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The classic chorus! Analog chorus pedal popularized by Kurt Cobain. The finest analog chorus sounds: from clear, rich and dimensional to warm pulsating warbles, can be intensified with the Depth Control. Simple tweaks generate exciting doubling effects. Chiming 12-string tone, or Leslie-like warbles.

Do you remember the womb? I imagine this pedal feels like that experience… warm, thick, lush, atmospheric, analog, fluid… you know, womb-like. In short, it’s a super rad phaser. This pedal features an analog signal path, but every knob is connected to a little digital brain (aka microprocessor) that interfaces with the analog effect. Your guitar signal stays analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects that have never been heard in an analog stompbox.

Everyone loves the overdrive channel in Visual Sound’s Jekyll & Hyde and Route 66 pedals. Over the years, Visual Sound has had many requests to put two of these overdrives into one pedal, allowing for two different settings and the ability to use them together. Now you can have that great sound and all the advantages of V2 Series construction, plus the addition of an innovative noise reduction system, in the Double Trouble…only from Truetone!

Utilizing an expensive opto-isolator and carefully designed analog circuitry, the GarageTone Tremolo nails the effect with perfection at an incredibly low price. In addition to the usual Speed and Depth controls, the GarageTone Tremolo also has a unique Wave control that alters the overall feel of the effect. Last but not least, there’s even a blinking LED that blinks in time to the Tremolo speed!

The GarageTone “Chainsaw” Distortion from Visual Sound is a unique and very musical distortion in contrast to its name. Sounding more like an expensive boutique distortion, the pedal is shockingly affordable. With big low-end and just the right amount of mids and highs, this creamy distortion will inspire you. Combine it with the GarageTone Drivetrain or V2 Route 808 pedal to get massive lead tones!

The GarageTone “Oil Can” Phaser from Truetone is a classic sounding analog phaser. With both Speed and Depth knobs, the Oil Can Phaser has a wide variety of warm analog tones, from swooshing to pulsating. Placed before distortion or overdrive, the Oil Can is perfect for classic or modern rock, ska, punk, and more. On its own, the GarageTone Oil Can Phaser gives warmth and movement to textured rhythm parts.

Truetone Clean Boost is the Perfect way to push the front end of your tube amp. Then again, it’s also a great way to push a good overdrive pedal a bit harder. If you like the tone you already have from another pedal, just put Truetone after that pedal for a volume boost… great for a solo boost or to make a certain part stand out. Punch in and punch out without affecting your tone. The Truetone can get up to a 15dB boost, completely clean. So, if you’re looking for a true clean boost and not a dirty boost, your search will end with Truetone.

Works great on bass too!

You won’t believe your ears when you plug into the ultra-affordable GarageTone “Axle Grease” Delay. Warm, natural sounding echos, whacky space effects when you turn the Delay Time knob, self-oscillating capabilities… it’s all in the GarageTone Axle Grease Delay!

One of Guitar World’s Top 10 Pedals!

The Visual Sound Dual Tap Delay gives you two separate channels which can be used independently or together, synchronized with a single tap-tempo switch. The two channels are identical, but with the second channel also having a Modulation control to add a Chorus effect to the repeats. Max delay time is one second for each channel.

Each channel can be used in either Manual or Tap modes, with controls for Manual Delay Time (in Manual mode), Repeats, Effect Level, and Tone, as well as Time Divisions for Tap mode.

There are also two internal switches. One switch controls whether Output 2 is effected or dry, while the other switch sets repeats to be either trailing or non-trailing for Channel 2 after the effect is turned off.

The Dual Tap Delay is designed to be used without the need to read a manual… a refreshing change from most modern delay pedals. The sounds from the pedal are immediately gratifying, even on first use. Although it’s common to just let DSP do all the tone shaping in a delay, Truetone uses a lot of analog circuitry to create the warm feel of the Dual Tap Delay. Most companies don’t do that because it costs more and is more complicated, but we thought you would appreciate the better sound that this method produces.

