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Customizable fuzz.

A take on ZVex's original company flag ship Fuzz Factory, the Fat Fuzz Factory features a sub switch that opens the pedal up to an astounding new bottom end. This means the pedal can oscillate at much lower registers, giving it some very interesting thunder broom synth qualities. Based on field reports, this new fatness lends itself particularly well to the bass guitar, and rips equally well on guitar.

Controls
Although the five knobs are named for the parameters over which they seem to have the most control, they are controls for various operating levels and biases, and basically shape you a personalized fuzz.

Volume : Output level

Gate : Squelches noise after end of sustain. Turn to right to eliminate squeals, hiss and buzz, stopping just as they disappear, or use to tune in exact feedback pitch, if you're that kind. Turning to left opens gate.

Comp : Adds attack characteristic when turned to left, which gets softer to right, and suddenly pinches tone when all the way right. Also use to tune in fat feedbacky fuzz, if you're that kind. Lower the Stability and see what happens to this control.

Drive : Increases distortion when used as a "normal" fuzz, and adjusts feedback pitch and tonal thickness, if you're that kind. This control becomes meaningless when Compress is all the way right.

Stab : Use all the way right. Do not attempt to adjust this control below 2:00, unless you like your fuzz soft and squishy. Use to control feedback pitch.

Customizable fuzz.

A take on ZVex's original company flag ship Fuzz Factory, the Fat Fuzz Factory features a sub switch that opens the pedal up to an astounding new bottom end. This means the pedal can oscillate at much lower registers, giving it some very interesting thunder broom synth qualities. Based on field reports, this new fatness lends itself particularly well to the bass guitar, and rips equally well on guitar.

Controls
Although the five knobs are named for the parameters over which they seem to have the most control, they are controls for various operating levels and biases, and basically shape you a personalized fuzz.

Volume : Output level

Gate : Squelches noise after end of sustain. Turn to right to eliminate squeals, hiss and buzz, stopping just as they disappear, or use to tune in exact feedback pitch, if you're that kind. Turning to left opens gate.

Comp : Adds attack characteristic when turned to left, which gets softer to right, and suddenly pinches tone when all the way right. Also use to tune in fat feedbacky fuzz, if you're that kind. Lower the Stability and see what happens to this control.

Drive : Increases distortion when used as a "normal" fuzz, and adjusts feedback pitch and tonal thickness, if you're that kind. This control becomes meaningless when Compress is all the way right.

Stab : Use all the way right. Do not attempt to adjust this control below 2:00, unless you like your fuzz soft and squishy. Use to control feedback pitch.

From a Jazz Room, to a rich Hall, to a surfy spring, the HardWire RV-7 Stereo Reverb covers all the bases. Reverb, one of the original effects, can make or break your sound. The HardWire RV-7 Stereo Reverb features lush, studio quality, Lexicon® Reverbs. Room, Plate, Reverse, Modulated, Gated, Hall, and Spring Reverbs can all be adjusted for Level, Liveliness, and Decay to achieve any reverb tone. As with all HardWire pedals, the RV-7 is crafted from premium all-metal components to perform night after night, tour after tour.

Kick your vocals into high gear with VoiceTone Harmony-G XT. Now with improved harmony technology and reverb from its big brother VoiceLive 2, Harmony-G XT will improve your tone and surround your voice with pro effects and vocal harmony.

Ring Modulator/Distortion Pedal with Independent Gain, Distort, Ring Mod, Output, and Freq Controls

Driven by one 12AX7, simplistic in design but with a wide range of function and tone. The creamy tone of the Spitfire perfectly galvanizes the bridge pickup sound for both classic and modern rock sounds. The easy to dial controls and minimalist foundation makes it perfect for Jazz, Blues, Chord Melody, Country picking, and Rock.

The 1622RT Tremo-Verb is a feature-rich update to the coveted late-60’s Supro 1×10 combo platform. This compact, Class-A, 6973-powered bruiser pushes a LOUD 25 watts through our custom-made 10” speaker to capture the old-school Supro magic in an amp you can easily haul around to gigs. Tremo-verb is, without a doubt, pound-for-pound the most potent tube amp in the Supro line.

