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This classic was originally available in the early 2000s and only produced in very limited numbers. Since then the Orange AD5 guitar amp has become a real collectors piece, even being listed in Aspen Pittman's 'Groove Tubes' book.

This Orange amplifier has a classic vintage amp character, and at such a low power is ideal to record with, or simply get those great live cranked sounds in your bedroom without annoying your neighbors (too much).

Celestion G10N-40 speaker This classy 10" is a true 'modern vintage' guitar speaker, that delivers an exceptionally well balanced tone that has real Celestion pedigree.

The G10N-40 is characterized by satisfyingly deep lows that are complemented by sweet and clear upper mids, and an articulate, well-defined top end.

Loaded into small combos such as the Orange AD5 amp, the G10N-40 articulates a detailed and warm clean sound, and its balanced response means this versatile speaker is still able to deliver true British grind when pushed to the limit.

Same classic jumbo fuzz sound, now in a not-so-jumbo size.

The Swollen Pickle Jumbo Fuzz MkIIS serves up the same burly high gain fuzz as the full-sized MkII but in a more petite package. With a twist of the Sustain control, you’re taken from mild crunch to Armageddon. The Filter control retains its trademark insane range of heavily bandpass-filtered tones, distinguished by remarkable girth and sizzle, and the Loudness puts out enough volume to clobber any amp. The Scoop tone stack control elicits classic Swollen Pickle mid-scoop or a flat mid-frequency sweep, and the Crunch knob adjusts the compression intensity of the fuzz. Finally, under the hood, the MkIIS has two internal mini controls: Voice sets the intensity of the external scoop control from light to heavy mid cut, and Clip varies between two sets of clipping diodes for smooth or opened fuzz sustain.

Same classic jumbo fuzz sound, now in a not-so-jumbo size.

The Swollen Pickle Jumbo Fuzz MkIIS serves up the same burly high gain fuzz as the full-sized MkII but in a more petite package. With a twist of the Sustain control, you’re taken from mild crunch to Armageddon. The Filter control retains its trademark insane range of heavily bandpass-filtered tones, distinguished by remarkable girth and sizzle, and the Loudness puts out enough volume to clobber any amp. The Scoop tone stack control elicits classic Swollen Pickle mid-scoop or a flat mid-frequency sweep, and the Crunch knob adjusts the compression intensity of the fuzz. Finally, under the hood, the MkIIS has two internal mini controls: Voice sets the intensity of the external scoop control from light to heavy mid cut, and Clip varies between two sets of clipping diodes for smooth or opened fuzz sustain.

Give your instrument a 35db of non-distorted gain.

The Fulltone FatBoost 3 effects pedal replaces previous versions 1 and 2, marrying everything that people liked about both versions while improving on them in a few key areas:

¢The FB-3 brings back the v1 11-position Gain control to give the ultimate in control over the FETs
¢The FB-3 adds one more stage of FET so that the pedal does not invert your signal
¢The FB-3 cures v1's huge bass increase and dull high-end issues, but allows those sounds as well should you so desire

The Fulltone FatBoost 3 is a discrete, Class-A, FET (Field-Effect-Transistor) guitar pedal offering up to 35dB of non-distorted gain without changing your signature sound, unless you want that. You can fatten/distort your tone, brighten or mellow up the sound, add or subtract bass, and even add harmonics. The FB-3 has true-bypass switching (via the Fulltone 3PDT) and incorporates a super-bright LED without the loud popping sound thanks to Fulltone's proprietary anti-pop circuitry.

FET's can behave like tubes in a properly designed circuit. They can clip (distort) in a pleasing way instead of being buzzy or spiky-sounding (like a transistor) and can also add a subtle limiting to the signal which can even out the volume making your live and recorded tones more pleasing to the ear. If you're a recording engineer, you'll be happy to know you can use the Fulltone FatBoost 3 on everything from acoustic and electric guitar to electric bass, and even snare drums.

The FatBoost 3 pedal works great in front of non-Master Volume tube amps to goose them into submission, as well as through Master Volume amps to drive them much harder than possible with just your guitar alone. It also works very well on bass, acoustic guitars (with pickups), and is ideal at the end of a pedal board effects chain to completely eliminate the tone loss caused by long guitar cable runs back to your amp. Doing so will allow the use of 50' (or longer) cable lengths with no signal degradation whatsoever.

