Acle Kahney

I recently upgraded to a Prism Orpheus which has amazing AD/DA but the drivers are not quite as great as the RME

For a long time I used the POD XT Pro for recorded tones. I still use it now for that signiture “Milton Cleans” sparkly, glassy, sterile clean tone which I’ve used since the Fell Silent days.

2 Lindell Audio 7X-500's can be seen in this image contained in a 6-slot API lunchbox.

Now we use Axe-FX Ultras. It keeps the tone consistent between recordings and live and it’s a hell of a lot easier and more reliable.

Our Axe-FXs are chained up via MIDI into an RME Fireface 800 and into a laptop

As for some of the other gear and outboard… UBK Clariphonic parallel EQ and an API 2500 for the master buss. SSL X Desk for summing, Avalon 737 channel strip, Axe-FX 2

On Acle's studio website 4dsounds.com, an image containing the SPL Vitalizer Mk2-T can be seen.

As for some of the other gear and outboard… UBK Clariphonic parallel EQ and an API 2500 for the master buss.

In an interview with MetalSucks, Acle Kahney of TesseracT discusses using the Solid State Logic X-Desk 16-channel Analogue Mixer for summing in his studio setup.

A Line 6 Helix Rack can be clearly seen in this image towards the bottom right of Acle's studio desk.

On Acle's studio website 4dsounds.com, and image containing the Rupert Neve Portico II Master Buss Processor can clearly be seen. (Would've shown the image, but equipboard doesn't allow you to use the same image twice :/)

Acle's studio website 4dsounds.com shows an image of his studio desk, with the Manley Massive Passive Stereo Tube EQ on the top right of his desks right rack.

The API 2500 Stereo Compressor can be clearly seen in this image.

2 Kush Audio Electra 500's can be seen in this image, contained in a 6-slot API lunchbox.

In this image, Acle uses a 6-slot API lunchbox to contain 2 PEX-500's, 2 7X-500's, and 2x UBK 500 Electra's.

2 PEX-500's can be seen in this image contained in a 6-slot API lunchbox.