The Tremo-verb’s feature set, blue rhino hide tolex and compact physical dimensions are drawn from the original combo of the mid 60’s, with its power plant borrowed from its larger brother, the 1624T Dual-Tone. This modern incarnation of the Supro Tremo-verb has been enhanced with enough Class-A power to gig out alongside a pounding drummer and bassist.

Following traditional Supro fashion, the new Tremo-verb’s power-tube tremolo comes after the reverb pan, lending an ethereal shake and wobble to the enveloping wash of tube-driven spring reverb. This amp has ample headroom to use with pedals, maintaining exceptional clarity and sparkle even above 12-o’clock on the volume knob as the amp rolls over into glorious all-tube overdrive.

An all-in-one pedal with a tube amplifier emulator and four essential effects just like the rig Kotzen plays himself.

The Richie Kotzen Signature RK5 Fly Rig is not simply another version of the Fly Rig 5 with his name screened on it. The RK5 was developed in close collaboration with Richie, whose input was invaluable. Meticulous about every facet of his playing, singing, songwriting and tone, Richie’s attention to the details of this pedal was nothing less. For the bulk of his 2014 tour with the Winery Dogs, Richie used the final prototype while we were busy getting everything lined up for production. Richie is also using the prototype for his 2015 solo tour.

While Richie primarily uses his RK5 live in conjunction with his standard amp rig, this sleek, compact unit embodies an entire rig on its own. At its heart, is the all-analog SansAmp, which makes it possible to go direct to a PA or mixer. For effects, you have the essentials: a reverb, a delay with tap tempo, a powerful boost, and Richie’s Signature OMG overdrive.

For fly gigs across the globe, jamming at the local hang, and last minute sessions, you’ll be the first one ready to go. You can stop stressing over what to pack and agonizing over what to leave behind. You can stop dreading cheesy backline loaners and overheating at the mere thought of your touring rig going down. Just pop your RK5 into your guitar case and head for the door.

An all-in-one pedal with a tube amplifier emulator and four essential effects just like the rig Kotzen plays himself.

The Richie Kotzen Signature RK5 Fly Rig is not simply another version of the Fly Rig 5 with his name screened on it. The RK5 was developed in close collaboration with Richie, whose input was invaluable. Meticulous about every facet of his playing, singing, songwriting and tone, Richie’s attention to the details of this pedal was nothing less. For the bulk of his 2014 tour with the Winery Dogs, Richie used the final prototype while we were busy getting everything lined up for production. Richie is also using the prototype for his 2015 solo tour.

While Richie primarily uses his RK5 live in conjunction with his standard amp rig, this sleek, compact unit embodies an entire rig on its own. At its heart, is the all-analog SansAmp, which makes it possible to go direct to a PA or mixer. For effects, you have the essentials: a reverb, a delay with tap tempo, a powerful boost, and Richie’s Signature OMG overdrive.

For fly gigs across the globe, jamming at the local hang, and last minute sessions, you’ll be the first one ready to go. You can stop stressing over what to pack and agonizing over what to leave behind. You can stop dreading cheesy backline loaners and overheating at the mere thought of your touring rig going down. Just pop your RK5 into your guitar case and head for the door.

Here’s a Seymour Duncan Custom Shop Invader single coil sized humbucker strat neck or middle pickup in black.

The single-coil Invader has all the amp-pummeling power of the Invader but in a single-coil size.

Perfect for those looking for a heavy, hot and loud tone.

PB-1 is the power supply for guitar effects with regulated 9V direct current (DC). It has eight full galvanically separated outputs which enable to built professional guitar systems without ground loops and crosstalks. SMPS (Switching-Mode Power Supply) technology is applied in the PB-1. The Power Supply does not generate the hum even if it is placed close to the other effects (especially Wah Wahs having inductors).

