keola_hutchinson

I really like the sound and all the tweaks Misha did to the 5150 circuit. The invective cab is amazing with it. My favorite amp I've played.

I really like this cab. The pine construction gives a different sound than the standard birch ply. Well built and the V30/Creamback H combo does sound very good.

Sounds great. Plays great. The neck feels fantastic. Frets and fretboard edges feel better than any other guitar I've owned so far. Great quality axe.

Sounds amazing. Really covers all my bases for effects. Does way more than I even use it for. The Space algorithm alone is amazing.

Can be set to add some gain with the wah. No clicking it on or off. Engages as soon as you put your foot on it. Really cool. But not traditional.

Very dry, modern and punchy. Onboard boost does not operate like tube screamer style boost. Perhaps more of a volume boost. Push/Pull knobs on the eq are a nice feature. Adjustable wattage knob from less than 1 watt to the full 60 watts is useful. Toroidal transformer is cool and something a little different. The Laney Ironheart does it's own thing for sure.

Does a lot of eras of Marshall tones between the 4 channels. Very very versatile. Handles boost pedals extremely well. A really really good amp. Everything you want from a Marshall.

Nice modern style Tele. Wish they could have used the original Fender style headstock like the Pete Townsend model from the 80s. It's a bright guitar. The bilateral nature of the Super Rock 2 pickups are something different. Coil tap s gets you in the ballpark of traditional Tele tone...abd still have some hot and bright humbucker too. Lots of clarity and very articulate.

Like the faded finish. Neck dive was substantial so I added weight in the control cavity. Doesn't neck dive now. SGs are their own beast. It's got a growling kind of low-fi nature inherently. At least to my ears. I like the G-400 for the price.

Given the specs...I should like it more. I almost feel the bridge could have been set further back. The low string saddle is cranked back. And the string through angle on several strings is just so acute. It's rather dead and clunky. The Quantum pickups are pretty thick sounding. Maybe not always my favorite. But sometimes I connect with this guitar when I really want a fight. The neck is very comfortable. So it's too bad it just never feels completely dialed.

The tube screamer circuit just does great things to a tube amp. The symmetrical clipping makes it a little smoother than say a Boss SD1. The knobs are pretty small given the mini size. The led light is a little dim at certain angles. As far as I can tell it sounds just like it's big brother. And that's the main thing. I'd rate it a 3.5 if I could.

Inexpensive and very good. Especially with a cranked up Marshall. Classic boost. The asymmetrical clipping gives it a little more grind than a tube screamer.

It does what it's supposed to do but if I haven't programmed the loops in a while I have to refer to the manual as its not super intuitive. That's my only legitimate gripe. Although it's kind of a big one. Rugged and well built. Switches feel smooth.

I've tried many strings over the years...but Ernie Ball Slinky strings just sound and feel the best to me. They don't break. They are affordable. An integral part of my tone.

Works well in standard or slightly dropped. A little extra size on the lowest three strings allows me to dig in a bit more. Good for 24.75 scale axes too.

Been using this set of Ernie Balls along with many others for 20 some years. This set has its applications. A little unbalanced...but that's what gives this set it's mojo. You go, Ernie!