The single pedal Son of Hyde from Visual Sound is the exact same distortion channel found in the highly acclaimed Jekyll & Hyde pedal. With a wide range of sounds that can be discovered by using the Mid knob to adjust the midrange, a Bright switch to go from a more compressed distortion to very bright, along with Drive, Treble, and Volume knobs to set the overall style of sound, the Son of Hyde is the perfect compliment to any pedalboard. The added noise reduction circuit in Son of Hyde eliminates white-noise when you stop playing… although you might not want to stop! With the unique housing design and user-friendly controls, the sonic possibilities of the V2 Series Son of Hyde are… endless.

From its first appearance in 1997, the Jekyll & Hyde was the first pedal to combine two separate effects in one pedal. The V2 Series gives the same great tone guitarists have come to love plus an added noise reduction system. Each channel of the Jekyll & Hyde has separate controls, giving you the ability to use them separately, or together. All of this adds up to one of the most versatile distortion/overdrive pedals on the planet!

You like the great sound of the Route 808, but you want a more open sounding, amp-like overdrive with less dominant mid-range? Open Road is the overdrive you’ve been searching for. Finally, an overdrive pedal that delivers grind and girth. Clear low end, sparkling highs, and none of the mid-range hump found in most other dirt boxes. Play a sixstring chord and all the notes ring through. Play a single note line and it sizzles, punch a power chord and it grinds.

Open Road features a very interactive tone circuit, effecting not only high-end roll-off, but gain structure as well. At any setting, at any volume, Open Road produces organic amp-like tones that might cause you to leave it on all the time.

Works great on bass too!

Warm! Liquid! Lush! All words that accurately describe the V2 Series H2O from Visual Sound. The H2O gives all the same great tones guitarists have come to love over the years. Whether it’s Chorus, Echo, or both… use each channel by itself, or combine them both just as you would two separate pedals! The Chorus channel is a wonderfully voiced effect for electric, acoustic, or bass guitar, using pure analog circuitry. Use the Norm/Lush switch to set the overall style of Chorus and drift away on the H2O’s incredibly rich chorus. H2O’s Echo channel is a warm, analog voiced echo… completely natural sounding. Add to it a second (non-effected) output jack for stereo amplifier setups and you have the best of all worlds in the H2O.

Works great on bass too!

The Angry Fuzz is a totally original single pedal effect from Truetone that will blow away any other fuzz pedal you’ve ever tried. Although it has an octave circuit that can be blended in with the fuzz, it is not at all like the Octavia or other vintage pedals for that matter. You can set the Volume and Fuzz levels as well as turn the Bright switch on or off for your basic fuzz tone. Blend in the Octave circuit with the Anger Level knob and voila, the most incredible sound you’ve heard that tracks with every single note. On single notes it will give you one octave up. Play a two-note chord and you’ll get the octave up plus some wild lower octave artifacts.

Works great on bass too!

The Angry Fuzz is a totally original single pedal effect from Visual Sound that will blow away any other fuzz pedal you’ve ever tried. Although it has an octave circuit that can be blended in with the fuzz, it is not at all like the Octavia or other vintage pedals for that matter. You can set the Volume and Fuzz levels as well as turn the Bright switch on or off for your basic fuzz tone. Blend in the Octave circuit with the Anger Level knob and voila, the most incredible sound you’ve heard that tracks with every single note. On single notes it will give you one octave up. Play a two-note chord and you’ll get the octave up plus some wild lower octave artifacts.

Works great on bass too!