PB-1 enables also to obtain voltages 12V, 15V DC using adapters offered by G LAB and 18V DC using simple to ‘do it yourself’ adapter.

8 Separated 9V Power Box PB-1

PB-1 is worldwide voltage compatible (nominal line voltage from 100V to 230V) by connecting the mains cable (attached to the packet) with a connector appropriate for a given country. PB-1 could be fix as well in a pedalboard as in a Rack systems using the GLAB 1U RMS FRONT PANEL.

Thanks to applied in the PB-1 SMPS technology: * PB-1 has no typical mains transformer which generates electromagnetic field interferences received by other devices situated near to it (e.g. inductors in the wah-wah effect), * DC output voltage is guaranteed in the range from 100V to 240V line voltage, * there is high output power in proportion to small size and weight. It is possible to switch the voltage polarization in outputs no. 4 and 8. The PB-1 package contains labels for cables describing. Showing polarization, energy flow and voltages makes easier to organize the pedalboard and reduce the likehood of effects’ damage caused by faulty connection.

Power supply with 8 outputs galvanically isolated to prevent ground loops and unwanted noise, separated into two sections 1000th each. The polarity is standard, with negative to the center, and can be selected at exits 4 and 8. The voltage is 9v, but allows for 12v and 15v using adapters offered by GLAB. Its input voltage is intelligent and can be used anywhere in the world with voltages from 100V to 240V. Includes wiring for the 8 outputs.

Basic characteristics: eight full separated outputs with regulated 9V DC current , two sections 1000 mA each (under the condition of not passing 0,35A for each output), shortcut circuit protection, guaranteed DC output voltage in the range from 100V to 240V line voltage, POWER and POWER FAIL indicators, switchable polarization in outputs no. 4 and 8 (1,2,3,5,6,7 have permanently CTR- ), solid, powder-coated casing, possibility of installing in a Rack systems.

Technical parameters: Dimensions (depth x width x height): 108 mm x 130 mm x 40 mm Weight: 0,9 kg Power supply nominal: 100V - 230V

The packet with PB-1 power supply also contains: - Mains cable for power supply PB-1 - Cables for effects power supply: 9V 40 cm (2 pcs), 9V 80 cm (4 pcs.), 9V 120 cm (2 pcs) - M3 screws for fixing PB-1 in rack 19” systems (4 pcs) - Velcro fasteners for fixing PB-1 (4 pairs) - Heat shrink tubes for linking wires ‘do it yourself’ (10 pcs) - Cable labels for marking cables which serves to effects feeding (30 pcs)

PB-1 is the power supply for guitar effects with regulated 9V direct current (DC). It has eight full galvanically separated outputs which enable to built professional guitar systems without ground loops and crosstalks. SMPS (Switching-Mode Power Supply) technology is applied in the PB-1. The Power Supply does not generate the hum even if it is placed close to the other effects (especially Wah Wahs having inductors).

PB-1 enables also to obtain voltages 12V, 15V DC using adapters offered by G LAB and 18V DC using simple to ‘do it yourself’ adapter.

8 Separated 9V Power Box PB-1

PB-1 is worldwide voltage compatible (nominal line voltage from 100V to 230V) by connecting the mains cable (attached to the packet) with a connector appropriate for a given country. PB-1 could be fix as well in a pedalboard as in a Rack systems using the GLAB 1U RMS FRONT PANEL.

Thanks to applied in the PB-1 SMPS technology: * PB-1 has no typical mains transformer which generates electromagnetic field interferences received by other devices situated near to it (e.g. inductors in the wah-wah effect), * DC output voltage is guaranteed in the range from 100V to 240V line voltage, * there is high output power in proportion to small size and weight. It is possible to switch the voltage polarization in outputs no. 4 and 8. The PB-1 package contains labels for cables describing. Showing polarization, energy flow and voltages makes easier to organize the pedalboard and reduce the likehood of effects’ damage caused by faulty connection.

