For the "Field Day" lp and tour, Brian played a 1967 Gibson Firebird 12 string, a 1988 Charvel Model 4 with EMG 81 pickups, and a 1986 Gibson SG with EMG 81 pickups. His amps were two Marshall 100-watt heads, four Marshall cabinets with 35-watt Celestion speakers, and a Roland JC-120. He also used an Alesis Midiverb 2, Roland SDE 1000 delay and Samson Stage Series wireless.more
Travis' go-to guitar is a Gibson Custom Black Beauty Les Paul with custom Coheed & Cambria inlay in the body that's used in standard and dropped-D tuning. He also uses a Gibson Traditional Les Paul goldtop with a Bigsby a half-step down for "The Afterman" and "Wake Up," a Gibson Les Paul with EMG 81 and 85 pickups tuned a half-step down for "Welcome Home" and a lot of early Coheed material, a Gibson Les Paul with a Bigsby tuned standard, and a Gibson SG with the low E tuned to B for "Sentry the Defiant." Travis' acoustic is a Taylor used for "Iron Fist" and the VIP acoustic performances. He also uses the DR Drop-Down Tuning Strings in .010-.052.more
Since the formation of Undivide, Leda has used ENGL amplifiers during his time in Undivide and Babymetal. In this live footage of a soundcheck prior to a Sonisphere concert, Leda can be seen using a Floyd Rose variant of an ESP Horizon (modded with a D-Tuna) and the ENGL Powerball amplifier head. Leda's guitar and amp head is visible from 1:43. Leda's ESP Horizon is equipped with a D-Tuna and EMG pickups.more
Michael Keene was born in in Los Angeles, Ca in 1986. Son to a guitarist/engineer father and vocalist mother, music was in his blood. He picked up guitar at the age of 5 years old and from that point on, there was no getting him away from it. In high school, Michael met future bass player of The Faceless, Brandon Giffin. The band formed in 2004 and released their debut album "Akeldama" in 2006. Michael currently lives in Los Angeles where, aside from his job as lead guitarist of The Faceless, he has a recording studio called "Keene Machine Studios" where he works as an engineer and producer.more
"But I'm using a Hamer V which is really cool and they are going to be building me some more guitars. I love the way the Gibsons sound, but they're just too big for me. The Hamer is a really crunchy-sounding guitar and the EMG-81s that I'm using help to make it sound absolutely amazing."more
These were made only for Japanese market (hence the Grover Jackson name) and are quite hard to find. Dan Spitz himself was rocking these in the early 90's, can be seen on Anthrax Live 1991 for example. This one is in near mint condition and all original (except for the Schaller straplocks being installed). The two EMGs are swapped - the bridge one is now EMG-85 and the neck one is EMG-81.more
EMG, Inc. is the current legal name of a company based in Santa Rosa, California that manufactures guitar pickups and EQ accessories. Among guitar and bass accessories, the company sells active humbucker pickups, such as the EMG 81, the EMG 85, the EMG 60, and the EMG 89. They also produce passive pickups such as the EMG-HZ Series, which include SRO-OC1's and SC Sets. There is also a series geared towards a more traditional and passive sound known as the X series. Their active pickups are most popular among hard rock and metal artists such as Paradise Lost, Slayer, Metallica, Zakk Wylde, Rammstein, Judas Priest, and Primus but also used by others such as Prince, Vince Gill, Kyle Sokol, Steve Winwood, Steve Lukather and David Gilmour.more
As listed in the Skwisgaar Skwigelf Advanced Fast Hand Finger Wizard Master Class, his Gibson Explorer features EMG 81 and EMG 85 pickups, and his hardware includes Krank Revolution and Krankenstein amplifiers, multiple Krank Krankenstein guitar cabinets, along with Toki, a directly connected Line 6 PODxt effects processor, a Dunlop Crybaby wah-pedal—Dimebag Darrell signature model, a Digitech Whammy Pedal, and some unmentioned MXR pedals.more
One of the most popular EMG’s, the 81 is the one that started a revolution. Utilizing powerful ceramic magnets and close aperture coils, the tone was designed with detailed intensity, incredible amounts of high end cut, and fluid sustain. Traditionally used in the bridge position of your guitar, this humbucking pickup will make your leads slice right through even the densest mix. When used in both neck and bridge positions the sound can only be described as blistering. Other recommended pairings include the classic 81/85 setup and the versatile 81/60 combo. EMG's solderless installation makes swapping your guitar pickups easier than ever.more
I have an ESP EC-50 and this guitar absolutely crushes with this pickup in the bridge position. I may get the 24V battery kit to get even more response out of the pickup.
I have this active EMG 81 in both my LTD EC-401B and EC-401. While I find this pickup goes incredibly well in my baritone, and brings a nice amount of attack and compression to it, which compliments that guitar really well; I don't like it being in my other EC-401.
I use said 401 for my pop punk/hardcore band as well as playing other rock, metalcore stuff in between. And while this pickup works remarkably well when you're playing palm muted breakdowns and core riffs, it does NOT do me many favours when I'm writing playing my pop punk riffs and other stuff. The compression that comes with this pickup doesn't tickle my fancy and I don't like that I when I dial back the volume knob for a slightly cleaner tone, it just dials back my entire volume rather than dialling back to a cleaner output.
I also find it much to harsh for my crunch tones and not very dynamic when it comes to clean tones.
All in all, don't take this as a bad review on the product itself. The pickup is a really nice pickup and I like it LOTS in other situations.
I just don't believe it's for ME in the music I write with my band. It is a great pickup if you're playing metalcore with fast, attacky riffs and lots of huge breakdowns. And yes, lots of pop punk bands also use EMG 81's and sound amazing, but I find that for my particular sound, they're just not quite right. Still a great pickup!
I use the 81 in pair with the 85 and it is just the perfect set up for all your metal needs. You can get some blazing hot distortion and some crisp cleans as well. I plan on using them in future shred machines!