Truetone has completely re-invented the Route 66 pedal with the new V3 Series version. All new circuitry takes the best tones of previous versions and makes them even better, with far more versatility. Here are some of the highlights:

• Completely re-invented Route 66 pedal, with new circuitry.
• Compression and Overdrive in one box. Use together or separately.
• Compression Clean Mix knob allows varying degrees of compression mixed with dry signal, and the ability to be used as a clean boost.
• Same Comp, Tone (with on/off switch) and Volume knobs as previous Route 66 pedals. • Redesigned, quieter compression with more subtle noise gate circuit. • New overdrive channel based on the Reverend/GarageTone Drivetrain pedal, but with Clean Mix and Voice controls. • Overdrive Clean Mix knob allows for various blends of overdrive and dry signal, including all drive or all clean boost. • Voice switch chooses between bright and open, or more saturated overdrive. • Separate Bass and Treble knobs. • The V3 Route 66 sounds equally great with guitar or bass, and even with keyboards and other instruments!

Visual Sound has completely re-invented the Route 66 pedal with the new V3 Series version. All new circuitry takes the best tones of previous versions and makes them even better, with far more versatility. Here are some of the highlights:

• Completely re-invented Route 66 pedal, with new circuitry.
• Compression and Overdrive in one box. Use together or separately.
• Compression Clean Mix knob allows varying degrees of compression mixed with dry signal, and the ability to be used as a clean boost.
• Same Comp, Tone (with on/off switch) and Volume knobs as previous Route 66 pedals. • Redesigned, quieter compression with more subtle noise gate circuit. • New overdrive channel based on the Reverend/GarageTone Drivetrain pedal, but with Clean Mix and Voice controls. • Overdrive Clean Mix knob allows for various blends of overdrive and dry signal, including all drive or all clean boost. • Voice switch chooses between bright and open, or more saturated overdrive. • Separate Bass and Treble knobs. • The V3 Route 66 sounds equally great with guitar or bass, and even with keyboards and other instruments!

Everyone loves the overdrive channel in Visual Sound’s original Jekyll & Hyde and Route 66 pedals. This distinctive overdrive is also available as a single pedal in the V2 Series of pedals from Visual Sound.

The right channel has pronounced mids without being ‘honky’. In addition to Drive, Tone, and Volume knobs, it also has a 3-way Clipping (diodes) switch, a 3-way Bass switch, and a Clean Mix knob. The left channel also has Drive, Tone and Volume knobs, along with a Bass knob, but with flat mids, making it sound very amp-like. The VS-XO is a tone-experimenter’s dream pedal. The sound options are nearly endless.

If you use a switching system or want to change the order of effects, no problem… separate Ins and Outs allow for that. If you just want to plug one cable in and one out normally, you can do that too. And the VS-XO is covered by the Truetone Lifetime Warranty.

Truetone has completely re-invented the Route 66 pedal with the new V3 Series version. All new circuitry takes the best tones of previous versions and makes them even better, with far more versatility. Here are some of the highlights:

• Completely re-invented Route 66 pedal, with new circuitry.
• Compression and Overdrive in one box. Use together or separately.
• Compression Clean Mix knob allows varying degrees of compression mixed with dry signal, and the ability to be used as a clean boost.
• Same Comp, Tone (with on/off switch) and Volume knobs as previous Route 66 pedals. • Redesigned, quieter compression with more subtle noise gate circuit. • New overdrive channel based on the Reverend/GarageTone Drivetrain pedal, but with Clean Mix and Voice controls. • Overdrive Clean Mix knob allows for various blends of overdrive and dry signal, including all drive or all clean boost. • Voice switch chooses between bright and open, or more saturated overdrive. • Separate Bass and Treble knobs. • The V3 Route 66 sounds equally great with guitar or bass, and even with keyboards and other instruments!

Looking for the most amazing true stereo Chorus pedal to come along in years? Look no further than the single pedal Liquid Chorus from Truetone. Wonderfully voiced for electric, acoustic, or bass guitar, using pure analog circuitry, the Liquid Chorus is soon to become a must for every player who wants their sound to stand out from all the rest. Use the Depth knob to set the overall style of Chorus (from light to lush) and the user-friendly knobs to adjust however you want your chorus to sound. Unlike H2O, the second output of Liquid Chorus is a “true stereo” output for extremely spacious sounds when used with two amps, a PA system, or when recording.