JOYO overdrive pedal introduces warm overtones when used as a clean volume boost and when cranked to 11 the thing has the searing tone and warmth of a classic overdriven tube amp. The pedal features three control functions: volume (output), drive (gain) and tone (treble boost or cut, focused around the 2-5k range). The circuit features true-bypass wiring, and the world-renowned jrc4588 chip provides a full sound. From gobs of thick midrange to a modest top-end boost, this pedal is versatile, yet consistent between guitars. The vintage overdrive pedal is one of JOYO's most popular pedals. The smooth tones and rich harmonics it creates have made it a favourite among blues, rock and fusion guitar players. Without sacrificing anything in terms of quality, this modern construction pedal accurately reproduces the original soul, bite and growl of the classic 'screamer overdrive series, but at a fraction of the price. If you play classic rock, modern or hard rock, country, blues or rock-a-billy.

The HardWire TR-7 is a true stereo tremolo, rotary, and vibrato pedal. Tones range from traditional tremolo to a highly-detailed rotary cabinet. Vibrato effects finish the mix for the world's most advanced pedal of its kind.

With its high-voltage operation, the TR-7 is at home both on a pedalboard or in the effects loop of an amp where standard pedals distort due to the large signal from the amplifier's loop. The TR-7 also features true stereo I/O allowing for complex connections and sounds with extreme flexibility.

Get your groove on with TRIO+ Band Creator pedal.

TRIO+ listens and learns the chords and rhythm you play and automatically creates drum and bass accompaniment. TRIO+ now also allows you to loop and custom sequence your looped guitar parts to create full songs on the fly.

Additional features include: Expanded Styles, FX send/return, SD card memory expansion, and simplified bass make TRIO+ irresistible.

Get your groove on with TRIO+ Band Creator pedal.

TRIO+ listens and learns the chords and rhythm you play and automatically creates drum and bass accompaniment. TRIO+ now also allows you to loop and custom sequence your looped guitar parts to create full songs on the fly.

Additional features include: Expanded Styles, FX send/return, SD card memory expansion, and simplified bass make TRIO+ irresistible.

A fun way to play with your delay.

The Obscura Altered Delay from DigiTech allows you to turn your delays upside down and inside out. The Obscura' four delay types can be darkened, degraded and distorted on the fly with the stacked Tone and Degrade controls. Combine these controls with the Obscura' Repeat/Hold feature and lose yourself in long, trippy, gurgling repeats or backwards-manipulated sonic mayhem.

In addition to its Tone and Degrade controls, the Obscura features independent Level, Delay Mode and stacked Time and Repeats controls. Complimenting those versatile controls, the Obscura offers four excellent-sounding Analog, Tape, Lo-Fi, and Reverse types, Tap Tempo mode with Beat Divisions, Stereo Inputs/Outputs, a Delay Tails On/Off Switch and True Bypass circuitry.

With its compact size and vacuum-style footswitch, the Obscura furthers DigiTech' evolution in pedal design. DigiTech put years of experience into every detail of its mechanical and sonic blueprint.

The Obscura uses a 9V DC power supply to easily integrate into your existing pedal board.

A fun way to play with your delay.

The Obscura Altered Delay from DigiTech allows you to turn your delays upside down and inside out. The Obscura' four delay types can be darkened, degraded and distorted on the fly with the stacked Tone and Degrade controls. Combine these controls with the Obscura' Repeat/Hold feature and lose yourself in long, trippy, gurgling repeats or backwards-manipulated sonic mayhem.

In addition to its Tone and Degrade controls, the Obscura features independent Level, Delay Mode and stacked Time and Repeats controls. Complimenting those versatile controls, the Obscura offers four excellent-sounding Analog, Tape, Lo-Fi, and Reverse types, Tap Tempo mode with Beat Divisions, Stereo Inputs/Outputs, a Delay Tails On/Off Switch and True Bypass circuitry.

With its compact size and vacuum-style footswitch, the Obscura furthers DigiTech' evolution in pedal design. DigiTech put years of experience into every detail of its mechanical and sonic blueprint.

The Obscura uses a 9V DC power supply to easily integrate into your existing pedal board.