This version of the Fulltone FatBoost (FB-3) incorporates all of the things that people have loved about previous versions of these effects pedals in the past without any of the shortcomings. It brings back the 11-step FET Bias Drive knob that was missing from the FB-2. You'll notice that this knob makes a slight scraping noise when you turn it. Fear not, as that is totally normal, and is simply the sound of the Bias changing and settling on the FET MuAmp. The FatBoost 3 gives you the feeling that your amp is cranked at living room volumes so your playing is more dynamic and notes hold on longer without being distorted. It makes up for all the tone loss that (even true-bypass) pedals impart to your sound, especially if you have a lot of pedals on your pedal board.

Give your instrument a 35db of non-distorted gain.

The Fulltone FatBoost 3 effects pedal replaces previous versions 1 and 2, marrying everything that people liked about both versions while improving on them in a few key areas:

¢The FB-3 brings back the v1 11-position Gain control to give the ultimate in control over the FETs
¢The FB-3 adds one more stage of FET so that the pedal does not invert your signal
¢The FB-3 cures v1's huge bass increase and dull high-end issues, but allows those sounds as well should you so desire

The Fulltone FatBoost 3 is a discrete, Class-A, FET (Field-Effect-Transistor) guitar pedal offering up to 35dB of non-distorted gain without changing your signature sound, unless you want that. You can fatten/distort your tone, brighten or mellow up the sound, add or subtract bass, and even add harmonics. The FB-3 has true-bypass switching (via the Fulltone 3PDT) and incorporates a super-bright LED without the loud popping sound thanks to Fulltone's proprietary anti-pop circuitry.

FET's can behave like tubes in a properly designed circuit. They can clip (distort) in a pleasing way instead of being buzzy or spiky-sounding (like a transistor) and can also add a subtle limiting to the signal which can even out the volume making your live and recorded tones more pleasing to the ear. If you're a recording engineer, you'll be happy to know you can use the Fulltone FatBoost 3 on everything from acoustic and electric guitar to electric bass, and even snare drums.

The FatBoost 3 pedal works great in front of non-Master Volume tube amps to goose them into submission, as well as through Master Volume amps to drive them much harder than possible with just your guitar alone. It also works very well on bass, acoustic guitars (with pickups), and is ideal at the end of a pedal board effects chain to completely eliminate the tone loss caused by long guitar cable runs back to your amp. Doing so will allow the use of 50' (or longer) cable lengths with no signal degradation whatsoever.

This version of the Fulltone FatBoost (FB-3) incorporates all of the things that people have loved about previous versions of these effects pedals in the past without any of the shortcomings. It brings back the 11-step FET Bias Drive knob that was missing from the FB-2. You'll notice that this knob makes a slight scraping noise when you turn it. Fear not, as that is totally normal, and is simply the sound of the Bias changing and settling on the FET MuAmp. The FatBoost 3 gives you the feeling that your amp is cranked at living room volumes so your playing is more dynamic and notes hold on longer without being distorted. It makes up for all the tone loss that (even true-bypass) pedals impart to your sound, especially if you have a lot of pedals on your pedal board.

Fuzz Pedal with NOS Germanium and Silicon Transistors, True Bypass Switching, and TRS Expression Pedal Port

Eliminates Bleed from Your Recording or Performance The SSC-1 Silent Speaker Chamber is the answer for those trying to achieve a full bodied electric guitar sound without disturbing the neighbors or for use on-stage to reduce stage volume. Features include an adjustable built-in microphone stand with XLR output and 1/4" input jacks on the exterior. Ideal for live recording and live situations where leakage is a problem. Handmade of 3/4" marine grade plywood with heavy duty molded corners, fully insulated and wrapped in durable black carpet.

The Artisan 15 - beautiful looks and beautiful tone. Two channels, one based on an EF86 Pentode and the other an ECC83 Triode, refine legendary vintage and boutique reference tones. The EL84 based power section is switchable between a 5W triode mode and a more dynamic 15W pentode mode configuration, for the ultimate in low power valve amplifier flexibility.

• Class A 15W Combo
• Switch for 5W triode mode / 15W pentode mode
• 2 x EL84 output valves
• EF86 channel
• ECC83 channel
• Hi and Lo inputs perfect for channel blending
• Impedance selector
• Celestion G12M 'Greenback' Speaker

The ultimate time-based signal processor.

The H9 features a simple, one-knob user interface which allows easy Effect Editing and Preset Selection. Two onboard Footswitches let you change Presets, Tap Tempo, and Bypass with your feet during live performance.

While the H9 is fully controllable via its front panel, a free editor/librarian, H9 Control, can be downloaded to your Mac, PC, or iOS device. Use the H9 Control app for live editing, creating and managing presets, and changing system settings.

H9 even connects via Bluetooth to iPods, iPhones and iPads for wireless live control.

The ultimate time-based signal processor.