Works great on bass too!

The Angry Fuzz is a totally original single pedal effect from Truetone that will blow away any other fuzz pedal you’ve ever tried. Although it has an octave circuit that can be blended in with the fuzz, it is not at all like the Octavia or other vintage pedals for that matter. You can set the Volume and Fuzz levels as well as turn the Bright switch on or off for your basic fuzz tone. Blend in the Octave circuit with the Anger Level knob and voila, the most incredible sound you’ve heard that tracks with every single note. On single notes it will give you one octave up. Play a two-note chord and you’ll get the octave up plus some wild lower octave artifacts.

Works great on bass too!

The Phaser is almost as old as stompboxes themselves. The first one was the Phase 90, and when that came out, the year was 1974 and there was one control: Speed. 40 years later, Joel Korte of Chase Bliss Audio released the Wombtone, the culmination of 40 years worth of phaser research. Nothing before it had been so advanced and so wonderful sounding.

And now, the bar has been raised, again. The Wombtone MKII is now THE most feature-laden phaser available, with the warm sound to back it up.

For starters, the 16 DIP switches that were previously available on the bottom of the pedal are now located on the rear panel. This allows users to adjust the parameters on the fly, which opens up the pedal even more.

Now, there’s a wet/dry Mix knob that governs the amount of dry signal present in the overall effect. This allows players to fully tailor the effect to their individual needs, as some players might want only a subtle phase, like the MXR Phase 45, or some serious ooey-gooiness like the Small Stone.

Of course, all the same stunning versatility of the MKI is still there—the unique ModuShape control that allows players to fully customize the modulation waveform. There’s also tap tempo with selectable subdivisions, as well as presets. And the package is so small, that there’s no reason NOT to buy this pedal—it’s quite simply the ultimate phaser pedal on the market.

Chase Bliss Audio Wombtone MKII Analog Phaser Features

• 16 DIP switches on the rear for ultimate customization
• Tap tempo with subdivisions
• New Tone knob
• Standard 9v center-negative power operation

They just don’t make phasers like they used to. This analog phaser pedal features an all-analog signal path with smooth, vintage tones that harken back to the 70’s while retaining the ability to get plenty weird and psychadelic too. Wombtone mkII has a few upgrades, including a rare mix control that moves from full dry signal to pure phase vibrato as well as the ability to switch between 2, 4, and 6 stages of phase for all flavors of phase from barely audible to that full, syrupy swirl. Further, every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered in analog stompboxes.

The Phaser is almost as old as stompboxes themselves. The first one was the Phase 90, and when that came out, the year was 1974 and there was one control: Speed. 40 years later, Joel Korte of Chase Bliss Audio released the Wombtone, the culmination of 40 years worth of phaser research. Nothing before it had been so advanced and so wonderful sounding.

And now, the bar has been raised, again. The Wombtone MKII is now THE most feature-laden phaser available, with the warm sound to back it up.

For starters, the 16 DIP switches that were previously available on the bottom of the pedal are now located on the rear panel. This allows users to adjust the parameters on the fly, which opens up the pedal even more.

Now, there’s a wet/dry Mix knob that governs the amount of dry signal present in the overall effect. This allows players to fully tailor the effect to their individual needs, as some players might want only a subtle phase, like the MXR Phase 45, or some serious ooey-gooiness like the Small Stone.

Of course, all the same stunning versatility of the MKI is still there—the unique ModuShape control that allows players to fully customize the modulation waveform. There’s also tap tempo with selectable subdivisions, as well as presets. And the package is so small, that there’s no reason NOT to buy this pedal—it’s quite simply the ultimate phaser pedal on the market.

Chase Bliss Audio Wombtone MKII Analog Phaser Features

• 16 DIP switches on the rear for ultimate customization
• Tap tempo with subdivisions
• New Tone knob
• Standard 9v center-negative power operation