Andy Gill

In this article, Andy's amp micing technique is explained. "On the Peavey, for example, he normally places Latvian-made JZ mics such as the uniquely-shaped Black Hole or the BT201 as a pair in front of the amp, and then maybe a Neumann U67 in the back for room sound."

In this article, Andy's amp micing technique is explained. "On the Peavey, for example, he normally places Latvian-made JZ mics such as the uniquely-shaped Black Hole or the BT201 as a pair in front of the amp, and then maybe a Neumann U67 in the back for room sound."

According to this article, in which Andy discusses his drum micing technique, "For the snare, I use an SM57 or Beyerdynamic M88, an SM85, and a KSM44."

According to this article, in which Andy discusses his drum micing technique, "For the snare, I use an SM57 or Beyerdynamic M88, an SM85, and a KSM44."

Andy discusses his drum micing technique in this article and states, "For the snare, I use an SM57 or Beyerdynamic M88, an SM85, and a KSM44."

In this article, Andy says this about his drum micing technique: "For the snare, I use an SM57 or Beyerdynamic M88, an SM85, and a KSM44."

While discussing his drum micing technique in this article, Andy Gill says, "The kick had a D112 inside and either a Neumann 47 or 67 outside, usually placed about one-and-a-half or two feet away."

In this article, while talking about his drum micing technique, Andy says, "The kick had a D112 inside and either a Neumann 47 or 67 outside, usually placed about one-and-a-half or two feet away."

Andy's amp micing technique is explained in this article. "On the Peavey, for example, he normally places Latvian-made JZ mics such as the uniquely-shaped Black Hole or the BT201 as a pair in front of the amp, and then maybe a Neumann U67 in the back for room sound."