The H9 features a simple, one-knob user interface which allows easy Effect Editing and Preset Selection. Two onboard Footswitches let you change Presets, Tap Tempo, and Bypass with your feet during live performance.

While the H9 is fully controllable via its front panel, a free editor/librarian, H9 Control, can be downloaded to your Mac, PC, or iOS device. Use the H9 Control app for live editing, creating and managing presets, and changing system settings.

H9 even connects via Bluetooth to iPods, iPhones and iPads for wireless live control.

The standard for modern guitar versatility and muscle. Mustang amps are incredible Fender tone machines for today’s guitarists, driven by remarkably authentic amp models, a wealth of built-in effects, easy USB connectivity and Fender® FUSE™ software that lets your musical creativity and imagination run wild. And like no other amps, Mustang models make it easy to record, edit, store and share your music.

Ideal for guitarists new to digital recording, the versatile Mustang I delivers an exciting ride for such a compact and easily portable design, with great tone from 20 watts of power, an 8” speaker and an astounding array of features.

• Controls Boost: Sets the level of the output boost. Volume: Sets the output level. Tone: Brighter clockwise, warmer counter clockwise. Gain A: Sets the gain for the Channel A (lower gain) Gain B: Sets the gain for Channel B (higher gain)
• Foot Switches Activate: True bypass switch Gain B: Activates Gain Channel B Boost: Activates the output level boost
• Normal/Bright: Normal is a warm full tone, Bright is livelier tone with more chime. Buffer: Turns the input buffer on or off. ON is a tighter and brighter tone while OFF is a warmer tone with more sag.
• Power A standard 9volt DC power supply intended for musical instruments with a negative center 2.1mm barrel. Power supply not included!

Mega Ultimate Maximum Overdrive

Egg Shakers from MEINL Percussion have an extremely pronounced and crystal clear sound. They can deliver sharp staccato patterns as well as flowing and pulsating shaker rhythms. Vital to any percussion or drum kit set up, they are ultra-responsive to even the slightest of hand movements. These small instruments are perfect for all musicians, not just the time keepers. Add some spice to your playing with the classic Egg Shakers from Meinl, and pair with another color to create fun and interesting rhythmic patterns!

Designed to percussion master Conte's specs. 2 individual plastic shakers connected as one instrument.

1 x 12" Guitar Extension Cabinet, with Angled Front, 60-watt Power Handling, and Slip Cover - Black Tolex with Black Grille Cloth

THE WORLD’S FIRST CHORUS SOUNDS, REBORN WITH WAZA CRAFT

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were. * Special edition Waza Craft pedal delivers the ultimate BOSS tone experience * Standard mode provides a perfect reproduction of the legendary CE-2 sound * CE-1 mode features chorus and vibrato, authentically reproducing the two stereo sound modes in the world’s first chorus pedal * Includes new sounds not available in the original pedals, including CE-2 stereo output and variable depth for CE-1 chorus sounds * Rate and Depth knobs provide fine sound adjustment in both pedal modes * Premium all-analog circuitry with bucket-brigade (BBD) delay line * Made in Japan to celebrate the 40th anniversary of BOSS effects * BOSS five-year warranty

THE WORLD’S FIRST CHORUS SOUNDS, REBORN WITH WAZA CRAFT

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

THE WORLD’S FIRST CHORUS SOUNDS, REBORN WITH WAZA CRAFT

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were. * Special edition Waza Craft pedal delivers the ultimate BOSS tone experience * Standard mode provides a perfect reproduction of the legendary CE-2 sound * CE-1 mode features chorus and vibrato, authentically reproducing the two stereo sound modes in the world’s first chorus pedal * Includes new sounds not available in the original pedals, including CE-2 stereo output and variable depth for CE-1 chorus sounds * Rate and Depth knobs provide fine sound adjustment in both pedal modes * Premium all-analog circuitry with bucket-brigade (BBD) delay line * Made in Japan to celebrate the 40th anniversary of BOSS effects * BOSS five-year warranty

The Camel Toe Triple Overdrive MKII herds the Green Rhino Overdrive and the Red Llama Overdrive into a single rowdy stable of a stompbox.

Overdrive and Booster Warm sound from the soft crunch to extremely nasty!

Touch responsive saturation and natural sounding compression Designed in partnership with Carlo Sorasio, Italy’s premier boutique amp and pedal builder

The MXR Double-Double Overdrive serves up two classic overdrives in a single housing

• 8 protected 9V DC outlets
• 100 MA per outlet, 1A maximum combined current for all outlets
• Three widely spaced 120V AC, 15A outlets, allows enough room for "wall warts"