"Apparently Cobain developed a taste for Fender guitars just prior to recording Nevermind. "I like guitars in the Fender style because they have skinny necks," said Cobain in a late 1991 interview. "I've resorted to Japanese-made Fender Stratocasters because they're the most available left-handed guitars." During this period, he also acquired a left-handed '65 Jaguar that had a DiMarzio Super Distortion humbucker in the bridge position and a DiMarzio PAF in the neck position in place of the guitar's stock single-coil pickups. These modifications were made before Cobain purchased the guitar."

Kirk Hammett used a DiMarzio DP100 Super Distortion as the bridge pickup in his 1978 Fender Stratocaster, as confirmed in the Gibson TV episode "The Collection: Kirk Hammett of Metallica."

In the video, we see the real guitar Dimebag where the presenter explains the guitar characteristics, and that part of it shows that it uses Super Distortion of Dimarzio in the neck position.

From a DiMarzio Facebook post:

“I bought my first Super Distortion® pickup when I was 13 years old. I loved the power and the sound, so I've been using DiMarzio pickups ever since. I love DiMarzio pickups!” -PAUL GILBERT

in this article, karl sandoval himself says that the bridge pickup of randy's polka dot v was a dimarzio super distortion.

this article from Vintage Guitar also says he used the super distortion https://www.vintageguitar.com/9495/randy-rhoads/

The super distortion pickup was used on pat's white hagstrom III, it is also one of his favorite pickups.

Rivers Cuomo used a cream DiMarzio DP100 Super Distortion pickup in the neck position of his Custom Warmoth Stratocasters, as documented on Weezerpedia.

This website covers Sonic Youth's November, 1992 interview appearence in Guitar World magazine, in the interview Ranaldo mentions that most of his Jaguar/Jazzmaster guitars are modified with DiMarzio Super Distortion humbuckers in the neck position.

NOTES

I think this is the second SY article in Guitar World, and it's an excellent read! All 3 guitarists are interviewed and discuss the recording of Dirty and associated gear/tunings/etc, along with the band's influence on other bands and the cost of vintage Jazzmasters, Kim's perceived frontwoman status, and which record was noisier: Goo or Dirty?. There is also a sub-article digging deeper into the band's Dirty era gear.

GEAR MENTIONED The article mentions multiple guitars:

THURSTON

• several Fender Jazzmasters (1) (2) (3) (4)

• one Fender Jaguar

• two Tele copies (1) (2)

• Turbo Rat

"I don't know anything about guitars or amps, I just know I need a 100-watt tube head."

• Marshall head

• Peavey Roadmaster head

• a few new Marshall cabs

LEE

• 3 early-70s Fender Telecaster Deluxes (1) (2) (3)

• Fender Jaguars (1) (2)

• Fender Jazzmasters (1)

• Travis Bean

• Gibson SG

Lee specifies that most of his Jaguars/Jazzmasters have DiMarzio Super Distortion pickups in the neck position.

• Cry Baby wah

• MXR Phase Shifter

• DOD Analog Delay

• DOD Digital Delay

• MESA/Boogie Mark III

• Marshall 4x12 cab

• vintage Orange head

KIM

• Gibson Thunderbird

• B.C. Rich [Mockingbird] bass

• '64 Fender P-bass

• Eterna

KIM (re: BC Rich bass): "That bass always stays in tune. You can throw it on the ground, walk on it - anything. It sounds horrible; it has no tone whatsoever. But it's really loud. Then I have an old '64 P-bass, which I bought because I thought I'd record with it. And I did use it on one song. It's really easy to play, but I missed the Thunderbird's low end."

KIM (re: "Creme Brulee"): "Yeah, it was just me. I just started playing something and Steve was playing along. Thurston was just doing some feedback on the guitar, making some weird sounds. And Lee turned on the tape machine. So we recorded it in our eight-track studio at our rehearsal space."

• Turbo Rat

• Dunlop Jimi Hendrix octave fuzz

• MESA/Boogie amp w/ 18-inch bass cab and 4x12 guitar cab.

For the Dirty recording sessions, both of Kim's cabs were miked, and she also sent a clean DI straight from her bass to the board.

KIM: "That's the basic setup. Then I have this other box, a Hendrix octave divider that I use to get ultra-distortion, like on "100%" "Stalker" and "Theresa's Sound World". Actually, it just works like an extra distortion pedal."

On the official website for DiMarzio, amongst a list of Murray's pickups, we can see the DiMarzio Super Distortion.

On this page, on Dimarzio's official website, it says that Adrian uses Dimarzio Super Distortion pickups.

Used on his Gibson Custom Les Paul in the early 80's

In the Rig Rundown with Premier Guitar, John 5 confirms that he uses a DiMarzio DP100 Super Distortion pickup in the bridge position.