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Based on price data from 3 merchants for "Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

For filmmakers and videographers seeking a versatile and powerful tool, the Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera is a game-changer in the world of digital cinematography. Equipped with a Super 35mm 4.6K sensor, it offers 15 stops of dynamic range at 3200 ISO, capturing stunning cinematic images even in challenging lighting conditions. This camera is designed to adapt to your creative needs, offering high frame rate recording capabilities—up to 300 fps in 1080p—perfect for capturing high-action sequences with impeccable detail.

The URSA Mini Pro 4.6K G2 is not just about high-resolution imaging; it’s about flexibility and ease of use. The camera features an interchangeable lens mount system, allowing you to switch between EF, PL, F, and B4 lenses, making it compatible with virtually any professional lens. Its built-in ND filter wheel, with 2, 4, and 6 stops, ensures that you can shoot in bright conditions without compromising on image quality. Furthermore, the camera's Blackmagic OS offers an intuitive user experience with fast gesture-based navigation, making menu diving a thing of the past.

Whether you're shooting a documentary, commercial, or live concert, the URSA Mini Pro 4.6K G2's compact and robust magnesium alloy body is built for the field. With options for direct recording to external drives via a USB-C port, dual CFast 2.0 and SD card slots, and professional connectivity options including 12G-SDI and XLR audio inputs, this camera is tailored for professional production environments.

Key Features:

  • Super 35mm 4.6K sensor with 15 stops of dynamic range
  • High frame rate recording up to 300 fps
  • Interchangeable lens mount system (EF, PL, F, B4)
  • Built-in ND filter wheel with 2, 4, and 6 stops
  • USB-C expansion port for direct recording to external drives
  • Dual CFast 2.0 and SD card slots
  • Blackmagic OS with intuitive touch navigation
  • 12G-SDI and XLR audio input connectivity
Zach Mayfield

Zach Mayfield

BLACKMAGIC URSA MINI PRO 4.6K G2 // In-Depth Review

Video thumbnail for BLACKMAGIC URSA MINI PRO 4.6K G2 // In-Depth Review by Zach Mayfield

BLACKMAGIC URSA MINI PRO 4.6K G2 // In-Depth Review

Zach Mayfield

Zach Mayfield

Video thumbnail for Why this cinema camera STILL can’t be beat by Jake Hayden

Why this cinema camera STILL can’t be beat

Jake Hayden

Jake Hayden

Video thumbnail for Best Indie Virtual Production Camera | Blackmagic Design URSA Mini Pro 4.6K G2 by Cinematography Database

Best Indie Virtual Production Camera | Blackmagic Design URSA Mini Pro 4.6K G2

Cinematography Database

Cinematography Database

Video thumbnail for Why the URSA 4.6k G2 is legendary by Jake Hayden

Why the URSA 4.6k G2 is legendary

Jake Hayden

Jake Hayden

Video thumbnail for What to Expect from the Blackmagic URSA Mini Pro 4.6k G2 by The Slanted Lens

What to Expect from the Blackmagic URSA Mini Pro 4.6k G2

The Slanted Lens

The Slanted Lens

Reviews

Critic Reviews

URSA Mini Pro 4.6K G2 - Will you ever need another camera?

redsharknews.com

The Blackmagic Design URSA Mini Pro 4.6K G2 is a powerhouse for filmmakers, offering impressive slow-motion capabilities up to 300fps and superb 4.6K picture quality. Its robust build and mobility make it versatile for various shooting conditions. While it lacks dual native ISO and has minor ergonomic gripes, the camera's competitive pricing and rich features, including in-camera raw recording, make it a compelling choice for budget-conscious production teams. Its compatibility with other Blackmagic cameras adds to its appeal, ensuring seamless integration into diverse shooting environments.

positive

The Review of The Blackmagic Design URSA Mini Pro G2

provideocoalition.com

The URSA Mini Pro 4.6K G2 from Blackmagic Design brings notable improvements over its predecessor, offering higher frame rates and reduced rolling shutter, making it a viable upgrade for those seeking enhanced performance. However, the camera still battles with noise at higher ISOs, and while it's better than the G1, it doesn't meet all expectations. The added 1/3 ISO settings and smoother 300 fps recording are definite perks, but fixed pattern noise can still be a concern in low-light scenarios. Overall, it's a solid upgrade, but not compelling enough for all G1 users to make the switch.

What to Expect from the Blackmagic URSA Mini Pro 4.6k G2! - The Slanted Lens

theslantedlens.com

The Blackmagic URSA Mini Pro 4.6K G2 offers impressive specs like 120fps in 4.6K and no crop in raw, setting it apart from many high-end competitors. While its interchangeable lens mounts and robust CODEC options add flexibility, the lack of stronger ND filters and essential accessories like the EVF, which costs extra, might disappoint some users. Quality control issues in past models also cast a slight shadow over this promising package. Overall, it’s a compelling choice for filmmakers who can navigate the potential pitfalls.

The URSA Mini Pro 4.6K G2 is an entirely new genre of camera

redsharknews.com

Blackmagic Design's URSA Mini Pro 4.6K G2 breaks new ground, balancing versatility with cinematic prowess. Its durable, tank-like build hosts a 4.6K S35 sensor offering 15 stops of dynamic range, and it excels with ultra-slow motion at up to 300fps. Field-swappable lens mounts add enviable flexibility, catering to both ENG and cinema setups seamlessly. While the G2 isn't a low-light champion, its intuitive controls and smart audio options mark a significant user-friendly leap. Start-up time could be quicker, but the ease of its menu system compensates. A true genre-defying camera, it stands out in both picture quality and practical application.

positive

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Artist usage

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See how Ryan Connolly (Film Riot) uses Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera

Ryan Connolly (Film Riot)

Filmmaker

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Verified via YouTube

In the YouTube video "Here's Why I Hate the Ending of My Short Film," Ryan Connolly of Film Riot confirms in the video description that the Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera was utilized in the production.

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