tone!Guitar Player Magazine wrote that the "HUSH Pedal will work for all guitar-related noise problems: it's perfect" and "its potent noise-killing abilities will be fully appreciated."

Simply plug the HUSH in AFTER distortion boxes, wah-wahs, noisy vintage effects, or other noisy units and turn the Threshold knob until the noise goes away. It's that easy! You will not find a more effective noise reduction. Unlike noise "gates" that chop off the end of your notes, or ruin your sustain, HUSH the Pedal is actually a form of single-ended noise reduction that tracks your signal all the way and pushes the noise floor below the point where your ear can hear the noise. It does not hurt your sustain or chop off the end of your notes. Simply use the Threshold knob to smooth out your signal while wiping out noise. This is the best friend a guitar player could have!

Now hold on, partner. You must pay attention to the proper setup, with the HUSH pedal going AFTER your noisy stomp boxes. The HUSH is not designed to take the input directly from your guitar WITHOUT some processing happening between the guitar and the HUSH noise reduction. When setup correctly, with your signal going from your preamp and effects, or from your distortion and effects, into the HUSH, you WILL be amazed at how it will clean up the excess noise, including pickup buzz!

The HUSH can also be used in your amplifier's effects loop. However, if you are running multiple effects through this loop, the HUSH should always be the last dynamic device in the signal chain, but before digital delays or reverbs.The HUSH pedal incorporates the latest version of the HUSH discreet circuitry which also includes Rocktron's patented Variable Integrated Release (V.I.R.) technology. V.I.R. technology utilizes a low-noise VCA with precision detector circuits to achieve the smoothest and most transparent noise reduction possible.

Vintage tube overdrive sound with wide dynamic range and flexible controls, this pedal gives you a wide tonal range from smooth whispers to searing leads. Excellent little drive for all player types. True bypass design, LED indicator shows the working state. Small and exquisite. Aluminum-alloy casing, strong and durable. Powered by 9V center negative power adapter (Not Included).

Vintage tube overdrive sound with wide dynamic range and flexible controls, this pedal gives you a wide tonal range from smooth whispers to searing leads. Excellent little drive for all player types. True bypass design, LED indicator shows the working state. Small and exquisite. Aluminum-alloy casing, strong and durable. Powered by 9V center negative power adapter (Not Included).

Ultra-High-Performance Digital Multi-Effects Processor Powered by a 24-Bit High-Speed Digital Signal Processor (DSP) Product Features

"Wave-Adaptive Virtual Room" reverb algorithms calculated from precise mathematical room models give you ultra-natural reverb effects

32 breathtaking effects such as Reverb, Chorus, Flanger, Delay, Pitch Shifter, Vocoder and Rotary Speaker

More than 700 effect variations plus 2 individual parameters and separate low and high EQ section

2 digital processing engines offer individually deployable or coupled effects on left and right channels

True stereo-processing performance allows separation of left and right channels in the stereo field for open-sounding enhancement of sound sources

Free VIRTUALIZER Design software allows for total remote control via PC (download at www.behringer.com)

24-bit A/D and D/A converters with 64/128 times oversampling for ultra-high headroom and resolution

Internal 24-bit processing with professional 46 kHz sampling rate

Servo-balanced inputs and outputs on gold-plated XLR and ¼" TRS connectors

100 user preset memories for storing programs for instant recall

Accurate 8-segment LED level meters simplify level setting for optimum performance

"Future-proof" software-upgradeable architecture

Full MIDI capability allows real-time parameter control and program selection

Internal power supply design for professional application

High-quality components and exceptionally rugged construction ensure long life

3-Year Warranty Program*

Designed and engineered in Germany

This pickup started a sound revolution. Replacement pickups simply didn’t exist before the invention of the Super Distortion® in the early Seventies. The Super Distortion® (and its original 3-conductor version, the Dual Sound®) was the first pickup specifically designed to kick a tube amp into total overdrive, and is still the standard by which all other high-output pickups are measured. The Super Distortion® has a perfect blend of power and tone: both single-notes and chords jump out of the amp and fill the room (or the track) with a wall of sound. The balance of tones is classic — thick, boosted mids, big lows and fat highs. This is the sound you’ve heard for over three decades on platinum records, from players as varied as Ace Frehley, Al Di Meola, and Paul Gilbert. It’s also versatile: 4-conductor wiring allows instant access to Strat®-like split and series-parallel modes. Discover what thousands of great players know: the Super Distortion® is the best all ’round high-power pickup ever made.

When we first built the Super Distortion®, it was a 1-conductor pickup. As a 4-conductor pickup, it's extremely versatile. Coil-splitting produces a very Strat®-like option, both in tone and power. Parallel wiring is similar to splitting, but it's still humbucking and a little more hollow-sounding; Paul Gilbert used to use two Super Distortion® pickups wired in parallel when he was in Racer X.

Wide range tone adjustment with excellent dynamic response

The XVIVE V7 is a wide dynamic range tube overdrive pedal that varies from vacuum tube like overdrive effect at low DRIVE settings to screamer clipping-fuzz effect at high DRIVE settings and everything in between. The micro pedal package comes in a durable all-metal housing.

Wide range tone adjustment with excellent dynamic response

The XVIVE V7 is a wide dynamic range tube overdrive pedal that varies from vacuum tube like overdrive effect at low DRIVE settings to screamer clipping-fuzz effect at high DRIVE settings and everything in between. The micro pedal package comes in a durable all-metal housing.

●Passive Volume Control/Expression Control 2 functions in 1 Pedal.

●Automatically Detect the Functionality (Volume or EXP Control).

●Working with Guitar, Bass, Keyboard, Synthesizer, Workstation, Controller, etc.

●Working without Battery or Pedal Power Supply.

●Lightweight & Comact Design for easily Taking it Anywhere.

Specifications: Input impedance (Volume Mode): 100k Ohms Pot Resistance (Expression Mode): 10k Ohms Power: DC 9v center negative(not included) Dimensions: 148.5(D)×65.5(W)×61(H)mm Weight: 280g

Description: SONICAKE Expression Pedal Vexpress is a passive volume/expression pedal for those people who think that a full-size, expression pedal may be a little heavy, and simply took too much space on the pedal board.

True analog circuit design combines 2 functions in 1 unit, a passive volume and an expression pedal.

Vexpress can automatically detect and grab the output (EXP or VOL) objective. Smooth taper responds to various parameters with maximum precision. Used as a volume pedal, input jack in, output jack out, as usual. Used as an expression pedal, leave the input jack unconnected, and connect the output jack to the device with a stereo 1/4" cable.

An extremely compact miniature size saves quite some space on your crowded pedal board.

Working without battery or pedal power supply, it can be used in extensive range with guitar, bass and other musical instruments.Made of hard plastic, lightweight casing, but yet very robust and well-built.